The Performance Tradition of the Medieval English University

The Performance Tradition of the Medieval English University
Author: Thomas Meacham
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 244
Release: 2020-01-20
Genre: History
ISBN: 1501512927

This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.

Indian Theatre

Indian Theatre
Author: Farley P. Richmond
Publisher: Motilal Banarsidass Publ.
Total Pages: 518
Release: 1993
Genre: Folklore
ISBN: 9788120809819

Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.

Troubling Traditions

Troubling Traditions
Author: Lindsey Mantoan
Publisher: Routledge
Total Pages: 227
Release: 2021-11-29
Genre: Performing Arts
ISBN: 1000486389

Troubling Traditions takes up a 21st century, field-specific conversation between scholars, educators, and artists from varying generational, geographical, and identity positions that speak to the wide array of debates around dramatic canons. Unlike Literature and other fields in the humanities, Theatre and Performance Studies has not yet fully grappled with the problems of its canon. Troubling Traditions stages that conversation in relation to the canon in the United States. It investigates the possibilities for multiplying canons, methodologies for challenging canon formation, and the role of adaptation and practice in rethinking the field’s relation to established texts. The conversations put forward by this book on the canon interrogate the field’s fundamental values, and ask how to expand the voices, forms, and bodies that constitute this discipline. This is a vital text for anyone considering the role, construction, and impact of canons in the US and beyond.

Text and Tradition in Performance and Writing

Text and Tradition in Performance and Writing
Author: Richard A. Horsley
Publisher: Wipf and Stock Publishers
Total Pages: 374
Release: 2013-11-05
Genre: Religion
ISBN: 163087065X

Embedded in modern print culture, biblical scholars have been projecting the assumptions and concepts of print culture onto the texts they interpret. In the ancient world from which those texts originate, however, literacy was confined to only a small number of educated scribes. And, as recent research has shown, even the literate scribes learned texts by repeated recitation, while the nonliterate ordinary people had little if any direct contact with written scrolls. The texts that had taken distinctive form, moreover, were embedded in a broader and deeper cultural repertoire cultivated orally in village communities as well as in scribal circles. Only recently have some scholars struggled to appreciate texts that later became "biblical" in their own historical context of oral communication. Exploration of texts in oral performance--whether as scribal teachers' instruction to their proteges or as prophetic speeches of Jesus of Nazareth or as the performance of a whole Gospel story in a community of Jesus-loyalists--requires interpreters to relinquish their print-cultural assumptions. Widening exploration of texts in oral performance in other fields offers exciting new possibilities for allowing those texts to come alive again in their community contexts as they resonated with the cultural tradition in which they were embedded.

Tradition, Performance, and Religion in Native America

Tradition, Performance, and Religion in Native America
Author: Dennis Kelley
Publisher: Routledge
Total Pages: 132
Release: 2015-05-08
Genre: Religion
ISBN: 1135917051

In contemporary Indian Country, many of the people who identify as "American Indian" fall into the "urban Indian" category: away from traditional lands and communities, in cities and towns wherein the opportunities to live one's identity as Native can be restricted, and even more so for American Indian religious practice and activity. Tradition, Performance, and Religion in Native America: Ancestral Ways, Modern Selves explores a possible theoretical model for discussing the religious nature of urbanized Indians. It uses aspects of contemporary pantribal practices such as the inter-tribal pow wow, substance abuse recovery programs such as the Wellbriety Movement, and political involvement to provide insights into contemporary Native religious identity. Simply put, this book addresses the question what does it mean to be an Indigenous American in the 21st century, and how does one express that indigeneity religiously? It proposes that practices and ideologies appropriate to the pan-Indian context provide much of the foundation for maintaining a sense of aboriginal spiritual identity within modernity. Individuals and families who identify themselves as Native American can participate in activities associated with a broad network of other Native people, in effect performing their Indian identity and enacting the values that are connected to that identity.

The Invention of Tradition

The Invention of Tradition
Author: Eric Hobsbawm
Publisher: Cambridge University Press
Total Pages: 332
Release: 1992-07-31
Genre: History
ISBN: 9780521437738

This book explores examples of this process of invention and addresses the complex interaction of past and present in a fascinating study of ritual and symbolism.

Dhrupad: Tradition and Performance in Indian Music

Dhrupad: Tradition and Performance in Indian Music
Author: Ritwik Sanyal
Publisher: Taylor & Francis
Total Pages: 422
Release: 2023-02-16
Genre: Music
ISBN: 1000845435

Dhrupad is believed to be the oldest style of classical vocal music performed today in North India. This detailed study of the genre considers the relationship between the oral tradition, its transmission from generation to generation, and its re-creation in performance. There is an overview of the historical development of the dhrupad tradition and its performance style from the sixteenth to the nineteenth centuries, and of the musical lineages that carried it forward into the twentieth century, followed by analyses of performance techniques, processes and styles. The authors examine the relationship between the structures provided by tradition and their realization by the performer to throw light on the nature of tradition and creativity in Indian music; and the book ends with an account of the ‘revival’ movement of the late twentieth century that re-established the genre in new contexts. Augmented with an analytical transcription of a complete dhrupad performance, this is the first book-length study of an Indian vocal genre to be co-authored by an Indian practitioner and a Western musicologist.

Music and Dance Traditions of Ghana

Music and Dance Traditions of Ghana
Author: Paschal Yao Younge
Publisher: McFarland
Total Pages: 477
Release: 2024-10-17
Genre: Performing Arts
ISBN: 0786485310

The music and dance traditions of Ghana's four main ethnic groups are covered comprehensively in this book. It discusses concepts of music, dance and performance in general, and also goes into cultural perspectives, performance practices and the form and structure of 22 musical types or dance drumming ceremonies. As a guide to multicultural education, it provides teaching methods and components of curriculum development. Numerous photographs, maps, and musical scores generously illustrate the book.

Performance Tradition in India

Performance Tradition in India
Author: Sureśa Avasthī
Publisher:
Total Pages: 164
Release: 2001
Genre: Arts, Indic
ISBN:

This book gives a comprehensive account of various art forms as practiced I different corners of india almost as a way of life.Written in a lucid style, different aspects of the rich performance tradition of the country with its own typical myths, customs, traditions and folk life get unraveled before us in these pages.

Iranian Performance Traditions

Iranian Performance Traditions
Author: William O. Beeman
Publisher: Mazda Publishers
Total Pages: 0
Release: 2011
Genre: Folklore
ISBN: 9781568592169

These beautiful performance traditions have continued down to the present. They are aesthetically complex, subtle and uniquely reflective of Iranian culture and though enriching all Iranian cultural expression, including literature, art, architecture and film. --