The Niqab In France
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| Author | : Fadela Amara |
| Publisher | : Univ of California Press |
| Total Pages | : 186 |
| Release | : 2006-04-28 |
| Genre | : History |
| ISBN | : 0520246217 |
"The translation of Breaking the Silence allows us, finally, to listen directly to the voices of Muslim women in France. Fadela Amara's book is at once autobiography, an analysis of the degradation of male-female relations in France's working-class suburbs, and an engrossing chronicle of a political movement. Helen Chenut's deft translation and comprehensive introduction shows us complex universe inhabited by young women of North African descent in contemporary France."—Susanna Barrows, author of Drinking: Behavior and Belief in Modern History "This book delivers a timely and evocative corrective to stereotypes of Muslim women. Amara discusses with sensitivity the complex gender position of Muslim women in a Western European country in which the conflict between liberal republican ideals and cultural norms has had particularly violent consequences for women. Chenut's fine translation brings Amara's words to life and her excellent introduction places the Muslim women's movement in the context of the racial and cultural tensions that plague France's banlieues today."—Laura Levine Frader, co-editor, Gender and Class in Modern Europe
| Author | : Raphael Cohen-Almagor |
| Publisher | : Springer Nature |
| Total Pages | : 74 |
| Release | : 2022-02-24 |
| Genre | : Political Science |
| ISBN | : 303094669X |
This book analyses French cultural policies in the face of what the French government perceives as a challenge to its Republican secular raison d'être. It makes general arguments about France’s changing identity and specific arguments about the burqa and niqab ban. The book further explains how French history shaped the ideology of secularism and of public civil religion, and how colonial legacy, immigration, fear of terrorism, and security needs have led France to adopt the trinity of indivisibilité, sécurité, laïcité while paying homage to the traditional trinity of liberté, égalité, fraternité. The book argues that while this motto of the French Revolution is still symbolically and politically important, its practical significance as it has been translated to policy implementation has been eroded. It shows how the emergence of the new trinity at the expense of the old one is evident when analyzing the debates concerning cultural policies in France in the face of the Islamic garb, the burqa, and the niqab, which are perceived as a challenge to France’s national secular raison d'être. Subsequently, the book raises various important questions, such as: Is the burqa and niqab ban socially just? Does it reasonably balance the preservation of societal values and freedom of conscience? What are the true motives behind the ban? Has the discourse changed in the age of COVID-19, when all people are required to wear a mask in the public space? Therefore, this book is a must-read for students, scholars, and researchers of political science, as well as a general audience interested in a better understanding of French politics, elections, cultural policy, secularism, and identity.
| Author | : Caitlin Killian |
| Publisher | : Stanford University Press |
| Total Pages | : 300 |
| Release | : 2006 |
| Genre | : Social Science |
| ISBN | : 9780804754217 |
A sociological study of the cultural choices and identity negotiation of North African women immigrants in France.
| Author | : Agnès De Féo |
| Publisher | : Fordham Univ Press |
| Total Pages | : 193 |
| Release | : 2024-02-06 |
| Genre | : Religion |
| ISBN | : 1531504663 |
This original new work is the fascinating result of sociologist and documentary filmmaker Agnès De Féo’s ten-year exploration of the phenomenon of niqab wearing. It is at once a groundbreaking study and a series of compelling first-person accounts from French and Francophone women who wear or have worn the niqab in France’s Salafi communities. With the backdrop of the French government’s 2010 ban on full facial veiling in public spaces, which itself has shaped the phenomenon, De Féo draws on her subjects’ own words to show their agency, working against the clichés that often underlie public views of the niqab—that it is purely the result of masculine pressure, for example, or extreme religiosity or nationalism, or the submissive desire to disappear. Instead, she shows, the niqab is multivalent: women wear it for reasons that range from religious piety to the desire to rebel against mainstream society, family, or the rule of law. The reasons are complex, overdetermined, contradictory, or even inconsistent, but they are the women’s own. Despite being worn only by a small minority of Muslim women, the Islamic garment has nonetheless been a major source of intense political, religious, and cultural debate in France. Searching to understand, rather than speculate, De Féo chose to approach the people who wear the niqab, and to make them, rather the veil itself, the subject of her research. Her unprecedented study, based on more than 200 interviews, reveals the many factors—social, political, geopolitical, and psychological—underpinning a personal choice that is not always as religious as it seems. The book ends with sixteen captivating interviews giving voice to stories rarely heard. With finesse and discernment, the author debunks the myths surrounding the wearing of the niqab, and sheds light on a practice subject to misunderstanding and prejudice, offering the reader unique insight. Challenging our preconceived notions and stereotypes about women who wear any form of Islamic apparel, but particularly the niqab, The Niqab in France introduces a group of women each with her own life story, her own share of personal struggles, aspirations, and desires, and her own claim to a certain place in society. This work received support for excellence in publication and translation from Albertine Translation, a program created by Villa Albertine.
| Author | : Dr Alessandro Ferrari |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 412 |
| Release | : 2013-09-28 |
| Genre | : Law |
| ISBN | : 1409470679 |
In recent years, the wearing of the full-face veil or burqa/niqab has proved a controversial issue in many multi-cultural European societies. Focussing on the socio-legal and human rights angle, this volume provides a useful comparative perspective on how the issue has been dealt with across a range of European states as well as at European institutional level. In so doing, the work draws a theoretical framework for the place of religion between public and private space. With contributions from leading experts from law, sociology and politics, the book presents a comparative and interdisciplinary approach to one of the most contentious and symbolic issues of recent times.
| Author | : Joan Wallach Scott |
| Publisher | : Princeton University Press |
| Total Pages | : 224 |
| Release | : 2010-08-22 |
| Genre | : History |
| ISBN | : 0691147981 |
In 2004, the French government instituted a ban on the wearing of "conspicuous signs" of religious affiliation in public schools. Though the ban applies to everyone, it is aimed at Muslim girls wearing headscarves. Proponents of the law insist it upholds France's values of secular liberalism and regard the headscarf as symbolic of Islam's resistance to modernity. The Politics of the Veil is an explosive refutation of this view, one that bears important implications for us all. Joan Wallach Scott, the renowned pioneer of gender studies, argues that the law is symptomatic of France's failure to integrate its former colonial subjects as full citizens. She examines the long history of racism behind the law as well as the ideological barriers thrown up against Muslim assimilation. She emphasizes the conflicting approaches to sexuality that lie at the heart of the debate--how French supporters of the ban view sexual openness as the standard for normalcy, emancipation, and individuality, and the sexual modesty implicit in the headscarf as proof that Muslims can never become fully French. Scott maintains that the law, far from reconciling religious and ethnic differences, only exacerbates them. She shows how the insistence on homogeneity is no longer feasible for France--or the West in general--and how it creates the very "clash of civilizations" said to be at the root of these tensions. The Politics of the Veil calls for a new vision of community where common ground is found amid our differences, and where the embracing of diversity--not its suppression--is recognized as the best path to social harmony.
| Author | : Anna Piela |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 193 |
| Release | : 2021-02-11 |
| Genre | : Design |
| ISBN | : 1350166030 |
This book explores representations of the niqab in the UK and US as well as the wearing practices through which women find agency.
| Author | : Leila Ahmed |
| Publisher | : Yale University Press |
| Total Pages | : 362 |
| Release | : 2011-04-29 |
| Genre | : Social Science |
| ISBN | : 0300175051 |
A probing study of the veil's recent return—from one of the world's foremost authorities on Muslim women—that reaches surprising conclusions about contemporary Islam's place in the West todayIn Cairo in the 1940s, Leila Ahmed was raised by a generation of women who never dressed in the veils and headscarves their mothers and grandmothers had worn. To them, these coverings seemed irrelevant to both modern life and Islamic piety. Today, however, the majority of Muslim women throughout the Islamic world again wear the veil. Why, Ahmed asks, did this change take root so swiftly, and what does this shift mean for women, Islam, and the West?When she began her study, Ahmed assumed that the veil's return indicated a backward step for Muslim women worldwide. What she discovered, however, in the stories of British colonial officials, young Muslim feminists, Arab nationalists, pious Islamic daughters, American Muslim immigrants, violent jihadists, and peaceful Islamic activists, confounded her expectations. Ahmed observed that Islamism, with its commitments to activism in the service of the poor and in pursuit of social justice, is the strain of Islam most easily and naturally merging with western democracies' own tradition of activism in the cause of justice and social change. It is often Islamists, even more than secular Muslims, who are at the forefront of such contemporary activist struggles as civil rights and women's rights. Ahmed's surprising conclusions represent a near reversal of her thinking on this topic.Richly insightful, intricately drawn, and passionately argued, this absorbing story of the veil's resurgence, from Egypt through Saudi Arabia and into the West, suggests a dramatically new portrait of contemporary Islam.
| Author | : John R. Bowen |
| Publisher | : Princeton University Press |
| Total Pages | : 303 |
| Release | : 2008-08-24 |
| Genre | : Design |
| ISBN | : 0691138397 |
This text explains why the French government decided to ban religious clothing from public schools and why the 2004 law, which targeted Islamic headscarves, created such a fury.
| Author | : Anna C. Korteweg |
| Publisher | : Stanford University Press |
| Total Pages | : 272 |
| Release | : 2014-06-18 |
| Genre | : Social Science |
| ISBN | : 0804791163 |
The headscarf is an increasingly contentious symbol in countries across the world. Those who don the headscarf in Germany are referred to as "integration-refusers." In Turkey, support by and for headscarf-wearing women allowed a religious party to gain political power in a strictly secular state. A niqab-wearing Muslim woman was denied French citizenship for not conforming to national values. And in the Netherlands, Muslim women responded to the hatred of popular ultra-right politicians with public appeals that mixed headscarves with in-your-face humor. In a surprising way, the headscarf—a garment that conceals—has also come to reveal the changing nature of what it means to belong to a particular nation. All countries promote national narratives that turn historical diversities into imagined commonalities, appealing to shared language, religion, history, or political practice. The Headscarf Debates explores how the headscarf has become a symbol used to reaffirm or transform these stories of belonging. Anna Korteweg and Gökçe Yurdakul focus on France, Germany, and the Netherlands—countries with significant Muslim-immigrant populations—and Turkey, a secular Muslim state with a persistent legacy of cultural ambivalence. The authors discuss recent cultural and political events and the debates they engender, enlivening the issues with interviews with social activists, and recreating the fervor which erupts near the core of each national identity when threats are perceived and changes are proposed. The Headscarf Debates pays unique attention to how Muslim women speak for themselves, how their actions and statements reverberate throughout national debates. Ultimately, The Headscarf Debates brilliantly illuminates how belonging and nationhood is imagined and reimagined in an increasingly global world.
