The Painted Paraphernalia And Other Speculations
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Author | : Abhishek Tiwari |
Publisher | : Notion Press |
Total Pages | : 139 |
Release | : 2021-11-30 |
Genre | : Poetry |
ISBN | : 1685866816 |
The Painted Paraphernalia and other Speculations is an innovatively insightful anthology of poems that aims to recount the versatile nuances of human nature. Everything that touches the very core of our sensibility and sagacity finds expression here in spirit – the enigma of romantic love, deliberate ignorance, masked appearances, myth, power dynamics, individual psychology, the phlegmatic nausea of a wearisome reverie, and the fascinating narratives of personal experiences articulated objectively in the context of New Times.
Author | : Sheila D. Muller |
Publisher | : Routledge |
Total Pages | : 1505 |
Release | : 2013-07-04 |
Genre | : Social Science |
ISBN | : 1135495815 |
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Author | : Dana Arnold |
Publisher | : Routledge |
Total Pages | : 212 |
Release | : 2007-12-11 |
Genre | : Architecture |
ISBN | : 1134215363 |
Bringing together a collection of high-profile authors, Biographies and Space presents essays exploring the relationship between biography and space and how specific subjects are used as a means of explaining sets of social, cultural and spatial relationships. Biographical methods of historical investigation can bring out the authentic voice of subjects, revealing personal meanings and strategies in space as well as providing a means to analyze relations between the personal and the social. Writing about both actual (architectural) and imagined (pictorial) space, the authors consider issues of gender, childhood, sexuality and race, highlighting an increasing fluidity and interaction between theory, methods and history. Biographies and Space is an original and exciting new book, with direct relevance to both architectural and art history.
Author | : Kenji Yoshino |
Publisher | : Random House |
Total Pages | : 307 |
Release | : 2011-11-02 |
Genre | : Law |
ISBN | : 1588361721 |
A lyrical memoir that identifies the pressure to conform as a hidden threat to our civil rights, drawing on the author’s life as a gay Asian American man and his career as an acclaimed legal scholar. “[Kenji] Yoshino offers his personal search for authenticity as an encouragement for everyone to think deeply about the ways in which all of us have covered our true selves. . . . We really do feel newly inspired.”—The New York Times Book Review Everyone covers. To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Racial minorities are pressed to “act white” by changing their names, languages, or cultural practices. Women are told to “play like men” at work. Gays are asked not to engage in public displays of same-sex affection. The devout are instructed to minimize expressions of faith, and individuals with disabilities are urged to conceal the paraphernalia that permit them to function. Given its pervasiveness, we may experience this pressure to be a simple fact of social life. Against conventional understanding, Kenji Yoshino argues that the work of American civil rights law will not be complete until it attends to the harms of coerced conformity. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines. At the same time, Yoshino is responsive to the American exasperation with identity politics, which often seems like an endless parade of groups asking for state and social solicitude. He observes that the ubiquity of covering provides an opportunity to lift civil rights into a higher, more universal register. Since we all experience the covering demand, we can all make common cause around a new civil rights paradigm based on our desire for authenticity—a desire that brings us together rather than driving us apart. Praise for Covering “Yoshino argues convincingly in this book, part luminous, moving memoir, part cogent, level-headed treatise, that covering is going to become more and more a civil rights issue as the nation (and the nation’s courts) struggle with an increasingly multiethnic America.”—San Francisco Chronicle “[A] remarkable debut . . . [Yoshino’s] sense of justice is pragmatic and infectious.”—Time Out New York
Author | : |
Publisher | : |
Total Pages | : 962 |
Release | : 1880 |
Genre | : |
ISBN | : |
Author | : Julia Kinzler |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 347 |
Release | : 2018-07-27 |
Genre | : Performing Arts |
ISBN | : 152751496X |
Since the early days of cinema, filmmakers have been intrigued by the lives and loves of British monarchs. The most recent productions by ITV and Netflix show that the fascination with British royalty continues unabated both in Britain and around the world. This book examines strategies of representing power and the staging of myths of power in seven popular films about British monarchs that were made after the mid-1990s revival of the “royal biopic” genre. By combining approaches from cultural studies with concepts and theories from the humanities, such as film studies and art history, it offers a comprehensive understanding of the cinematic portraits of royalty. In addition, the volume opens up new perspectives on how meaning is generated in films about the monarchy and on the connections between the biographical narratives. The introductory chapter to the case studies reviews the different academic positions on representations of royalty, provides a toolkit for studying the subject and demonstrates ways to approach the films. The book addresses questions of historical context and goes beyond a mere exploration of historical accuracy to reveal the films’ underlying ideological aims. As such, it makes a distinctive new contribution to the growing body of interdisciplinary work on the British monarchy in general and its cinematic representations in particular. It is the first monograph about representational mechanisms of royal identities and British past(s) in royal films such as Elizabeth, The Queen and The King’s Speech.
Author | : Jill Beaulieu |
Publisher | : Duke University Press |
Total Pages | : 245 |
Release | : 2002-12-06 |
Genre | : Art |
ISBN | : 0822383853 |
Until now, Orientalist art—exemplified by paintings of harems, slave markets, or bazaars—has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, on examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints—especially women's—within Western Orientalism decentered and destabilized colonial authority. Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouaou Mammeri and Mohammed Racim; Turkish painter Osman Hamdi; British landscape painter Barbara Bodichon; and the French painter Henri Regnault. From the liminal "Third Space" created by mosques in postcolonial Britain to the ways nineteenth-century harem women negotiated their portraits by British artists, the essays in this collection force a rethinking of the Orientalist canon. This innovative volume will appeal to those interested in art history, theories of gender, and postcolonial studies. Contributors. Jill Beaulieu, Roger Benjamin, Zeynep Çelik, Deborah Cherry, Hollis Clayson, Mark Crinson, Mary Roberts
Author | : |
Publisher | : |
Total Pages | : 594 |
Release | : 1871 |
Genre | : West (U.S.) |
ISBN | : |
Author | : Bret Harte |
Publisher | : |
Total Pages | : 612 |
Release | : 1871 |
Genre | : California |
ISBN | : |
Devoted to the development of the country.
Author | : Edwin Fuller Torrey |
Publisher | : HarperCollins Publishers |
Total Pages | : 340 |
Release | : 1986 |
Genre | : Psychology |
ISBN | : |