The Oxford Book Of Theatrical Anecdotes
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| Author | : Gyles Brandreth |
| Publisher | : Oxford University Press |
| Total Pages | : 511 |
| Release | : 2020-10-08 |
| Genre | : Performing Arts |
| ISBN | : 0191066524 |
This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.
| Author | : Ned Sherrin |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 574 |
| Release | : 2008-09-25 |
| Genre | : Humor |
| ISBN | : 0199237166 |
This hilarious collection of humorous quotations, full of wisecracks and wit, snappy comments and inspired fantasy, has been specially compiled by the late broadcaster and raconteur Ned Sherrin, with a foreword by leading British satirist, Alistair Beaton. Now packed with even more quotes and covering more subjects than before, from Weddings to the Supernatural, Australia to Headlines. Find the best lines from your favourite jokesters and wordsmiths, add that extra something to a speech or presentation, or just enjoy a good laugh. 'A chair is a piece of furniture. I am not a chair because no one has ever sat on me.' Ann Widdecombe on the announcement that Parliamentary language will now be gender-neutral. 'No wonder Bob Geldof is such an expert on famine. He's been feeding off 'I don't like Mondays' for 30 years.' Russell Brand On deciding to run for governor of California: 'The most difficult decision I've ever made in my entire life, except for the one in 1978 when I decided to get a bikini wax.' Arnold Schwarzenegger 'Wanting to know an author because you like his work is like wanting to know a duck because you like p--acirc--;t--eacute--;.' Margaret Atwood 'I am so sorry. We have to stop there. I have just come to the end of my personality.' Quentin Crisp, closing down an interview
| Author | : Gyles Brandreth |
| Publisher | : Penguin UK |
| Total Pages | : 285 |
| Release | : 2019-09-05 |
| Genre | : Poetry |
| ISBN | : 0241397936 |
Discover Dancing by the Light of the Moon, a collection of poetry to last you a lifetime - poems that will bring you joy, solace, celebration and love for every occasion 'Gyles has discovered the secret of finding happiness' DAME JUDI DENCH Includes an updated chapter of poems to bring you hope and happiness this year _______ A POEM CAN . . . Comfort · Challenge · Be a friend Stretch your vocabulary Help you sleep · Break the ice Find you a lover · Be utter nonsense Console · Make you laugh - or cry For every moment in your life there is a poem. In Dancing by the Light of the Moon we have a remarkable collection of over 250 best-loved poems in the English-speaking world. Allow Gyles Brandreth to be your guide to not only the wonders of poetry - and there are many - but also its practical uses in everyday life. Whether seeking some words to reflect your mood, wanting to celebrate or mark an occasion or simply looking for lines of comfort and joy in difficult times, this collection has everything for readers of poetry both young and old, novices and old hands alike, will love and return to again and again. _______ 'Over 400 pages of top-notch poems by everyone from Shakespeare to Simon Armitage' Daily Mail 'A collection of poems that will transform your memory and change your life' Dr Max Pemberton
| Author | : Peter Hay |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 420 |
| Release | : 1989 |
| Genre | : Humor |
| ISBN | : |
Hay's marvelously entertaining collection of stories leads readers down that sparkling thoroughfare known as the Great White Way. Broadway embodies the entire history of live entertainment in America, and Broadway Anecdotes captures it in all its diversity.
| Author | : Heather Ladd |
| Publisher | : Rutgers University Press |
| Total Pages | : 299 |
| Release | : 2022-06-17 |
| Genre | : Literary Criticism |
| ISBN | : 164453262X |
The essays in English Theatrical Anecdotes, 1660-1800 explore the theatrical anecdote’s role in the construction of stage fame in England’s emergent celebrity culture during the long eighteenth century, as well as the challenges of employing such anecdotes in theatre scholarship today. This collection showcases scholarship that complicates the theatrical anecdote and shows its many sides and applications beyond the expected comic punch. Discussing anecdotal narratives about theatre people as producing, maintaining, and sometimes toppling individual fame, this book crucially investigates a key mechanism of celebrity in the long eighteenth century that reaches into the nineteenth century and beyond. The anecdote erases boundaries between public and private and fictionalizing the individual in ways deeply familiar to twenty-first century celebrity culture.
| Author | : Steven Suskin |
| Publisher | : Oxford University Press |
| Total Pages | : 673 |
| Release | : 2009-04-08 |
| Genre | : Music |
| ISBN | : 0199718822 |
Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.
| Author | : Dennis Kennedy |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 705 |
| Release | : 2010-08-26 |
| Genre | : Performing Arts |
| ISBN | : 0199574197 |
An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations.
| Author | : James Shapiro |
| Publisher | : Simon and Schuster |
| Total Pages | : 356 |
| Release | : 2011-04-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 1416541632 |
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
| Author | : Kelly Oxford |
| Publisher | : Harper Collins |
| Total Pages | : 249 |
| Release | : 2013-04-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 0062102249 |
“Kelly Oxford has this unbelievable ability to tell stories in that way that makes you laugh without ever shoving jokes in your face. This book is basically an announcement that she’s one of the best humor writers working today.” — Justin Halpern, author of Sh*t My Dad Says “Kelly Oxford is like your cool babysitter who teaches you about sex and sarcasm in an un-creepy way. Hanging out with her book makes you wish your parents were always out to dinner.” — Lena Dunham “Kelly Oxford is a refreshing rarity in a sea of Hollywood suck-ups. She’s hilarious, hot, and the most truthful liar I’ve ever encountered.” — Diablo Cody “Kelly Oxford is the friend we all deserve-the one who tells us the best secrets, takes us on all the finest adventures, and remembers every hilariously embarrassing detail. Everything Is Perfect is sharply funny, and truly great.” — Cameron Crowe “Everything Is Perfect When You’re A Liar is personal without being exploitative, smart but utterly unpretentious, and a complete delight to read. I’m not lying when I say this book is damn near perfect.” — The Frisky, named "The Funniest Memoir You'll Ever Read" “Oxford’s writing is marked by the same wry voice that’s made her a social media sensation.” — Los Angeles Times “[Oxford’s] new book is full of humorous stories about growing up, making mistakes, stalking Leonardo DiCaprio, and braving Disneyland. . . It’s funny but also surprisingly touching. . . a coming-of-age story. . . just a hell of a lot funnier.” — Forbes “Kelly Oxford is the new cool kid in Hollywood. . . [In] Everything is Perfect When You’re A Liar Oxford displays the comic relief that’s been drawing celebrities like Jimmy Kimmel and Jessica Alba to her Twitter feed since 2009.” — New York Daily News “[Oxford] is one freakin’ funny lady. . . Hilarious.” — Daily Candy “Kelly Oxford in 140 characters seems like small doses of a great drug. We want more! Thanks to her new book, we’ve got it.” — Lifestyle Mirror “A hilariously mortifying memoir. . . Oxford plumbs her past for painful moments and turns them into slyly funny stories. . . These vignettes are vulnerable and powerful—they make us feel less freakish by comparison. Effortlessly cool, offbeat, devilish, dramatic Oxford makes sense and smart humor from her adventures.” — Interview “[Oxford’s] first book of humorous essays and we can officially confirm: They are indeed humorous.” — E! Online “The anecdotes included in the book will make you love [Oxford] even more than you probably already do, if that’s even possible. Kelly is truly hilarious. . . I couldn’t put this book down – you won’t be able to, either.” — HelloGiggles.com
| Author | : Jane W. Stedman |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 424 |
| Release | : 1996 |
| Genre | : Composers |
| ISBN | : 9780198161745 |
Sir William Schwenck Gilbert (1836-1911) was the most brilliant dramatist of Victorian England. A daring and cynical playwright, the forerunner of Oscar Wilde and George Bernard Shaw, he was also a prolific journalist and humorous poet (his Bab Ballads are still widely read), and he achieved worldwide fame through his long collaboration with the composer Arthur Sullivan, a collaboration that created such classics as H. M. S. Pinafore, The Mikado, and all the other Savoy operas. Now the story of this remarkable writer's life - and of his stormy relationship with Sullivan - is here chronicled by a renowned authority on Gilbert and on the theatrical and literary scene in Victorian London. For this biography, Jane W. Stedman has returned to original sources, has interviewed survivors, and has scoured a whole variety of Victorian periodicals for reviews, and personal comment. Gilbert emerges as a much more complex and interesting figure than has previously been thought. The book is a worthy companion piece to Arthur Jacobs's recent biography Arthur Sullivan: A Victorian Musician.
