The Paintings And Sketches Of Louis I Kahn
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Author | : Jan Hochstim |
Publisher | : Rizzoli International Publications |
Total Pages | : 348 |
Release | : 1991 |
Genre | : Architecture |
ISBN | : |
The Paintings and Sketches of Louis I. Kahn is the first comprehensive presentation and analysis of this great twentieth-century master's art works - his main pursuit for the thirty years before he achieved preeminence in the field of architecture. The charcoal sketches, pastels, watercolors, and oils presented here were made largely on Kahn's travels and vacations in Europe, Canada, and the United States. They range from his experiements in moderne-style illustration, to realism, to the stark and metaphysical abstractions of his later years - including landscapes, building sketches, still lifes, portraits, and cityscapes. Organized chronologically, each work is accompanied by a brief description and analysis. This lavishly illustrated volume provides a catalogue raisonné of all 480 known paintings and sketches by Kahn, and also includes an in-depth critical analysis of the works and their relationship to his architecture, a biographical sketch, an extensive bibliography, and an introduction by leading Kahn authority Vincent Scully. -- from dust jacket.
Author | : Louis I. Kahn |
Publisher | : |
Total Pages | : 0 |
Release | : 1962 |
Genre | : |
ISBN | : |
Author | : Eugene J. Johnson |
Publisher | : |
Total Pages | : 146 |
Release | : 1996 |
Genre | : Architecture |
ISBN | : |
This exhibition design comprises a contemplative space, enhancing the quiet monumentality of Kahn's drawings, as well as reflecting his own preoccupations with symmetry, walls, and their openings. The four trips within the show were arranged chronological in intimate roomlike spaces, color-coded to evoke an atmosphere appropriate to their location: storm blue for New England, saturated yellow for Greece, etc. The color band, which narrows one's focus within the tall gallery and on which all works were hung, was continuous throughout a single trip, and broke between trips, instilling a sense of travel through time and space. Windows framed important works, allowing them to be seen twice, in two contexts, as well as allowing views of a "peopled" space.
Author | : Patricia Cummings Loud |
Publisher | : Duke University Press |
Total Pages | : 330 |
Release | : 1989 |
Genre | : Architecture |
ISBN | : 9780822309987 |
Author | : Michael Merrill |
Publisher | : Lars Muller Publishers |
Total Pages | : 496 |
Release | : 2020-08 |
Genre | : |
ISBN | : 9783037786444 |
An astounding treasury of drawings and plans from one of the 20th century's greatest architects, offering unprecedented insight into his design process "The importance of a drawing is immense, because it's the architect's language," famed architect Louis Kahn, one of the most significant architects of the 20th century, told his masterclass in 1967. While much of his built work has been heavily studied, this publication chooses instead to focus on Kahn's prolific arsenal of drawings and plans, some of which were never realized. The Importance of a Drawingprovides an in-depth look into the subtleties of Kahn's designs, featuring incisive analysis from architectural experts and over 600 high-quality reproductions of work by Kahn and his associates. A testament to the architect's meticulous craft, this volume is an essential addition to the library of established designers as well as students of architecture. Louis Kahn(1901-74) was an Estonian-born American architect who worked in Philadelphia for the majority of his life. Inspired early in his career by European medievalism and later the ruins of much older civilizations, Kahn was notable for his ability to meld the modernist tendencies of his time with the classical poise of ancient monuments. Some of his major designs include the National Parliament House in Dhaka, Bangladesh and the Salk Institute for Biological Studies in La Jolla, California. Some of Kahn's unrealized projects, such as the Four Freedoms Park on Roosevelt Island, have since been constructed posthumously. Kahn taught at Yale School of Architecture from 1947 to 1957 and then at the University of Pennsylvania until his death.
Author | : Thomas Leslie |
Publisher | : |
Total Pages | : 0 |
Release | : 2005 |
Genre | : Architecture |
ISBN | : 9780807615430 |
Previously unpublished drawings, construction photographs, and sketches complement new diagrams, illustrating the profound technical poetry of Kahn's buildings."--Jacket.
Author | : Louis I. Kahn |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art museums |
ISBN | : 9780300179408 |
Originally published in 1975 as a memorial to the Kimbell Art Museum's architect, Louis I. Kahn, Light Is the Theme provides an extended expression of the major themes articulated in his design for the museum. The text consists solely of Kahn's own words and explores his innovative use of natural light and playful employment of materials, which achieve their most refined state in the Kimbell, widely regarded as the architect's crowning achievement and admired as one of the greatest museum buildings of the 20th century. Marking the 40th anniversary of the Kimbell Art Museum, this is the first time this classic book, updated with a new bibliography and a foreword by director Eric M. Lee, has been available outside of the museum. Distributed for the Kimbell Art Museum
Author | : Wendy Lesser |
Publisher | : Macmillan + ORM |
Total Pages | : 424 |
Release | : 2017-03-14 |
Genre | : Biography & Autobiography |
ISBN | : 0374713316 |
Born in Estonia 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia. By the time of his mysterious death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life. Wendy Lesser’s You Say to Brick: The Life of Louis Kahn is a major exploration of the architect’s life and work. Kahn, perhaps more than any other twentieth-century American architect, was a “public” architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks. Kahn himself, however, is not the only complex subject that comes vividly to life in these pages. His signature achievements—like the Salk Institute in La Jolla, the National Assembly Building of Bangladesh, and the Indian Institute of Management in Ahmedabad—can at first seem as enigmatic and beguiling as the man who designed them. In attempts to describe these structures, we are often forced to speak in contradictions and paradoxes: structures that seem at once unmistakably modern and ancient; enormous built spaces that offer a sense of intimate containment; designs in which light itself seems tangible, a raw material as tactile as travertine or Kahn’s beloved concrete. This is where Lesser’s talents as one of our most original and gifted cultural critics come into play. Interspersed throughout her account of Kahn’s life and career are exhilarating “in situ” descriptions of what it feels like to move through his built structures. Drawing on extensive original research, lengthy interviews with his children, his colleagues, and his students, and travel to the far-flung sites of his career-defining buildings, Lesser has written a landmark biography of this elusive genius, revealing the mind behind some of the twentieth century’s most celebrated architecture.
Author | : Louis I. Kahn |
Publisher | : |
Total Pages | : 188 |
Release | : 1999 |
Genre | : Architecture |
ISBN | : |
"Accademia di architettura "Mendrisio This publication on the construction of the Kimbell Art Museum by Louis I. Kahn may prove very useful to students, and to anyone interested in gaining further knowledge of the distinctive features of the Kimbell museum. It documents the long and arduous quest that often characterizes a creative process-- even that of a great master such as Louis I. Kahn. The design of the Kimbell Art Museum is the product of extraordinary intuition, and results in a masterly synthesis that solves all the problems posed by the site and the specific purpose of the construction. "i Cataloghi dell'Accademia di architettura "2 The series "I Cataloghi" documents the exhibitions, i.e. reviews undertaken by the Academy of Architecture of the architectural works and events of the 20th century. The initial stages are dedicated primarily to a comparison between the principal figures of this century and contemporary emerging architects. This comparison attempts to trace the link that unites the birth and development of a theory to its subsequent concrete application, along the 'winding path' of research. The exhibitions and their accompanying catalogues aim to offer all readers, not only those attending the Academy, a review of architects and architectural works that have enriched and continue to enrich the discipline of building.
Author | : Michael Merrill |
Publisher | : Lars Muller Publishers |
Total Pages | : 239 |
Release | : 2010 |
Genre | : Architecture |
ISBN | : 9783037782217 |
Like few others, Louis Kahn cultivated the craft of drawing as a means to architecture. His personal design drawings - seen either as a method of discovery or for themselves - are unique in the twentieth century. Over two hundred - mostly unpublished - drawings by Kahn and his associates are woven together with a lively and informed commentary into an intimate biography of an architectural idea. Unfolding around the iconic project for the Dominican Motherhouse (1965 - 69) the drawings form a narrative which not only reveals the richness and hidden dimensions of this unbuilt masterpiece, but provides compelling insights into Louis Kahn's mature culture of designing. Kahn - long considered an architects' architect" - emerges as a vivid and instructive guide, provoking reflection on questions which continue to remain relevant: on how works are conceived, on how they might be perceived, on how they become part of human experience. Fascinating not only in their beauty, the drawings open a new and stimulating perspective on one of the past century's great architects.