The Persian Garden Bagh And Chahar Bagh
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| Author | : Donald N. Wilber |
| Publisher | : Tuttle Publishing |
| Total Pages | : 244 |
| Release | : 1994-06-15 |
| Genre | : Gardening |
| ISBN | : 1462913040 |
This Persian gardening book showcases classic gardens and pavilions and presents gardening advice for the aspiring amateur landscaper looking to add an Eastern flair to his or her yard. The garden has always had a special meaning for Persian (Iran). The Persian garden, with its flowing pools, fountains, waterways, rows of tall trees, rich arrays of fruit trees and flowers, and cool pavilions, has represented an image of paradise. Persian Gardens & Garden Pavilions is both a comprehensive survey and an appreciation of this Persian tradition of gardens and garden pavilions. The text traces the historical development of Persian gardens, describes their basic features, presents existing examples, and discusses the literature and tradition behind them. The 119 illustrations include detailed plans and photographs of surviving gardens and their pavilions made on the spot, as well as a comprehensive collection of paintings, lithographs, and drawings of the nineteenth century executed both by Persian artists and by European travelers and emissaries of the period. The author points out, the gardeners who read this book should come across many details and ideas that can be incorporated into their own kinds of gardens.
| Author | : D. Fairchild Ruggles |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 291 |
| Release | : 2011-12-30 |
| Genre | : Architecture |
| ISBN | : 0812207289 |
Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India. Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra. Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections. Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.
| Author | : Mehdi Khansari |
| Publisher | : Mage Pub |
| Total Pages | : 172 |
| Release | : 2003-12-30 |
| Genre | : Architecture |
| ISBN | : 9780934211758 |
For more than three thousand years, the Persian garden has been a focus of Iran's national imagination, influencing its art, literature, and even religion. The Persian garden's inspirational role has, however, extended far beyond the land of its origin; its precepts have exerted a profound influence on garden design around the world. The Persian Garden: Echoes of Paradise chronicles the history of the Persian garden, from the magnificent sanctuaries and hunting parks of fifth-century b.c. Persepolis to the magical nightingale gardens of nineteenth-century Tehran. All were seen as a kind of earthly paradise (the English word paradise has its roots in the old Persian word pairi-daeza meaning a walled space). To an astonishing extent, that vision seems justified. This book was meticulously researched and created over a period of six years in, Paris, Tehran and Washington by photographer, Mehdi Khansari and architect Minouch Yavari, together with the renowned Persian architect and architectural historian Reza Moghtader. It explains the philosophy behind Persian garden design and offers an authoritative account of its developmentintroducing new historical material in the process. This extraordinary story is enhanced by vivid descriptions of Persian gardens as seen through the eyes of travelers to Iran during the past five hundred years. Over 240 illustrations in full color, complement the text. They include magnificent color photographs, old plates and engravings, as well as exquisite architectural renderings and plans of the sites and the gardens. A selection of the finest Persian garden-carpets, textiles, miniature paintings, stone reliefs, painted tiles, pottery, and poetry, augment the reader's experience of an ancient art form that for centuries has sought to meld the physical and the spiritual.
| Author | : Penelope Hobhouse |
| Publisher | : Kales Press |
| Total Pages | : 204 |
| Release | : 2004 |
| Genre | : Architecture |
| ISBN | : 9780967007663 |
Looks at the evolution of Persian gardens from ancient times to the present day and their impact on modern garden design.
| Author | : Monty Don |
| Publisher | : Two Roads |
| Total Pages | : 301 |
| Release | : 2018-03-22 |
| Genre | : Gardening |
| ISBN | : 1473666503 |
'Lavish ... a celebration of the history and enduring romance of Islamic gardens' Washington Post As seen on the highly acclaimed BBC2 series Monty Don's Paradise Gardens, a glorious celebration of the richness of Islamic culture through some of the most beautiful gardens on earth. In the Islamic tradition, a garden with its central elements of water, the scent of fruit trees, and places for rest and reflection, celebrate heaven on earth. Paradise gardens play a central role in everyday life in the Islamic world, yet little is known about them. Monty Don and acclaimed photographer, Derry Moore, set off on a journey to find out more about the principles and immersive delights of paradise gardens and how a very different culture and climate has influenced garden design round the world. Their journey covers twenty-nine gardens from the Real Alcazar and the Alhambra in Spain, and Le Jardin Majorelle in Morocco, to Highgrove and a Mughal garden in Bradford in England. There are some spectacular and rarely seen examples such as Pasargadae and the Maidan in Isfahan, Iran, the birthplace of paradise gardens, as well as the more renowned examples such as Turkey's Topkapi Palace and the Amber Palace and Taj Mahal in India. 'A garden, green and filled with water is heaven on earth - it is paradise.' Monty Don ALSO BY MONTY DON & DERRY MOORE JAPANESE GARDENS: A JOURNEY An exploration of the exquisite beauty and fascinating history of the most beautiful and famous gardens across Japan, from Kenrok-en to the Zen gardens of Tokyo. 'A fabulous, bonsai-filled book' Daily Mail
| Author | : Petruccioli |
| Publisher | : BRILL |
| Total Pages | : 212 |
| Release | : 1997-04-01 |
| Genre | : Art |
| ISBN | : 9004660828 |
Interest in the Islamic garden has increased considerably in the past years, to such a point where a conference specifically on this subject was held at M.I.T. in Cambridge, Massachusetts, in 1994. This volume collects eight papers from the conference and two additional papers especially written for the book, to further and act as a basis for the attention given by scholars these days to Islamic landscape architecture.
| Author | : Mohammad Gharipour |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 351 |
| Release | : 2013-04-02 |
| Genre | : Gardening |
| ISBN | : 0857733206 |
From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae in the sixth century BC. Here, Mohammad Gharipour places both the garden and the pavilion within their historical, literary and artistic contexts, emphasizing the importance of the pavilion, which has hitherto been overlooked in the study of Iranian historical architecture. Starting with an examination of the depictions and representations of gardens in religious texts, Gharipour analyses the how the idea of the garden developed from the model of pre-Islamic gardens in Achaemenid and Sassanian Persia to its mentions in the Zoroastrian text of Aban Yasht and on to its central role as paradise in the Qur'an. Continuing on with an exploration of gardens and pavilions in Persian poetry, Gharipour offers in-depth analysis of their literal and metaphorical values. It is in the poetry of major Persian poets such as Ferdowsi, Naser Khosrow, Sa'di, Rumi and Hafez that Gharipour finds that whilst gardens are praised for their spiritual values, they also contain significant symbolic worth in terms of temporal wealth and power. Persian Gardens and Pavilions then goes onto examine the garden and the pavilion as reflected in Persian miniature painting, sculpture and carpets, as well as accounts of travelers to Persia. With masters such as Bizhad representing daily life as well as the more mystical prose and poetry in, for example, Sa'di's Bustan (The Orchard) and Golestan (The Rose Garden), the garden and the pavilion can be seen to have crucial semiotic significances and cultural meanings. But in addition to this, they also point to historical patterns of patronage and ownership which were of central importance in the diplomatic and social life of the royal courts of Persia. Gharipour thereby highlights the metaphorical, spiritual, symbolic and religious aspects of gardens, as well as their more materialistic and economic functions. This book reaches back through Persia's rich history to explore the material and psychological relationships between human beings, pavilions and gardens, and will be a valuable resource for Art History, Architecture and Iranian Studies.
| Author | : James L. Wescoat |
| Publisher | : Dumbarton Oaks |
| Total Pages | : 308 |
| Release | : 1996 |
| Genre | : Architecture |
| ISBN | : 9780884022350 |
The Mughal dynasty (1526-1858) began with the visionary garden builder and conqueror, Zahir and Din Muhammad Babur. As he conquered new lands, he would build gardens to mark the beauty of the natural landscape and to lay claim to the new territory; the role of garden design and meaning thereafter evolved with each Mughal ruler.
| Author | : Emma Clark |
| Publisher | : The Crowood Press |
| Total Pages | : 685 |
| Release | : 2010-07-31 |
| Genre | : Gardening |
| ISBN | : 0719843588 |
Islamic gardens are enchanting places. Just the names of some of the most beautiful gardens in the world - the Alhambra, the Generalife, the Shalimar - conjure up images of calm and even divine beauty. No visitor is left untouched by their magic. This new paperback edition of The Art of the Islamic Garden is an introduction to the design, symbolism and making of an Islamic Garden and it examines that magic, describes the component parts which allow a deeper understanding of the beauty. Topics covered include: history, symbolism and the Quran in relation to the traditional Islamic garden; significance of design and layout of the garden explained, geometry, hard landscaping and architectural elements and aguide to designing the garden with water, and recommendations for trees, shrubs and flowers. There is a unique account of the design and planting of HRH The Prince of Wales' Carpet Garden at Highgrove.
| Author | : Kathryn Babayan |
| Publisher | : Stanford University Press |
| Total Pages | : 343 |
| Release | : 2021-04-06 |
| Genre | : History |
| ISBN | : 1503627837 |
Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city at the transformative moment it became a cosmopolitan center of imperial rule. Bringing into view people's lives from a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves. Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.
