Minstrels and Minstrelsy in Late Medieval England

Minstrels and Minstrelsy in Late Medieval England
Author: Richard Rastall
Publisher: Boydell & Brewer
Total Pages: 477
Release: 2023-04-04
Genre: History
ISBN: 183765039X

A major new study piecing together the intriguing but fragmentary evidence surrounding the lives of minstrels to highlight how these seemingly peripheral figures were keenly involved with all aspects of late medieval communities. Minstrels were a common sight and sound in the late Middle Ages. Aristocrats, knights and ladies heard them on great occasions (such as Edward I's wedding feast for his daughter Elizabeth in 1296) and in quieter moments in their chambers; town-dwellers heard and saw them in civic processions (when their sound drew attention to the spectacle); and even in the countryside people heard them at weddings, church-ales and other parish celebrations. But who were the minstrels, and what did they do? How did they live, and how easily did they make a living? How did they perform, and in what conditions? The evidence is intriguing but fragmentary, including literary and iconographic sources and, most importantly, the financial records of royal and aristocratic households and of towns. These offer many insights, although they are often hard to fit into any coherent picture of the minstrels' lives and their place in society. It is easy to see the minstrels as peripheral figures, entertainers who had no central place in the medieval world. Yet they were full members of it, interacting with the ordinary people around them, as well as with the ruling classes: carrying letters and important verbal messages, some lending huge sums of money to the king (to finance Henry V's Agincourt campaign in 1415, for instance), some regular and necessary civic servants, some committing crimes or suffering the crimes of others. In this book Rastall and Taylor bring to bear the available evidence to enlarge and enrich our view of the minstrel in late medieval society.

The Last Minstrels

The Last Minstrels
Author: Ronald Schuchard
Publisher: OUP Oxford
Total Pages: 475
Release: 2008-02-28
Genre: Literary Criticism
ISBN: 0191528064

Recovering a lost literary movement that was the most consuming preoccupation of W. B. Yeats's literary life and the most integral to his poetry and drama, Ronald Schuchard's The Last Minstrels provides an historical, biographical, and critical reconstruction of the poet's lifelong attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech. From the beginning of his career Yeats was determined to return the 'living voice' of the poet from exile to the centre of culture - on its platforms, stages, and streets - thereby establishing a spiritual democracy in the arts for the non-reading as well as the reading public. Schuchard's study enhances our understanding of Yeats's cultural nationalism, his aims for the Abbey Theatre, and his dynamic place in a complex of interrelated arts in London and Dublin. With a wealth of new archival materials, the narrative intervenes in literary history to show the attempts of Yeats and Florence Farr to take the 'new art' of chanting to Great Britain, America, and Europe, and it reveals for the first time the influence of their auditory poetics on the visual paradigm of the Imagists. The penultimate chapter examines the adjustments Yeats made for his movement during the war, including chanting and other adaptations from Noh drama for his dance plays and choruses, until the practice of his 'unfashionable art' became dormant in the 1920s before the restless rise of realism. The final chapter resurrects his heroic effort in the 1930s to reunite poetry and music and reconstitute his dream of a spiritual democracy through the medium of public broadcasting.

Music in Early English Religious Drama: Minstrels playing

Music in Early English Religious Drama: Minstrels playing
Author: Richard Rastall
Publisher: Boydell & Brewer Ltd
Total Pages: 576
Release: 1996
Genre: Drama
ISBN: 9780859915854

MEDIUM AEVUM says of Heaven Singing, the general discussion of the subject from which the present volume follows on with examination of the individual plays: 'A formidable achievement, indispensable for any serious and comprehensive study of early English drama.'

The Blackface Minstrel Show in Mass Media

The Blackface Minstrel Show in Mass Media
Author: Tim Brooks
Publisher: McFarland
Total Pages: 291
Release: 2019-11-22
Genre: Social Science
ISBN: 147663730X

 The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.

Lavengro

Lavengro
Author: George Borrow
Publisher: Standard Ebooks
Total Pages: 1357
Release: 2021-07-07T23:22:14Z
Genre: Fiction
ISBN:

Lavengro, the Scholar, the Gypsy, the Priest, published in 1851, is a heavily fictionalized account of George Borrow’s early years. Borrow, born in 1803, was a writer and self-taught polyglot, fluent in many European languages, and a lover of literature. The Romany Rye, published six years later in 1857, is sometimes described as the “sequel” to Lavengro, but in fact it begins with a straight continuation of the action of the first book, which breaks off rather suddenly. The two books therefore are best considered as a whole and read together, and this Standard Ebooks edition combines the two into one volume. In the novel Borrow tells of his upbringing as the son of an army recruiting officer, moving with the regiment to different locations in Britain, including Scotland and Ireland. It is in Ireland that he first encounters a strange new language which he is keen to learn, leading to a life-long passion for acquiring new tongues. A couple of years later in England, he comes across a camp of gypsies and meets the gypsy Jasper Petulengro, who becomes a life-long friend. Borrow is delighted to discover that the Romany have their own language, which of course he immediately sets out to learn. Borrow’s subsequent life, up to his mid-twenties, is that of a wanderer, traveling from place to place in Britain, encountering many interesting individuals and having a variety of entertaining adventures. He constantly comes in contact with the gypsies and with Petulengro, and becomes familiar with their language and culture. The book also includes a considerable amount of criticism of the Catholic Church and its priests. Several chapters are devoted to Borrow’s discussions with “the man in black,” depicted as a cynical Catholic priest who has no real belief in the religious teachings of the Church but who is devoted to seeing it reinstated in England in order for its revenues to increase. Lavengro was not an immediate critical success on its release, but after Borrow died in 1881, it began to grow in popularity and critical acclaim. It is now considered a classic of English Literature. This Standard Ebooks edition of Lavengro and The Romany Rye is based on the editions published by John Murray and edited by W. I. Knapp, with many clarifying notes. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Antony and Cleopatra

Antony and Cleopatra
Author: Marga Munkelt
Publisher: Bloomsbury Publishing
Total Pages: 425
Release: 2024-04-04
Genre: Drama
ISBN: 1350321443

This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.