The Oxford Book of English Mystical Verse
Author | : Daniel Howard Sinclair Nicholson |
Publisher | : |
Total Pages | : 668 |
Release | : 1953 |
Genre | : English poetry |
ISBN | : |
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Author | : Daniel Howard Sinclair Nicholson |
Publisher | : |
Total Pages | : 668 |
Release | : 1953 |
Genre | : English poetry |
ISBN | : |
Author | : Daniel Howard Sinclair Nicholson |
Publisher | : |
Total Pages | : 672 |
Release | : 1924 |
Genre | : English poetry |
ISBN | : |
Author | : Daniel Howard Sinclair Nicholson |
Publisher | : |
Total Pages | : 0 |
Release | : 1953 |
Genre | : |
ISBN | : |
Author | : Mahmood Jamal |
Publisher | : Penguin UK |
Total Pages | : 426 |
Release | : 2009-10-29 |
Genre | : Religion |
ISBN | : 0141932244 |
Written from the ninth to the twentieth century, these poems represent the peak of Islamic Mystical writing, from Rabia Basri to Mian Mohammad Baksh. Reflecting both private devotional love and the attempt to attain union with God and become absorbed into the Divine, many poems in this edition are imbued with the symbols and metaphors that develop many of the central ideas of Sufism: the Lover, the Beloved, the Wine, and the Tavern; while others are more personal and echo the poet's battle to leave earthly love behind. These translations capture the passion of the original poetry and are accompanied by an introduction on Sufism and the common themes apparent in the works. This edition also includes suggested further reading.
Author | : Denis E. McAuley |
Publisher | : Oxford University Press |
Total Pages | : |
Release | : 2012-08-23 |
Genre | : Religion |
ISBN | : 0191634395 |
Muhyī l-Dīn Ibn `Arabī (1165-1240) was a hugely influential figure in the development of Sufism, yet although interest in his work continues to grow, his poetry has received very little attention. This book is the first full-length monograph devoted to his Dīwān (collected poems). It begins by attempting to define Ibn `Arabī's poetic style and his understanding of poetics, which is closely intertwined with his metaphysics: the rhythms of poetry echo those of creation, and meaning combines with form just as the spirit descends on matter. Drawing on a pre-Islamic theme, he insists that his poetry was revealed to him word for word by a spirit. At the same time, however, his attitude to the function of poetry and its relation to scripture is closer to mainstream medieval Islamic, Jewish and Christian theology than has usually been thought. Denis E. McAuley focuses on close readings of books in unusual verse forms, including poetic responses to chapters of the Qur'an; imitations of earlier poets; poems that use only one rhyme word; and a cycle of poems modelled on the letters of the alphabet. In so doing, he makes frequent comparisons with other Islamic and European poets from the sixth century to the dawn of the twentieth, many of them virtually unstudied. Ibn `Arabī emerges as a highly original poet whose work casts a fresh light on the period and on classical Arabic literature as a whole.