The Paintings Of Titian The Religious Paintings
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Titian's Icons
Author | : Christopher J. Nygren |
Publisher | : Penn State University Press |
Total Pages | : 304 |
Release | : 2020-05-27 |
Genre | : |
ISBN | : 9780271085036 |
Titian, one of the most successful painters of the Italian Renaissance, was credited by his contemporaries with painting a miracle-working image, the San Rocco Christ Carrying the Cross. Taking this unusual circumstance as a point of departure, Christopher J. Nygren revisits the scope and impact of Titian's life's work. Nygren shows how, motivated by his status as the creator of a miracle-working object, Titian played an active and essential role in reorienting the long tradition of Christian icons over the course of the sixteenth century. Drawing attention to Titian's unique status as a painter whose work was viewed as a conduit of divine grace, Nygren shows clearly how the artist appropriated, deployed, and reconfigured Christian icon painting. Specifically, he tracks how Titian continually readjusted his art to fit the shifting contours of religious and political reformations, and how these changes shaped Titian's conception of what made a devotionally efficacious image. The strategies that were successful in, say, 1516 were discarded by the 1540s, when his approach to icon painting underwent a radical revision. Therefore, this book not only tracks the career of one of the most important artists in the tradition of Western painting but also brings to light new information about how divergent agendas of religious, political, and artistic reform interacted over the long arc of the sixteenth century. Original and erudite, this book represents an important reassessment of Titan's approach to devotional subject matter. It will appeal to students and specialists, as well as art aficionados interested in Titian and in religious painting.
The Muddied Mirror
Author | : Jodi Cranston |
Publisher | : Penn State University Press |
Total Pages | : 188 |
Release | : 2010 |
Genre | : Figurative painting |
ISBN | : |
Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection.
Titian And Venetian Painting, 1450-1590
Author | : Bruce Cole |
Publisher | : Routledge |
Total Pages | : 259 |
Release | : 2018-03-05 |
Genre | : Art |
ISBN | : 0429975260 |
This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.
Christian Year in Painting
Author | : |
Publisher | : Art / Books |
Total Pages | : 192 |
Release | : 2018-03-29 |
Genre | : Art |
ISBN | : 9781908970343 |
The only book in print to present paintings of all the key biblical events in the Christian calendar by Old Masters from the early Renaissance onwards. The stories of Christianity and painting have been intertwined since at least the Middle Ages. The painters of the early, high and late Renaissance in Italy, Spain and northern Europe learned their art and craft while working in the service of both the Church and devout patrons, producing depictions of scenes from the Bible and the lives of the saints for the benefit and instruction of clergy and worshippers alike. This book follows a course through the Christian year - from Advent and the Christmas season, through Holy Week and Easter and the periods of Ordinary Time - to present thirty works celebrating the key events and festivals of the liturgical calendar by some of the bestknown names from art history. Vel�zquez, Piero della Francesca, Rembrandt, Raphael, Giotto, Titian and Caravaggio are just some of the many celebrated artists included in the book with their representations of feasts such as the Immaculate Conception, the Annunciation, the Nativity, the Crucifixion, the Resurrection, Pentecost and All Saints. John S. Dixon guides the reader by offering detailed analysis of the formal qualities and symbolism of each painting, while outlining the biblical stories that inspired their creation and explaining their religious and art historical significance. Full illustrations and close-up details of the featured works are accompanied by comparative illustrations of paintings and sculptures of the subjects by other masters. This beautiful book will enable all lovers of painting, both Christian and non-Christian, to expand their appreciation of these magnificent works of art.
The Poetics of Titian's Religious Paintings
Author | : Una Roman D'Elia |
Publisher | : Cambridge University Press |
Total Pages | : 290 |
Release | : 2005-03-07 |
Genre | : Art |
ISBN | : 9780521827355 |
Titian's decorous, but hardly restrained, paintings became established examples for Baroque painters, suggesting new ways to interpret the Counter Reformation and art. This book examines issues of sensuality and violence in Titian's religious paintings in the context of the changing religious climate of sixteenth-century Venice. Rather than distinguish between sacred or secular subjects, Titian used different criteria for paintings of different sizes, locations, or subjects.
Late Titian and the Sensuality of Painting
Author | : Titian |
Publisher | : Marsilio |
Total Pages | : 352 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
In the mid-sixteenth century, at almost 60 years of age, Titian invented a new way of painting: the paint was applied to the canvas rapidly and freely and overlaid with brushstrokes that were both light and dense: the forms broke up and a great sensuality and profound spirituality became evident. Titian used an extraordinarily prescient technique to create engaging, stirring painting that in some ways seems to relate to the literary work of the poet Torquato Tasso and even take up the imaginary writings of Ludovico Ariosto published in Venice in the 1530s. Such a painting style had never previously been imagined and was so revolutionary that it was to influence many artists of subsequent centuries through to the modern age. Late Titian became the yardstick not only for younger contemporary painters like Tintoretto, Veronese and Bassano, but also great artists of subseqent cewnturies like Rubens, Rembandt, Velazquez, Gericault and Delacroix and on to the Expressionists.
Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting
Author | : David Alan Brown |
Publisher | : |
Total Pages | : 336 |
Release | : 2006 |
Genre | : Painting, Italian |
ISBN | : 9780894683329 |
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
The Sacred Image in the Age of Art
Author | : Marcia B. Hall |
Publisher | : |
Total Pages | : 310 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9780300169676 |
Underlying the religious art of the Renaissance is a tension between the needs of the Church and the impulse to create great works. This beautifully illustrated book presents sacred images from the 15th and 16th centuries, leading up to two pivotal events in 1563. The Council of Trent, which signified the beginning of the Counter-Reformation, defined requirements that curtailed the freedom of painters and patrons in creating art for churches, while the founding of the Accademia del Desegno in Florence symbolically acknowledged that artists had achieved the status of creators not craftsmen. The author takes a fresh look at some of the greatest painters of the Italian Renaissance not typically associated with sacred imagery and shows how they navigated their way through the paradox of 'limited freedom' to forge a new kind of religious art. -- from Book Jacket