The Paintings of Ross Bleckner
Author | : Richard Milazzo |
Publisher | : Editions Alain Noirhomme |
Total Pages | : 472 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Text by Richard Milazzo.
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Author | : Richard Milazzo |
Publisher | : Editions Alain Noirhomme |
Total Pages | : 472 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Text by Richard Milazzo.
Author | : Ross Bleckner |
Publisher | : Skyhorse Publishing Inc. |
Total Pages | : 153 |
Release | : 2012-10-16 |
Genre | : Art |
ISBN | : 158115903X |
Presents a collection of collages assembled from clippings from the New York Times.
Author | : Joe Fig |
Publisher | : Chronicle Books |
Total Pages | : 240 |
Release | : 2012-06-19 |
Genre | : Design |
ISBN | : 1616891173 |
Inside an art gallery, it is easy to forget that the paintings there are the end products of a process involving not only creative inspiration, but also plenty of physical and logistical details. It is these "cruder," more mundane aspects of a painter's daily routine that motivated Brooklyn artist Joe Fig to embark almost ten years ago on a highly unorthodox, multilayered exploration of the working life of the professional artist. Determined to ground his research in the physical world, Fig began constructing a series of diorama-like miniature reproductions of the studios of modern art's most legendary painters, such as Jackson Pollock and Willem de Kooning. A desire for firsthand references led Fig to approach contemporary artists for access to their studios. Armed with a camera and a self-made "Artist's Questionnaire," Fig began a journey through the workspaces of some of today's most exciting contemporary artists.
Author | : Ross Bleckner |
Publisher | : Edgewise Press, Incorporated |
Total Pages | : 0 |
Release | : 2011 |
Genre | : New York times |
ISBN | : 9781893207295 |
Every day, on page three of The New York Times, section A, an advert for Tiffany jewelry appears in the upper right corner of the page. Because of its placement in the paper's first news section, the advert generally appears alongside a major news story, most frequently an international disaster or tragedy of some kind. The effect of these juxtapositions, for those alert and lateral-minded enough to spy them, are variously humorous, tragic, tragicomic, ironic or subversive. Examples: an advert for a pair of Tiffany earrings is titled "Gold Rush"; to its left sits a photograph of a line of Palestinians at a cash machine, after Israel had begun to release frozen Palestianian Authority funds. An advert for a Tiffany bracelet bears the tagline "A Charmed Existence," and across from it the headline goes "Despite Embargo, Haiti's Rich Seem to Get Richer." An advert for four Tiffany rings bears the title "The Masterpieces of Engagement," and to its left, below an image of the president, is the headline "Obama chastises Wall St. in Push to Tighten Rules." For nearly 20 years, artist Ross Bleckner (born 1949) has alert and lateral-minded enough to spy and collect these amazing conjunctions. A3: Our Lives in The New York Times reproduces a selection of 87 of Bleckner's finds in 1:1 scale. The bizarre synchronicities in this volume suggest a great deal about how we consciously and unconsciously process images every day.
Author | : Richard Boch |
Publisher | : Feral House |
Total Pages | : 418 |
Release | : 2017-09-12 |
Genre | : History |
ISBN | : 1627310584 |
"I was a Long Island kid that graduated college in 1976 and moved to Greenwich Village. Two years later, I was working The Mudd Club door. Standing outside, staring at the crowd, it was "out there" versus "in here" and I was on the inside. The Mudd Club was filled with the famous and soon- to- be famous, along with an eclectic core of Mudd regulars who gave the place its identity. Everyone from Jean-Michel Basquiat, Jeff Koons, and Robert Rauschenberg to Johnny Rotten, The Hell's Angels, and John Belushi: passing through, passing out, and some, passing on. Marianne Faithful and Talking Heads, Frank Zappa, William Burroughs, and even Kenneth Anger— just a few of the names that stepped on stage. No Wave and Post- Punk artists, musicians, filmmakers, and writers living in a nighttime world on the cusp of two decades. This book is a cornucopia of memories and images, and how this famed wicked downtown club attained the status of midtown and uptown. There was nothing else like it— I met everyone, and the job quickly defined me. I thought I could handle it, and for a while, I did. "—Richard Boch
Author | : Stijn Huijts |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2021-05-04 |
Genre | : Art |
ISBN | : 3791387340 |
New in paperback, this revelatory book features rarely seen multimedia works by the revered cult filmmaker David Lynch showing how he applies his powerful imagination and visual language across genres. David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This new paperback edition brings together Lynch's paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch's often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch's characteristic style--surreal, stylish, and even humorous--shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thought- provoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch's life and career. This book reveals an unexplored facet of Lynch's oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.
Author | : Pepe Karmel |
Publisher | : Hunter College |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Conceptual art |
ISBN | : 9780983926160 |
Conceptual Abstraction was the title of a landmark exhibition held at the Sidney Janis Gallery in New York in 1991. Abstract art was then out of fashion, and the news that a blue-chip gallery like Janis was doing a show of new abstract painting stirred up excitement in the art world, inspiring competing surveys and a raft of articles by artists and critics. More than 20 years later, the Hunter College Art Galleries are presenting a new iteration of the show, reuniting the original group of painters: Ross Bleckner, David Diao, Lydia Dona, Christian Eckart, Stephen Ellis, Peter Halley, Mary Heilmann, Valerie Jaudon, Richard Kalina, Shirley Kaneda, Bill Komoski, Jonathan Lasker, Sherrie Levine, Thomas Nozkowski, David Reed, David Row, Peter Schuyff, Philip Taaffe, Stephen Westfall and John Zinsser. This volume includes a facsimile of the 1991 catalogue with its introduction by Carroll Janis and statements by the artists.
Author | : Joel Grey |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Billboards |
ISBN | : 9781938461125 |
"This collection of 28 oversize photographs transforms ordinary advertising posters into richly layered tapestries." - The New York Times The Billboard Papers is the fourth book of photography by award-winning screen and stage actor Joel Grey. Twenty-eight full-color photographs of various torn and decaying billboards from the streets of New York resemble paper collages, revealing the strange and unexpected layers of billboards past. Grey's striking photographs are of tapestries of embedded memories - constantly fleeting and subject to change, or demolition, or renewal. This unique collection, designed by Sam Shahid, features an introduction by Grey and a preface by American artist Ross Bleckner; it is published in a limited edition of 600 numbered copies.