The Palgrave Handbook Of The Philosophy Of Film And Motion Pictures
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Author | : Noël Carroll |
Publisher | : Springer Nature |
Total Pages | : 1047 |
Release | : 2019-10-30 |
Genre | : Philosophy |
ISBN | : 3030196011 |
This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
Author | : Noël Carroll |
Publisher | : |
Total Pages | : 1061 |
Release | : 2019 |
Genre | : Aesthetics |
ISBN | : 9783030196028 |
This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium's intersection with contemporary social issues, film's kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
Author | : Michael Hauskeller |
Publisher | : Springer |
Total Pages | : 460 |
Release | : 2016-01-13 |
Genre | : Performing Arts |
ISBN | : 113743032X |
What does popular culture's relationship with cyborgs, robots, vampires and zombies tell us about being human? Insightful scholarly perspectives shine a light on how film and television evince and portray the philosophical roots, the social ramifications and the future visions of a posthumanist world.
Author | : Noël Carroll |
Publisher | : John Wiley & Sons |
Total Pages | : 432 |
Release | : 2009-02-09 |
Genre | : Philosophy |
ISBN | : 140515201X |
Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout
Author | : Daniel Frampton |
Publisher | : Columbia University Press |
Total Pages | : 266 |
Release | : 2006 |
Genre | : Performing Arts |
ISBN | : 1904764851 |
'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.
Author | : Aaron Han Joon Magnan-Park |
Publisher | : Springer |
Total Pages | : 743 |
Release | : 2018-11-04 |
Genre | : Performing Arts |
ISBN | : 1349958220 |
This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing together original essays written by established and emerging scholars, this anthology transcends the limitations of national borders to do justice to the diverse ways in which the cinema shapes Asia geographically and imaginatively in the world today. From the revival of the Silk Road as the “belt and road” of a rising China to historical ruminations on the legacy of colonialism across the continent, the authors argue that the category of “Asian cinema” from Turkey to the edges of the Pacific continues to play a vital role in cutting-edge film research. This handbook will serve as an essential guide for committed scholars, students, and all those interested in the past, present, and possible future of Asian cinema in the 21st century.
Author | : Noël Carroll |
Publisher | : |
Total Pages | : 439 |
Release | : 2009 |
Genre | : Motion pictures |
ISBN | : |
Whether addressing assumptions about the objectivity of documentary film, fear of movie monsters, or moral questions surrounding the viewing of pornography, this text is replete with examples and discussion of moving pictures throughout. Book jacket.
Author | : Kim Knowles |
Publisher | : Springer Nature |
Total Pages | : 611 |
Release | : |
Genre | : |
ISBN | : 3031552563 |
Author | : Noël Carroll |
Publisher | : Wiley-Blackwell |
Total Pages | : 256 |
Release | : 2007-12-26 |
Genre | : Philosophy |
ISBN | : 9781405120258 |
Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address
Author | : Kim Knowles |
Publisher | : Palgrave Macmillan |
Total Pages | : 0 |
Release | : 2024-09-30 |
Genre | : Performing Arts |
ISBN | : 9783031552557 |
This book is a collection of newly commissioned essays by established and emerging scholars that maps out the current landscape of experimental cinema studies and sets agendas for future work in the field. Introducing new critical methodologies and calling overdue attention to neglected artists, regions, and topics, the contributions to this volume reassess and reassert experimental cinema as a site of formal exploration and interrogation as well as resistance to institutional, political, and social norms. This collection articulates what it means for experimental cinema to be these things in the contemporary moment, staking out new directions in thinking about the subject not only as a growing sub-field of cinema studies, but as an artistic and scholarly tradition in dialogue with art history, visual culture, philosophy, and the sciences. The contributions reflect a diversity of voices and perspectives, weaving together theoretical, poetic, and personal modes of writing and traversing questions of form, emotion, materiality, national, postcoloniality, the body, and ecology.