The Ovidian Vogue
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| Author | : Daniel D. Moss |
| Publisher | : University of Toronto Press |
| Total Pages | : 358 |
| Release | : 2014-09-17 |
| Genre | : History |
| ISBN | : 1442617489 |
The Roman poet Ovid was one of the most-imitated classical writers of the Elizabethan age and a touchstone for generations of English writers. In The Ovidian Vogue, Daniel Moss argues that poets appropriated Ovid not just to connect with the ancient past but also to communicate and compete within late Elizabethan literary culture. Moss explains how in the 1590s rising stars like Thomas Nashe and William Shakespeare adopted Ovidian language to introduce themselves to patrons and rivals, while established figures like Edmund Spenser and Michael Drayton alluded to Ovid’s works as a way to map their own poetic development. Even poets such as George Chapman, John Donne, and Ben Jonson, whose early work pointedly abandoned Ovid as cliché, could not escape his influence. Moss’s research exposes the literary impulses at work in the flourishing of poetry that grappled with Ovid’s cultural authority.
| Author | : Richard Rowland |
| Publisher | : Taylor & Francis |
| Total Pages | : 357 |
| Release | : 2016-12-08 |
| Genre | : History |
| ISBN | : 1317109090 |
This book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a myth about the definitive exemplar of masculinity and martial prowess and turned it into a story about domestic abuse, through to a 2014 production of Handel’s Hercules that was set in the context of the ‘war on terror’, the reception history of this myth has been one of discontinuity and conflict; how and why does each culture reinvent this narrative to address its own concerns and discontents, and how does each generation speak to, qualify or annihilate the certainties of its predecessors in order to understand, contain or exonerate the aggression with which their governors – of state and of the household – so often enforce their authority, and the violence to which their nations, and their homes, are perennially vulnerable?
| Author | : Kevin J. McGinley |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 345 |
| Release | : 2010-01-08 |
| Genre | : Literary Criticism |
| ISBN | : 1443818984 |
Prepared to honour the work of R. J. Lyall, this collection of essays offers new perspectives on the literature and culture of the reign of James VI, from his accession as an infant to the throne of Scotland, through the Union of the Crowns, to his final years as king of Great Britain. Its emphasis is on James’s reign as a whole, stressing the continuities in literary culture throughout the time of his rule, rather than the more familiar narrative of disjunction caused by his accession to the English throne in the 1603 Union of Crowns. In addition, the collection extends its focus beyond a concentration on the environment of James’s court to situate the literature of his reign in terms of both regional and international contexts. The essays range widely in their approaches and cover topics as diverse as book history and printing; textual scholarship and editing; language, rhetoric, and prosody; gender attitudes in James’s reign; travel writing and colonial contexts; Latin literary culture; and courtly culture and the politics of literary representation. Such variety is also evident in the languages discussed, which include Scots, English, Latin and French, in the generic range of the subject texts, from epic poetry to travel writing, and in the writers discussed, from the very familiar, such as John Knox and Robert Aytoun, to the currently less well-known, such as William Lithgow and Thomas Hudson. All the contributors are respected scholars in the discipline, including some of the most senior figures in the field. Taken as a whole, this collection is the most extensive and varied treatment of Scottish literary culture of this period to date, and will be a key collection for all students and specialists in the field.
| Author | : Hugh Grady |
| Publisher | : Cambridge University Press |
| Total Pages | : 237 |
| Release | : 2017-08-10 |
| Genre | : Literary Criticism |
| ISBN | : 1108171176 |
John Donne has been one of the most controversial poets in the history of English literature, his complexity and intellectualism provoking both praise and censure. In this major re-assessment of Donne's poetry, Hugh Grady argues that his work can be newly appreciated in our own era through Walter Benjamin's theory of baroque allegory. Providing close readings of The Anniversaries, The Songs and Sonnets, and selected other lyrics, this study reveals Donne as being immersed in the aesthetic of fragmentation that define both the baroque and the postmodernist aesthetics of today. Synthesizing cultural criticism and formalist analysis, Grady illuminates Donne afresh as a great poet for our own historical moment.
| Author | : Sean Keilen |
| Publisher | : Routledge |
| Total Pages | : 470 |
| Release | : 2017-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 1317041674 |
In this wide-ranging and ambitiously conceived Research Companion, contributors explore Shakespeare’s relationship to the classic in two broad senses. The essays analyze Shakespeare’s specific debts to classical works and weigh his classicism’s likeness and unlikeness to that of others in his time; they also evaluate the effects of that classical influence to assess the extent to which it is connected with whatever qualities still make Shakespeare, himself, a classic (arguably the classic) of modern world literature and drama. The first sense of the classic which the volume addresses is the classical culture of Latin and Greek reading, translation, and imitation. Education in the canon of pagan classics bound Shakespeare together with other writers in what was the dominant tradition of English and European poetry and drama, up through the nineteenth and even well into the twentieth century. Second—and no less central—is the idea of classics as such, that of books whose perceived value, exceeding that of most in their era, justifies their protection against historical and cultural change. The volume’s organizing insight is that as Shakespeare was made a classic in this second, antiquarian sense, his work’s reception has more and more come to resemble that of classics in the first sense—of ancient texts subject to labored critical study by masses of professional interpreters who are needed to mediate their meaning, simply because of the texts’ growing remoteness from ordinary life, language, and consciousness. The volume presents overviews and argumentative essays about the presence of Latin and Greek literature in Shakespeare’s writing. They coexist in the volume with thought pieces on the uses of the classical as a historical and pedagogical category, and with practical essays on the place of ancient classics in today’s Shakespearean classrooms.
| Author | : John S. Garrison |
| Publisher | : Routledge |
| Total Pages | : 282 |
| Release | : 2015-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 1317548884 |
This volume brings together two vibrant areas of Renaissance studies today: memory and sexuality. The contributors show that not only Shakespeare but also a broad range of his contemporaries were deeply interested in how memory and sexuality interact. Are erotic experiences heightened or deflated by the presence of memory? Can a sexual act be commemorative? Can an act of memory be eroticized? How do forms of romantic desire underwrite forms of memory? To answer such questions, these authors examine drama, poetry, and prose from both major authors and lesser-studied figures in the canon of Renaissance literature. Alongside a number of insightful readings, they show that sonnets enact a sexual exchange of memory; that epics of nationhood cannot help but eroticize their subjects; that the act of sex in Renaissance tragedy too often depends upon violence of the past. Memory, these scholars propose, re-shapes the concerns of queer and sexuality studies – including the unhistorical, the experience of desire, and the limits of the body. So too does the erotic revise the dominant trends of memory studies, from the rhetoric of the medieval memory arts to the formation of collective pasts.
| Author | : Ted Tregear |
| Publisher | : Oxford University Press |
| Total Pages | : 312 |
| Release | : 2023-04-13 |
| Genre | : Literary Criticism |
| ISBN | : 0192868497 |
Between 1599 and 1601, no fewer than five anthologies appeared in print with extracts from Shakespeare's works. Some featured whole poems, while others chose short passages from his poems and plays, gathered alongside lines on similar topics by his rivals and contemporaries. Appearing midway through his career, these anthologies marked a critical moment in Shakespeare's life. They testify to the reputation he had established as a poet and playwright by the end of the sixteenth century. In extracting passages from their contexts, though, they also read Shakespeare in ways that he might have imagined being read. After all, this was how early modern readers were taught to treat the texts they read, selecting choice excerpts and copying them into their notebooks. Taking its cue from these anthologies, Anthologizing Shakespeare, 1593-1603 offers new readings of the formative works of Shakespeare's first decade in print, from Venus and Adonis (1593) to Hamlet (1603). It illuminates a previously neglected period in Shakespeare's career, what it calls his 'anthology period'. It investigates what these anthologies made of Shakespeare, and what he made of being anthologized. And it shows how, from the early 1590s, his works were inflected by the culture of commonplacing and anthologizing in which they were written, and in which Shakespeare, no less than his readers, was schooled. In this book, Ted Tregear explores how Shakespeare appealed to the reading habits of his contemporaries, inviting and frustrating them in turn. Shakespeare, he argues, used the practice of anthologizing to open up questions at the heart of his poems and plays: questions of classical literature and the schoolrooms in which it was taught; of English poetry and its literary inheritance; of poetry's relationship with drama; and of the afterlife he and his works might win--at least in parts.
| Author | : Corey McEleney |
| Publisher | : Fordham Univ Press |
| Total Pages | : 348 |
| Release | : 2017-01-02 |
| Genre | : Social Science |
| ISBN | : 0823272672 |
Honorable Mention, 2018 MLA Prize for a First Book Against the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary culture of early modern England, a culture whose defensive posture toward literature rivals and shapes our own. During the Renaissance, poets justified the value of their work on the basis of the notion that the purpose of poetry is to please and instruct, that it must be both delightful and useful. At the same time, many of these writers faced the possibility that the pleasures of literature may be in conflict with the demand to be useful and valuable. Analyzing the rhetoric of pleasure and the pleasure of rhetoric in texts by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton, McEleney explores the ambivalence these writers display toward literature’s potential for useless, frivolous vanity. Tracing that ambivalence forward to the modern era, this book also shows how contemporary critics have recapitulated Renaissance humanist ideals about aesthetic value. Against a longstanding tradition that defensively advocates for the redemptive utility of literature, Futile Pleasures both theorizes and performs the queer pleasures of futility. Without ever losing sight of the costs of those pleasures, McEleney argues that playing with futility may be one way of moving beyond the impasses that modern humanists, like their early modern counterparts, have always faced.
| Author | : Anna-Maria Hartmann |
| Publisher | : Oxford University Press |
| Total Pages | : 348 |
| Release | : 2018-02-23 |
| Genre | : Literary Criticism |
| ISBN | : 0192534750 |
Greco-Roman mythology and its reception are at the heart of the European Renaissance, and mythographies-texts that collected and explained ancient myths-were considered indispensable companions to any reader of literature. Despite the importance of this genre, English mythographies have not gained sustained critical attention, largely because they have been wrongly considered mere copies of their European counterparts. This volume focuses on the English mythographies written between 1577 and 1647 by Stephen Batman, Abraham Fraunce, Francis Bacon, Henry Reynolds, and Alexander Ross: it places their texts into a wider, European context to reveal their unique English take on the genre and also unfolds the significant role myth played in the broader culture of the period, influencing not only literary life, natural philosophy and poetics, but also religious conflicts and Civil War politics. In doing so it demonstrates, for the first time, the considerable explanatory value classical mythology holds for the study of the English Renaissance and its literary culture in particular, and how early modern England answered a question we still find fascinating today: what is myth?
| Author | : H. L. Meakin |
| Publisher | : Oxford University Press |
| Total Pages | : 296 |
| Release | : 1998 |
| Genre | : Literary Criticism |
| ISBN | : 9780198184553 |
This book is a historical and theoretical study of some of John Donne's less frequently discussed poetry and prose; it interrogates various trends that have dominated Donne criticism, such as the widely divergent views about his attitudes towards women, the focus on the Songs and Sonets to the exclusion of his other works, and the tendency to separate discussions of his poetry and prose. On a broader scale, it joins a small but growing number of feminist re-readings of Donne's works. Using the cultural criticism of French feminist philosopher Luce Irigaray, Meakin explores works throughout Donne's career, from his earliest verse letters to sermons preached while Divinity Reader at Lincoln's Inn and Dean of St. Paul's in London.
