The Orphic Moment
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Author | : Robert McGahey |
Publisher | : SUNY Press |
Total Pages | : 240 |
Release | : 1994-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780791419410 |
This book examines Orpheus as a figure who bridges the experience of the Greek tribal shaman and the modern poet Stéphane Mallarmé, the father of modernism. First mentioned in 600 B.C., Orpheus was present at the moment when the Apolline forms of western culture were being encoded. He appears again at the opposite moment embodied in the language-crisis at the end of the nineteenth century, which inaugurated the break-up of those forms and ushered in the Dionysian. Mallarmé's "Orphic Moment," when Orpheus's scattered limbs first begin to stir back to life, enacts a dance at the boundary of Apollo and Dionysos, marking the collapse of Apolline form back into its Dionysian ground in Nietzsche's The Birth of Tragedy.
Author | : Robert McGahey |
Publisher | : State University of New York Press |
Total Pages | : 240 |
Release | : 1994-07-01 |
Genre | : Philosophy |
ISBN | : 1438412428 |
This book examines Orpheus as a figure who bridges the experience of the Greek tribal shaman and the modern poet Stéphane Mallarmé, the father of modernism. First mentioned in 600 B.C., Orpheus was present at the moment when the Apolline forms of western culture were being encoded. He appears again at the opposite moment embodied in the language-crisis at the end of the nineteenth century, which inaugurated the break-up of those forms and ushered in the Dionysian. Mallarmé's "Orphic Moment," when Orpheus's scattered limbs first begin to stir back to life, enacts a dance at the boundary of Apollo and Dionysos, marking the collapse of Apolline form back into its Dionysian ground in Nietzsche's The Birth of Tragedy.
Author | : Robert McGahey |
Publisher | : |
Total Pages | : 348 |
Release | : 1989 |
Genre | : |
ISBN | : |
Author | : Erika M. Nelson |
Publisher | : Peter Lang |
Total Pages | : 280 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9783039102877 |
This study of Rainer Maria Rilke (1875-1926) examines the poet's understanding of the malleable nature of identity, while addressing the question of Rilke's place in literary history. In line with contemporary literary theory which views the «self» as a societal «construction» and strategic narrative device, this study explores Rilke's preoccupations with identity in his work, as he investigates the disintegration of the subjective self in the modern world. Rilke's re-readings of the mythological figures of Orpheus and Narcissus in modern psychological terms, as well as in terms of traditional poetics, are keys not only to his poetics and his changing understanding of «self», but also to his evolving critique of society. This study tracks how Rilke's Orphic work disengages traditional patterns of perceptions, not only to challenge fidelity to history, but also to recover the power of traditional elements from that history to help articulate subjectivity in new terms.
Author | : Robert McGahey |
Publisher | : SUNY Press |
Total Pages | : 236 |
Release | : 1994-07-01 |
Genre | : Philosophy |
ISBN | : 9780791419427 |
This book examines Orpheus as a figure who bridges the experience of the Greek tribal shaman and the modern poet Stéphane Mallarmé, the father of modernism. First mentioned in 600 B.C., Orpheus was present at the moment when the Apolline forms of western culture were being encoded. He appears again at the opposite moment embodied in the language-crisis at the end of the nineteenth century, which inaugurated the break-up of those forms and ushered in the Dionysian. Mallarmés Orphic Moment, when Orpheuss scattered limbs first begin to stir back to life, enacts a dance at the boundary of Apollo and Dionysos, marking the collapse of Apolline form back into its Dionysian ground in Nietzsches The Birth of Tragedy.
Author | : Matthew Aucoin |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 232 |
Release | : 2021-12-07 |
Genre | : Music |
ISBN | : 0374721580 |
A user's guide to opera—Matthew Aucoin, "the most promising operatic talent in a generation" (The New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera’s greatest artists have striven to fuse multiple art forms—music, drama, poetry, dance—into a unified synesthetic experience. The composer Matthew Aucoin, a rising star of the opera world, posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabric is music—opera assumes its true form when it pursues impossible goals. The Impossible Art is a passionate defense of what is best about opera, a love letter to the form, written in the midst of a global pandemic during which operatic performance was (literally) impossible. Aucoin writes of the rare works—ranging from classics by Mozart and Verdi to contemporary offerings of Thomas Adès and Chaya Czernowin—that capture something essential about human experience. He illuminates the symbiotic relationship between composers and librettists, between opera’s greatest figures and those of literature. Aucoin also tells the story of his new opera, Eurydice, from its inception to its production on the Metropolitan Opera’s iconic stage. The Impossible Art opens the theater door and invites the reader into this extraordinary world.
Author | : Tamra Lucid |
Publisher | : Simon and Schuster |
Total Pages | : 321 |
Release | : 2023-08-22 |
Genre | : Body, Mind & Spirit |
ISBN | : 1644117215 |
Recaptures the magical vitality of the original Orphic Hymns • Presents literary translations of the teletai that restore important esoteric details and correspondences about the being or deity to which each hymn is addressed • Includes messages inscribed on golden leaves meant to be passports for the dead as well as a reinvention of a lost hymn to Number that preserves the original mystical intent of the teletai • Explores the obscure origins and the evolution of the Orpheus myth, revealing a profound influence on countercultures throughout Western history As famous Renaissance philosopher Marsilio Ficino wrote, “No magic is more powerful than that of the Orphic Hymns.” These legendary teletai of Orpheus were not simply “hymns”—they were initiatic poems for meditation and ritual, magical, and ceremonial use, each one addressed to a specific deity, such as Athena or Zeus, or a virtue, such as Love, Justice, and Equality. Yet despite the mystical concepts underlying them, the original hymns were formulaic, creating an obstacle for translators. Recapturing the magical vitality that inspired mystery cults through the ages, Tamra Lucid and Ronnie Pontiac present new versions of the teletai that include important esoteric details and correspondences about the being or deity to which each hymn is addressed. The authors also include a new version of a lost hymn called “Number” and messages that were inscribed on golden leaves meant to be passports for the dead, reinventions that preserve the original magical intent and mysticism of the teletai. Revealing the power of the individual hymns to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature, the authors also show how, taken together, the Orphic Hymns are a book of hours or a calendar of life, addressing every event, from birth to death, and walking us through all the experiences of human existence as necessary and holy.
Author | : Lyn Di Iorio Sandín |
Publisher | : Springer |
Total Pages | : 300 |
Release | : 2012-12-06 |
Genre | : Literary Criticism |
ISBN | : 1137329246 |
A collection of essays that explores magical realism as a momentary interruption of realism in US ethnic literature, showing how these moments of magic realism serve to memorialize, address, and redress traumatic ethnic histories.
Author | : Merrill Cole |
Publisher | : Routledge |
Total Pages | : 203 |
Release | : 2004-06-01 |
Genre | : Literary Criticism |
ISBN | : 1135886563 |
First published in 2003. This volume aims to re-establish an interest in poetry by integrating questions of prosody and aesthetics with political literary inquiry. The broader theoretical goal is nothing less than a rehabilitation of the concepts of affect and imagination, though the study also argues against anti-formalist approaches to literature.
Author | : Paul Bishop |
Publisher | : Chiron Publications |
Total Pages | : 438 |
Release | : 2020-07-13 |
Genre | : Psychology |
ISBN | : 1630518603 |
This book explores the history of the idea of the midlife crisis, using the writings of C.G. Jung and Goethe to investigate its relevance for today. Tracing how “the ages of humankind” became “the stages of life” in which the midlife crisis represents a pivotal moment, Paul Bishop offers a detailed analysis of a paper by Jung on this subject. He then shifts the focus to Goethe’s interest in Orphic wisdom, and one of Goethe’s major later poems, “Primal Words. Orphic” (Urworte Orphisch). Using Jungian ideas to explore the psychological implications of this poem, Bishop draws on Goethe’s own commentary, and other background material, to uncover its vital message. Reading Goethe at Midlife reveals the remarkable symmetry between the ideas and Jung and Goethe. Jung’s analysis of the stages of life, and his advice to heed the “call of the self,” are brought into the conjunction with Goethe’s emphasis on the importance of hope, showing an underlying continuity of thought and relevance from ancient wisdom, via German classicism to analytical psychology. At a time when many Jungians are turning to neuroscience to provide an external underpinning for Analytical Psychology, this scholarly book is very welcome: it returns to psychology’s home territory, placing Jung firmly in a long cultural tradition. Impressively well-read in many fields extending from literature and the history of ideas to psychoanalysis and Jungian studies, Paul Bishop allows a text by Jung and a late poem by Goethe to mirror and enhance each other, demonstrating Jung's intellectual proximity to the tradition of German classicism. The wealth of “amplifications” that Bishop brings to the many themes treated allows us to experience a living reality—a continuity of ideas across different times and cultures.