The Oriental Tale In Eighteenth Century Periodicals
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Author | : Martha Pike Conant |
Publisher | : Routledge |
Total Pages | : 339 |
Release | : 2013-09-13 |
Genre | : Literary Collections |
ISBN | : 1136900225 |
First Published in 1967. Written in 1908, this essay is a study in eighteenth-century English literature. The aim is to give a clear and accurate description of a distinct component part of eighteenth century English fiction in its relation to its French sources and to the general current of English thought. The oriental fiction that was not original in English came, almost without exception, from French imitations or translations of genuine oriental tales; hence, as a study in comparative literature, a consideration of the oriental tale in England during the eighteenth century possesses distinct interest.
Author | : Martha Pike Conant |
Publisher | : |
Total Pages | : 354 |
Release | : 1908 |
Genre | : Literary Criticism |
ISBN | : |
Presents a study in 18th century English literature to give a clear and accurate description of a distinct component featuring Asian influences.
Author | : Chester Noyes Greenough |
Publisher | : |
Total Pages | : 14 |
Release | : 1909 |
Genre | : |
ISBN | : |
Author | : Srinivas Aravamudan |
Publisher | : University of Chicago Press |
Total Pages | : 358 |
Release | : 2012 |
Genre | : Language Arts & Disciplines |
ISBN | : 0226024482 |
Srinivas Aravamudan here reveals how Oriental tales, pseudo-ethnographies, sexual fantasies, and political satires took Europe by storm during the eighteenth century. Naming this body of fiction Enlightenment Orientalism, he poses a range of urgent questions that uncovers the interdependence of Oriental tales and domestic fiction, thereby challenging standard scholarly narratives about the rise of the novel. More than mere exoticism, Oriental tales fascinated ordinary readers as well as intellectuals, taking the fancy of philosophers such as Voltaire, Montesquieu, and Diderot in France, and writers such as Defoe, Swift, and Goldsmith in Britain. Aravamudan shows that Enlightenment Orientalism was a significant movement that criticized irrational European practices even while sympathetically bridging differences among civilizations. A sophisticated reinterpretation of the history of the novel, Enlightenment Orientalism is sure to be welcomed as a landmark work in eighteenth-century studies.
Author | : Geoffrey P. Nash |
Publisher | : Cambridge University Press |
Total Pages | : 674 |
Release | : 2019-11-14 |
Genre | : Literary Criticism |
ISBN | : 1108585566 |
Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.
Author | : Mark Kamrath |
Publisher | : Univ. of Tennessee Press |
Total Pages | : 432 |
Release | : 2005 |
Genre | : History |
ISBN | : 9781572333192 |
Similar to the "digital revolution" of the last century, the colonial and early national periods were a time of improved print technologies, exploding information, faster communications, and a fundamental reinventing of publishing and media processes. Between the early 1700s, when periodical publications struggled, and the late 1790s, when print media surged ahead, print culture was radically transformed by a liberal market economy, innovative printing and papermaking techniques, improved distribution processes, and higher literacy rates, meaning that information, particularly in the form of newspapers and magazines, was available more quickly and widely to people than ever before. These changes generated new literary genres and new relationships between authors and their audiences. The study of periodical literature and print culture in the eighteenth century has provided a more intimate view into the lives and tastes of early Americans, as well as enabled researchers to further investigate a plethora of subjects and discourses having to do with the Atlantic world and the formation of an American republic. Periodical Literature in Eighteenth-Century America is a collection of essays that delves into many of these unique magazines and newspapers and their intersections as print media, as well as into what these publications reveal about the cultural, ideological, and literary issues of the period; the resulting research is interdisciplinary, combining the fields of history, literature, and cultural studies. The essays explore many evolving issues in an emerging America: scientific inquiry, race, ethnicity, gender, and religious belief all found voice in various early periodicals. The differences between the pre- and post-Revolutionary periodicals and performativity are discussed, as are vital immigration, class, and settlement issues. Political topics, such as the emergence of democratic institutions and dissent, the formation of early parties, and the development of regional, national, and transnational cultural identities are also covered. Using digital databases and recent poststructural and cultural theories, this book returns us to the periodicals archive and regenerates the ideological and discursive landscape of early American literature in provocative ways; it will be of value to anyone interested in the crosscurrents of early American history, book history, and cultural studies. Mark L. Kamrath is associate professor of English at the University of Central Florida. Sharon M. Harris is Lorraine Sherley Professor of Literature at Texas Christian University.
Author | : Hasan Baktir |
Publisher | : Columbia University Press |
Total Pages | : 219 |
Release | : 2010-08-01 |
Genre | : Literary Criticism |
ISBN | : 3838261321 |
Inspired by the growing interest in oriental countries and cultures, Hasan Baktir examines the representation of the "Ottoman Orient" in 18th century English literature, taking a new perspective to achieve a comprehensive understanding and investigating different aspects of the interaction between the Ottoman Orient and 18th century Europe.A number of questions continue to arise in the wake of Said's 1978 landmark study, "Orientalism". How monodirectional was the flow of power in such representations? To what extent did the travelling observer also participate and become influenced by the phenomena he tried to depict without attachment? What variety of motivations lay behind the desire to know and represent the Oriental other -- was it simply a question of political control? Or were there deeper, more enigmatic factors at play -- sexuality, existential affirmation, even utter idiosyncrasy? How various and diverse was the Western response to the East -- can we discern degrees of sympathy, knowledge, and difference in the various Orients offered to us by the canonical and non-canonical figures of 18th century English letters? Baktir's study provides answers to many aspects of these questions, through a detailed examination of very different texts.Baktir does not completely reject Said's argument that European writers created a separate discourse to represent the Orient; rather, he shows us that there was also a dialogic and negotiating tendency which did not make a radical distinction between the East and the West. Relying his argument on 18th century pseudo-oriental letters, oriental tales, and oriental travelogues, Baktir demonstrates that the representation of the Ottoman Orient in 18th century English literature differs essentially from earlier centuries because a developing critical and liberal spirit established a negotiation between the two worlds. In this book, he indicates how the critical and inquisitive spirit of the age of Enlightenment interanimated Oriental and European cultures.
Author | : |
Publisher | : |
Total Pages | : 530 |
Release | : 1913 |
Genre | : Genealogy |
ISBN | : |
Vols. 1,3,5-8,10-14,17-21,24-28,32,34-35,38,42-43,1892-1956 are its Transactions.
Author | : Colonial Society of Massachusetts |
Publisher | : |
Total Pages | : 634 |
Release | : 1913 |
Genre | : Local history |
ISBN | : |
Primarily consists of: Transactions, v. 1, 3, 5-8, 10-14, 17-21, 24-28, 32, 34-35, 38, 42-43; and: Collections, v. 2, 4, 9, 15-16, 22-23, 29-31, 33, 36-37, 39-41; also includes lists of members.
Author | : Jane Austen |
Publisher | : Oxford University Press |
Total Pages | : 401 |
Release | : 2017-04-13 |
Genre | : Young Adult Fiction |
ISBN | : 0191057185 |
'Jane Austen practising' Virginia Woolf Three notebooks of Jane Austen's teenage writings survive. The earliest pieces probably date from 1786 or 1787, around the time that Jane, aged 11 or 12, and her older sister and collaborator Cassandra left school. By this point Austen was already an indiscriminate and precocious reader, devouring pulp fiction and classic literature alike; what she read, she soon began to imitate and parody. Unlike many teenage writings then and now, these are not secret or agonized confessions entrusted to a private journal and for the writer's eyes alone. Rather, they are stories to be shared and admired by a named audience of family and friends. Devices and themes which appear subtly in Austen's later fiction run riot openly and exuberantly across the teenage page. Drunkenness, brawling, sexual misdemeanour, theft, and even murder prevail.