Perry at Put in Bay
Author | : Charles Wesley Porter (III) |
Publisher | : |
Total Pages | : 20 |
Release | : 1938 |
Genre | : Perry memorial |
ISBN | : |
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Author | : Charles Wesley Porter (III) |
Publisher | : |
Total Pages | : 20 |
Release | : 1938 |
Genre | : Perry memorial |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 56 |
Release | : 1957 |
Genre | : National parks and reserves |
ISBN | : |
Vol. for 1965 includes the Registry of national landmarks.
Author | : United States. Perry's Victory Memorial Commission |
Publisher | : |
Total Pages | : 344 |
Release | : 1921 |
Genre | : Lake Erie, Battle of, 1813 |
ISBN | : |
Author | : Interstate Board of the Perry's Victory Centennial Commissioners |
Publisher | : |
Total Pages | : 92 |
Release | : 1913 |
Genre | : Lake Erie, Battle of, 1813 |
ISBN | : |
Author | : William G. Krejci |
Publisher | : Haunted America |
Total Pages | : 0 |
Release | : 2017 |
Genre | : History |
ISBN | : 9781625858528 |
Behind Put-in-Bay's breathtaking scenery and wild nightlife is a side of the island that will make your hair stand on end. Passersby claim to see the ghost of assistant lighthouse keeper Sam Anderson, who jumped to his death in the turbulent water of Lake Erie during an 1898 smallpox outbreak. Doors open and close of their own accord, and some say a spirit named Benny tosses things around at the Put-in-Bay Brewery and Distillery. Stage actor T.B. Alexander married the granddaughter of famous abolitionist John Brown and became one of the island's most noted mayors. His ghost is said to linger in the historic barroom of T&J's Smokehouse. Author William G. Krejci hosts this tour of the darker aspects of island life.
Author | : Maya Lin |
Publisher | : Simon and Schuster |
Total Pages | : 231 |
Release | : 2016-04-26 |
Genre | : Art |
ISBN | : 1501146564 |
Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
Author | : Gerard T. Altoff |
Publisher | : Perry Group - Friends of Perry's Victory & International Peace Memorial |
Total Pages | : 181 |
Release | : 1996 |
Genre | : African Americans |
ISBN | : 9781887794022 |
"The War of 1812 is without doubt one of the least known of all of America's wars. Mere mention of the war conjures in the average American's mind a series of illusions, misconceptions, and false assumptions. Chief among those fallacies is that the United States won the war, closely followed by numerous supposed truisms perpetuated by individuals reluctant to admit that the United States rushed headlong into an avoidable war, blundered through ill-conceived military campaigns, suffered defeat in most of the land battles, and nearly lost the war outright. Thus, it is not surprising that the role of African-Americans in the War of 1812 is as misunderstood as the war itself ... Even though there occasionally may be no specific information pertaining to African-American participation, black soldiers and sailors did serve in virtually every land and naval engagement of the war of 1812"--Preface.
Author | : Natasha Trethewey |
Publisher | : HarperCollins |
Total Pages | : 150 |
Release | : 2020-07-28 |
Genre | : Biography & Autobiography |
ISBN | : 0062248596 |
An Instant New York Times Bestseller A New York Times Notable Book One of Barack Obama's Favorite Books of 2020 Named One of the Best Books of the Year by: The Washington Post, NPR, Shelf Awareness, Esquire, Electric Literature, Slate, The Los Angeles Times, USA Today, and InStyle A chillingly personal and exquisitely wrought memoir of a daughter reckoning with the brutal murder of her mother at the hands of her former stepfather, and the moving, intimate story of a poet coming into her own in the wake of a tragedy At age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and killed her mother. Grieving and still new to adulthood, she confronted the twin pulls of life and death in the aftermath of unimaginable trauma and now explores the way this experience lastingly shaped the artist she became. With penetrating insight and a searing voice that moves from the wrenching to the elegiac, Pulitzer Prize–winning poet Natasha Trethewey explores this profound experience of pain, loss, and grief as an entry point into understanding the tragic course of her mother’s life and the way her own life has been shaped by a legacy of fierce love and resilience. Moving through her mother’s history in the deeply segregated South and through her own girlhood as a “child of miscegenation” in Mississippi, Trethewey plumbs her sense of dislocation and displacement in the lead-up to the harrowing crime that took place on Memorial Drive in Atlanta in 1985. Memorial Drive is a compelling and searching look at a shared human experience of sudden loss and absence but also a piercing glimpse at the enduring ripple effects of white racism and domestic abuse. Animated by unforgettable prose and inflected by a poet’s attention to language, this is a luminous, urgent, and visceral memoir from one of our most important contemporary writers and thinkers.
Author | : Jeff Kissell |
Publisher | : Arcadia Publishing |
Total Pages | : 134 |
Release | : 2001-10-17 |
Genre | : Architecture |
ISBN | : 143963002X |
Discover the story of the construction of the monument that is as thrilling as the bravery that inspired it. We have met the enemy and they are ours. . . . So wrote Commodore Oliver Hazard Perry to General William Henry Harrison following his decisive victory over a British fleet at the Battle of Lake Erie. Perry's victory served as a catalyst both for this battle and for ending hostilities in the Old Northwest Theater of the War of 1812. Captured here in over 200 vintage images from the Monument archives, is a pictorial and technical record of how a monument befitting this naval victory and the resulting peace became a reality. During the remainder of his life, the country heralded Perry as a national hero whose bravery and fortitude enabled the U. S. to win, or gain an honorable peace from, its war with England. A deserving result of this victory was creation of a monument to honor Perry and his men. Seen here are the original photographs taken by prominent Put-in-Bay photographer G. Otto Herbster, capturing the builders, architects, mishaps, and triumphs that occurred during the construction of one of Ohio's most revered treasures.