The Philosophy and Politics of Abstract Expressionism, 1940-1960

The Philosophy and Politics of Abstract Expressionism, 1940-1960
Author: Nancy Jachec
Publisher: Cambridge University Press
Total Pages: 272
Release: 2000-06-05
Genre: Art
ISBN: 9780521651547

Tracing the relationship between Abstract Expressionist artists and contemporary intellectuals, particularly the French existentialists, Nancy Jachec here offers a new interpretation of the success of America's first internationally recognized avant-garde art form. She argues that Abstract Expressionism was promoted by the United States government because of its radical character, which was considered to appeal to a Western European populace perceived by the State Department as inclined toward Socialism.

Existential America

Existential America
Author: George Cotkin
Publisher: JHU Press
Total Pages: 396
Release: 2003-01-24
Genre: History
ISBN: 9780801870378

"As Cotkin shows, not only did Americans readily take to existentialism, but they were already heirs to a rich tradition of thinkers - from Jonathan Edwards and Herman Melville to Emily Dickinson and William James - who had wrestled with the problems of existence and the contingency of the world long before Sartre and his colleagues. After introducing the concept of an American existential tradition, Cotkin examines how formal existentialism first arrived in America in the 1930s through discussion of Kierkegaard and the early vogue among New York intellectuals for the works of Sartre, Beauvoir, and Camus.

Rereading Abstract Expressionism, Clement Greenberg and the Cold War

Rereading Abstract Expressionism, Clement Greenberg and the Cold War
Author: Daniel Neofetou
Publisher: Bloomsbury Publishing USA
Total Pages: 241
Release: 2021-09-23
Genre: Art
ISBN: 1501358391

Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them.

Reframing Abstract Expressionism

Reframing Abstract Expressionism
Author: Michael Leja
Publisher: Yale University Press
Total Pages: 408
Release: 1993
Genre: Art
ISBN: 9780300044614

In this original and wide-ranging study, Michael Leja argues that Jackson Pollock, Mark Rothko and other abstract expressionist artists were part of a culture-wide initiative to reimagine the self.

Radical History and the Politics of Art

Radical History and the Politics of Art
Author: Gabriel Rockhill
Publisher: Columbia University Press
Total Pages: 289
Release: 2014-07-15
Genre: Philosophy
ISBN: 0231527780

Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.

Charles Olson and American Modernism

Charles Olson and American Modernism
Author: Mark Byers
Publisher: Oxford University Press
Total Pages: 223
Release: 2018-04-27
Genre: Literary Criticism
ISBN: 0192542729

This volume situates the work of American poet Charles Olson (1910-1970) at the centre of the early post-war American avant-garde. It shows Olson to have been one of the major advocates and theorists of American modernism in the late 1940s and early 1950s; a poet who responded fully and variously to the political, ethical, and aesthetic urgencies driving innovation across contemporary American art. Reading Olson's work alongside that of contemporaries associated with the New York Schools of painting and music (as well as the exiled Frankfurt School), the book draws on Olson's published and unpublished writings to establish an original account of early post-war American modernism. The development of Olson's work is seen to illustrate two primary drivers of formal innovation in the period: the evolution of a new model of political action pivoting around the radical individual and, relatedly, a powerful new critique of instrumental reason and the Enlightenment tradition. Drawing on extensive archival research and featuring readings of a wide range of artists including, prominently, Barnett Newman, Mark Rothko, David Smith, Wolfgang Paalen, and John Cage, Charles Olson and American Modernism offers a new reading of a major American poet and an original account of the emergence of post-war American modernism.

Barnett Newman and Heideggerian Philosophy

Barnett Newman and Heideggerian Philosophy
Author: Claude Cernuschi
Publisher: Lexington Books
Total Pages: 349
Release: 2012
Genre: Art
ISBN: 1611475198

This book investigates the writings and works of the American Abstract Expressionist artist Barnett Newman in light of ideas articulated by one of Germany's most important and influential philosophers: Martin Heidegger. At the intersection of art history and philosophy, an int...

Art and Politics

Art and Politics
Author: Claudia Mesch
Publisher: Bloomsbury Publishing
Total Pages: 296
Release: 2014-10-10
Genre: Art
ISBN: 0857734105

Contemporary art is increasingly concerned with swaying the opinions of its viewier. To do so, the art employs various strategies to convey a political message. This book provides readers with the tools to decode and appreciate political art, a crucial and understudied direction in post-war art. From the postwar works of Pablo Picasso and Alexander Deineka to thie Border Film Project and web-based works of Beatriz da Costa, Art and Politics: a Small History of Art for Social Change after 1945 considers how artists visual or otherwise have engaged with major political and grassroots movements, particularly after 1960. With its broad definition of the political, this book features chapters on postcolonialism, feminism, the anti-war movement, environmentalism, gay rights and anti-globiliaztion. It charts how individual artworks reverberated with enormous idealogical shifts. While emphasising the West, Art and Politics takes global developments into account as well - looking at art production practiced by postcolonial African, Latin American and Middle Eastern artists. Its case-study approach to the subject provides the reader with an overview of a most complex subject. This book will also challenge its readers to consider often devalued and marginalised political artworks as properly part of the history of modern and contemporary art.

The Power of Art

The Power of Art
Author: Caroline Campbell
Publisher: Simon and Schuster
Total Pages: 427
Release: 2024-01-02
Genre: Art
ISBN: 1639365508

An epic work of art history that will transform our understanding of the world by unlocking the human stories behind millennia of art. Taking readers from ancient Babylon to contemporary Pyongyang, the eminent curator Caroline Campbell explains art's power to illuminate our lives—and inspires us to benefit from its transformative and regenerative power. Unlike the majority of contemporary art history, this book is about much more than the cult of artists’ personalities. Instead, each chapter is structured around a city at a particularly vibrant moment in its history, describing what propelled its creativity and innovation. The emotions and societies she evokes are highly recognizable, revealing how great art resonates powerfully by transcending the boundaries of time.