The Parodies Of Gothic Conventions In Northanger Abbey By Jane Austen
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Author | : Magdalena Przytarska |
Publisher | : GRIN Verlag |
Total Pages | : 58 |
Release | : 2014-12-22 |
Genre | : Foreign Language Study |
ISBN | : 3656865205 |
Bachelor Thesis from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1, University of Gdansk, course: English Literature, language: English, abstract: The parody of Gothicism emerged as a reaction against its conventions, just as Gothic novel itself was directed against the rationality of Neoclassicism. At first, the Gothic novel gained great interest of the readers, the genre developed rapidly and many writers, like Clara Reeve, Mary Shelley or Charles Maturin contributed to this kind of fiction. However, the set of conventions established by Horace Walpole and then developed by Mrs. Radcliffe, became a point of reference for Jane Austen to create a novel titled Northanger Abbey, which became an outstanding parody of the conventions. Thus, Jane Austen reused many Gothic elements, retold the story in a parodying way in order to show the silliness and artificiality of the genre.
Author | : Melanie Strieder |
Publisher | : GRIN Verlag |
Total Pages | : 29 |
Release | : 2011-10 |
Genre | : Language Arts & Disciplines |
ISBN | : 3656036179 |
Essay from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Duisburg-Essen, 4 entries in the bibliography, language: English, abstract: Why is Jane Austen's Northanger Abbey often referred to as a parody of the Gothic novel?_ Jane Austen (1775-1817) is often regarded as the greatest English female novelist. Her novels are praised for their underlieing social comedy and thorough description of human relationships. She lived and worked during a time predominated by novels of sentiment, sensation and sensibility. However she stayed aloof from this literary style and especially her novel Northanger Abbey is often regarded to as a parody of the Gothic novel. Main authors of these so called 'Gothic' romances are for example Ann Radcliffe, Horace Walpole and M.G. Lewis. The Gothic novel has its origins in the Middle Ages and deals with mysterious, frightening, fantastic, supernatural, sexual and sublime things. The stories seem rather ridiculous to us today. The reader always finds similar characters and plots in those novels: "the tyrannical father, the importunate and unscrupulous suitor, the hero and heroine of sensibility and of mysterious but noble birth, the confidante[...], the chaperone."1 The heroine is always unbelievable beautiful but weak and virtuous. Then she is threatened by a veil man and saved by the hero in the end. In contrast to such a story Jane Austen's Northanger Abbey is often considered as a "amusing and bitingly satirical pastiche of the 'Gothic' romances popular in her day."2 [...] _____ 1 Mudrick, Marvin: Irony versus Gothicism. In: Jane Austen: Northanger Abbey and Persuasion. Edited by B.C. Southam. MacMillan Education Ltd. Hampshire, London. 1986 (Casebook Series); page 75 2 Austen, Jane: Northanger Abbey. Penguin Popular Classics. London. 1994; blurb
Author | : Elisa Parsons |
Publisher | : Lulu.com |
Total Pages | : 178 |
Release | : 2016-08-12 |
Genre | : Fiction |
ISBN | : 1438794037 |
The Castle of Wolfenbach (1793) is the most famous novel written by the English Gothic novelist Eliza Parsons. First published in two volumes during 1793, it was one of the seven "horrid novels" recommended by the character Isabella Thorpe to Catherine Morland in Jane Austens novelNorthanger Abbey and was an important early work in the genre, predating both Ann Radcliffes The Mysteries of Udolpho and Monk Lewiss The Monk.
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2020-06-23 |
Genre | : |
ISBN | : 9780989025966 |
Newly married to her beloved Henry, Catherine's eyes are now open to the grownup pleasures of wedded life. Yet she still hasn't quite given up her girlhood fascination with all things Gothic. When she first visited Northanger Abbey, she only imagined dreadful events had occurred there. This time the horror is all too real. There's been a murder, and Henry has fallen under suspicion. Catherine is determined to clear her husband's name, but at the same time, she's afraid for her own safety, since there's a very good chance the real murderer is still in the house.This delightful sequel reprises the mischievous spirit of Austen's original spoof on the Gothic novel, while giving Catherine a genuine murder mystery to unravel.
Author | : Angela Wright |
Publisher | : Edinburgh University Press |
Total Pages | : 272 |
Release | : 2015-11-16 |
Genre | : Literary Criticism |
ISBN | : 074869675X |
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Author | : Diana Birchall |
Publisher | : |
Total Pages | : |
Release | : 2019-09-17 |
Genre | : |
ISBN | : 9780981654300 |
Author | : Jan Fergus |
Publisher | : Springer |
Total Pages | : 169 |
Release | : 1983-06-18 |
Genre | : Fiction |
ISBN | : 134906100X |
Author | : Kerstin-Anja Münderlein |
Publisher | : Routledge |
Total Pages | : 209 |
Release | : 2021-11-29 |
Genre | : Literary Criticism |
ISBN | : 1000487776 |
This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel, ranging from well-known titles such as Jane Austen’s Northanger Abbey, to little known and researched titles such as Mary Charlton’s Rosella. Münderlein traces the development of socio-political debates conducted in the late eighteenth and early nineteenth centuries on female roles, behaviour, and subversion from the subtly subversive Gothic novel to the Gothic parody. Combining two major areas of research, literary criticism and Gothic studies, the book provides both a new take on an ongoing debate in literary criticism as well as an in-depth study of a virtually neglected aspect of Gothic studies, the Gothic parody.
Author | : John Gregory |
Publisher | : |
Total Pages | : 156 |
Release | : 1774 |
Genre | : Christian education |
ISBN | : |
Author | : Jane Austen |
Publisher | : Anchor |
Total Pages | : 578 |
Release | : 2013-10-01 |
Genre | : Fiction |
ISBN | : 0307950263 |
From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Northanger Abbey that makes her lighthearted satire of the gothic novel an even more satisfying read. Here is the complete text of the novel with more than 1,200 annotations on facing pages, including: -Explanations of historical context -Citations from Austen’s life, letters, and other writings -Definitions and clarifications -Literary comments and analysis -Maps of places in the novel -An introduction, bibliography, and detailed chronology of events -225 informative illustrations Filled with fascinating details about the characters’ clothing, furniture, and carriages, and illuminating background information on everything from the vogue for all things medieval to the opportunities for socializing in the popular resort town of Bath, David M. Shapard’s Annotated Northanger Abbey brings Austen’s world into richer focus.