The Past As Present In The Drama Of August Wilson
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| Author | : Harry Justin Elam |
| Publisher | : University of Michigan Press |
| Total Pages | : 308 |
| Release | : 2009-05-21 |
| Genre | : Performing Arts |
| ISBN | : 0472021842 |
Pulitzer-prizewinning playwright August Wilson, author of Fences, Ma Rainey's Black Bottom, and The Piano Lesson, among other dramatic works, is one of the most well respected American playwrights on the contemporary stage. The founder of the Black Horizon Theater Company, his self-defined dramatic project is to review twentieth-century African American history by creating a play for each decade. Theater scholar and critic Harry J. Elam examines Wilson's published plays within the context of contemporary African American literature and in relation to concepts of memory and history, culture and resistance, race and representation. Elam finds that each of Wilson's plays recaptures narratives lost, ignored, or avoided to create a new experience of the past that questions the historical categories of race and the meanings of blackness. Harry J. Elam, Jr. is Professor of Drama at Stanford University and author of Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka (The University of Michigan Press).
| Author | : Jackson R. Bryer |
| Publisher | : |
| Total Pages | : 292 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781578068302 |
Collects a selection of the many interviews Wilson gave from 1984 to 2004. In the interviews, the playwright covers at length and in detail his plays and his background. He comments as well on such subjects as the differences between African Americans and whites, his call for more black theater companies, and his belief that African Americans made a mistake in assimilating themselves into the white mainstream. He also talks about his major influences, what he calls his "four B's"-- the blues, writers James Baldwin and Amiri Baraka, and painter Romare Bearden. Wilson also discusses his writing process and his multiple collaborations with director Lloyd Richards--Publisher description.
| Author | : David Krasner |
| Publisher | : John Wiley & Sons |
| Total Pages | : 608 |
| Release | : 2016-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 1118893271 |
A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 through to the dawn of the new millennium. Features detailed analyses of plays and playwrights, examining the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by Peter Weiss and Sarah Kane Provides global coverage of both English and non-English dramas – including works from Africa and Asia to the Middle East Considers the influence of art, music, literature, architecture, society, politics, culture, and philosophy on the formation of postmodern dramatic literature Combines wide-ranging topics with original theories, international perspective, and philosophical and cultural context Completes a comprehensive two-part work examining modern world drama, and alongside A History of Modern Drama: Volume I, offers readers complete coverage of a full century in the evolution of global dramatic literature.
| Author | : Alan Nadel |
| Publisher | : University of Iowa Press |
| Total Pages | : 241 |
| Release | : 2010-05-16 |
| Genre | : Drama |
| ISBN | : 1587299356 |
Contributors to this collection of 15 essays are academics in English, theater, and African American studies. They focus on the second half of Wilson's century cycle of plays, examining each play within the larger context of the cycle and highlighting themes within and across particular plays. Some topics discussed include business in the street in Jitney and Gem of the Ocean, contesting black male responsibilities in Jitney, the holyistic blues of Seven Guitars, violence as history lesson in Seven Guitars and King Hedley II, and ritual death and Wilson's female Christ. The book offers an index of plays, critics, and theorists, but not a subject index. Nadel is chair of American literature and culture at the University of Kentucky.
| Author | : Laurence Admiral Glasco |
| Publisher | : |
| Total Pages | : 146 |
| Release | : 2011 |
| Genre | : African Americans |
| ISBN | : 9780978828479 |
| Author | : Sandra G. Shannon |
| Publisher | : McFarland |
| Total Pages | : 221 |
| Release | : 2016-02-09 |
| Genre | : Performing Arts |
| ISBN | : 147662299X |
Providing a detailed study of American playwright August Wilson (1945-2005), this collection of new essays explores the development of the author's ethos across his twenty-five-year creative career--a process that transformed his life as he retraced the lives of his fellow "Africans in America." While Wilson's narratives of Pittsburgh and Chicago are microcosms of black life in America, they also reflect the psychological trauma of his disconnection with his biological father, his impassioned efforts to discover and reconnect with the blues, with Africa and with poet/activist Amiri Baraka, and his love for the vernacular of Pittsburgh.
| Author | : Stratos E. Constantinidis |
| Publisher | : McFarland |
| Total Pages | : 273 |
| Release | : 2009-12-21 |
| Genre | : Performing Arts |
| ISBN | : 0786455403 |
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 29th annual conference held in Northridge, California. Topics covered include drama in Ireland, Greece, England, Eastern Europe, Korea, Japan and North America.
| Author | : Alan Nadel |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 236 |
| Release | : 2018-05-17 |
| Genre | : Performing Arts |
| ISBN | : 147252764X |
The first comprehensive study of August Wilson's drama introduces the major themes and motifs that unite Wilson's ten-play cycle about African American life in each decade of the twentieth century. Framed by Wilson's life experiences and informed by his extensive interviews, this book provides fresh, coherent, detailed readings of each play, well-situated in the extant scholarship. It also provides an overview of the cycle as a whole, demonstrating how it comprises a compelling interrogation of American culture and historiography. Keenly aware of the musical paradigms informing Wilson's dramatic technique, Nadel shows how jazz and, particularly, the blues provide the structural mechanisms that allow Wilson to examine alternative notions of time, property, and law. Wilson's improvisational logics become crucial to expressing his notions of black identity and resituating the relationship of literal to figurative in the African American community. The final two chapters include contributions by scholars Harry J. Elam, Jr. and Donald E. Pease
| Author | : Harold Bloom |
| Publisher | : Infobase Publishing |
| Total Pages | : 201 |
| Release | : 2009 |
| Genre | : African Americans in literature |
| ISBN | : 1604133937 |
Presents a brief biography of August Wilson along with extracts of major critical essays, plot summaries, and an index of themes and ideas.
| Author | : August Wilson |
| Publisher | : Theatre Communications Grou |
| Total Pages | : 54 |
| Release | : 2001 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781559361873 |
August Wilson's radical and provocative call to arms.
