The Oxford Guide To British Women Writers
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Author | : Barbara Joan Horwitz |
Publisher | : Scarecrow Press |
Total Pages | : 262 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : 9780810833159 |
A guide to British women authors, their works, and the writing about them.
Author | : Joanne Shattock |
Publisher | : Oxford [England] ; New York : Oxford University Press |
Total Pages | : 512 |
Release | : 1993 |
Genre | : Literary Criticism |
ISBN | : |
The growing interest today in women's writing has led to a re-evaluation of British literary history, emphasizing the vitality of both well-known women writers and bringing to light the work of numerous hitherto forgotten figures. Assuming no previous knowledge on the part of readers, TheOxford Guide to British Women Writers provides in a single volume an accessible and stimulating beginner's guide to the widest range of British women's writing, from the earliest times to the present. Entries on some 400 writers from Aphra Behn to Jeanette Winterson and Mary Wollstonecraft to Barbara Cartland offer a brief outline of each woman's life, her major publications, contemporary critical reception, and an evaluation of significant features of her work, together with suggestions forfurther reading. The range of writers discussed includes novelists, poets, and playwrights, together with mystics, diarists, travel writers, scientists and translators. The editor has carefully selected a number of non-British writers such as Sylvia Plath, who have had an important influence on theBritish literary scene. In addition, the Guide features subject entries and cross-references to pseudonyms and maiden names, and provides an extensive general bibliography on women's writing. It also features entries on such topics as sub-genres of women's writing and women's literary magazines andorganizations. Concise, informative and well-organized, The Oxford Guide to British Women Writers will be an invaluable introduction for all readers and students of women's writing. In addition, the Guide features entries on such topics as sub-genres of women's writing and women's literary magazines andorganizations. With cross-references to pseudonyms and maiden names, this clear, concise book will be an invaluable source for all readers, scholars, and students of women's writing.
Author | : Devoney Looser |
Publisher | : JHU Press |
Total Pages | : 388 |
Release | : 2003-05-01 |
Genre | : Literary Criticism |
ISBN | : 0801876400 |
Chosen by Choice Magazine as an Outstanding Academic Title Until recently, history writing has been understood as a male enclave from which women were restricted, particularly prior to the nineteenth century. The first book to look at British women writers and their contributions to historiography during the long eighteenth century, British Women Writers and the Writing of History, 1670-1820, asks why, rather than writing history that included their own sex, some women of this period chose to write the same kind of history as men—one that marginalized or excluded women altogether. But as Devoney Looser demonstrates, although British women's historically informed writings were not necessarily feminist or even female-focused, they were intimately involved in debates over and conversations about the genre of history. Looser investigates the careers of Lucy Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, Catharine Macaulay, Hester Lynch Piozzi, and Jane Austen and shows how each of their contributions to historical discourse differed greatly as a result of political, historical, religious, class, and generic affiliations. Adding their contributions to accounts of early modern writing refutes the assumption that historiography was an exclusive men's club and that fiction was the only prose genre open to women.
Author | : Mark Hawkins-Dady |
Publisher | : Routledge |
Total Pages | : 1024 |
Release | : 2012-12-06 |
Genre | : Reference |
ISBN | : 1135314179 |
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Author | : Jane Dowson |
Publisher | : Cambridge University Press |
Total Pages | : 424 |
Release | : 2005-05-19 |
Genre | : Literary Criticism |
ISBN | : 9780521819466 |
Author | : Linda H. Peterson |
Publisher | : Cambridge University Press |
Total Pages | : 323 |
Release | : 2015-10-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1107064848 |
Innovative and comprehensive coverage of women writers' careers and literary achievements spanning many literary genres during the Victorian period.
Author | : Christine L. Krueger |
Publisher | : Infobase Publishing |
Total Pages | : 881 |
Release | : 2014-07 |
Genre | : Literary Criticism |
ISBN | : 1438108702 |
This concise encyclopedic reference profiles more than 800 British poets
Author | : Book Builders LLC. |
Publisher | : Infobase Publishing |
Total Pages | : 817 |
Release | : 2014-05-14 |
Genre | : Authors, English |
ISBN | : 1438108699 |
Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.
Author | : George Stade |
Publisher | : Infobase Publishing |
Total Pages | : 593 |
Release | : 2010-05-12 |
Genre | : Literary Criticism |
ISBN | : 1438116896 |
Contains alphabetically arranged entries that provide biographical and critical information on major and lesser-known nineteenth- and twentieth-century British writers, and includes articles on key schools of literature, and genres.
Author | : Leah Orr |
Publisher | : Oxford University Press |
Total Pages | : 346 |
Release | : 2023-07-13 |
Genre | : Literary Criticism |
ISBN | : 0192886290 |
In the late seventeenth and eighteenth centuries, the 'woman writer' emerged as a category of authorship in England. Publishing the Woman Writer in England, 1670-1750 seeks to uncover how exactly this happened and the ways publishers tried to market a new kind of author to the public. Based on a survey of nearly seven hundred works with female authors from this period, this book contends that authorship was constructed, not always by the author, for market appeal, that biography often supported an authorial persona rooted in the genre of the work, and that authorship was a role rather than an identity. Through an emphasis on paratexts, including prefaces, title pages, portraits, and biographical notes, Leah Orr analyses the representation of women writers in this period of intense change to make two related arguments. First, women writers were represented in a variety of ways as publishers sought successful models for a new kind of writer in print. Second, a new approach is needed for studying early women writers and others who occupy gaps in the historical record. This book shows that a study of the material contexts of printed books is one way to work with the evidence that survives. It therefore begins with a very familiar kind of author-centric literary history and deconstructs it to conclude with a reception-centered history that takes a more encompassing view of authorship. In addition to analysis of many little-known and anonymous authors, case studies include Aphra Behn, Catharine Trotter/Cockburn, Laetitia Pilkington, Marie-Catherine d'Aulnoy, and Anne Dacier.