Ochtervelt, Jacob

Ochtervelt, Jacob
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Offers information on the Dutch painter Jacob Ochtervelt (1634-1682), presented by the Web Gallery of Art of Emil Kren and Daniel Marx. Includes a biographical sketch of Ochtervelt and contains an image and a description of his painting entitled "Dutch Family."

Dutch Seventeenth-century Genre Painting

Dutch Seventeenth-century Genre Painting
Author: Wayne E. Franits
Publisher: Yale University Press
Total Pages: 342
Release: 2004-01-01
Genre: Art
ISBN: 0300102372

The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.

Picturing Men and Women in the Dutch Golden Age

Picturing Men and Women in the Dutch Golden Age
Author: Muizelaar Klaske
Publisher: Yale University Press
Total Pages: 268
Release: 2003-01-01
Genre: Art
ISBN: 9780300098174

Taking as their premiss the subjective experience of art, the authors look at how paintings by Rembrandt, Vermeer & other masters were displayed & comprehended in the 17th century.

In His Milieu

In His Milieu
Author: Amy Golahny
Publisher: Amsterdam University Press
Total Pages: 498
Release: 2006
Genre: Art
ISBN: 9789053569337

Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.

Images of Familial Intimacy in Eastern and Western Art

Images of Familial Intimacy in Eastern and Western Art
Author:
Publisher: BRILL
Total Pages: 374
Release: 2014-02-20
Genre: Art
ISBN: 900426194X

Images of Familial Intimacy in Eastern and Western Art offers a comparative art and socio-historical analysis of selected images of familial intimacy in Asia and Europe from the pre-modern era to the present day based on an examination of the value systems and expectations existing at the time in the regions in which the works were created. A wide variety of images are discussed ranging from family portraits and depictions of the home in seventeenth-century Dutch genre paintings, ukiyoe prints and fusuma sliding wall panels of the Edo period, to familial images made after the Korean War of 1950-53, providing the reader with a rare insight into the evolution East and West of the cultural norms and customs impacting on the family and personal space.

Mobility and Identity in US Genre Painting

Mobility and Identity in US Genre Painting
Author: Lacey Baradel
Publisher: Routledge
Total Pages: 196
Release: 2020-12-31
Genre: Art
ISBN: 1000290468

This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.