The News Event
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| Author | : Francis Cody |
| Publisher | : University of Chicago Press |
| Total Pages | : 267 |
| Release | : 2023-04-05 |
| Genre | : History |
| ISBN | : 0226824721 |
In the hypermediated world of Tamil Nadu, Francis Cody studies how “news events” are made. Not merely the act of representing events with words or images, a “news event” is the reciprocal relationship between the events being reported in the news and the event of the news coverage itself. In The News Event, Francis Cody focuses on how imaginaries of popular sovereignty have been remade through the production and experience of such events. Political sovereignty is thoroughly mediated by the production of news, and subjects invested in the idea of democracy are remarkably reflexive about the role of publicly circulating images and texts in the very constitution of their subjectivity. The law comes to stand as both a limit and positive condition in this process of event making, where acts of legal and extralegal repression of publication can also become the stuff of news about news makers. When the subjects of news inhabit multiple participant roles in the unfolding of public events, when the very technologies of recording and circulating events themselves become news, the act of representing a political event becomes difficult to disentangle from that of participating in it. This, Cody argues, is the crisis of contemporary news making: the news can no longer claim exteriority to the world on which it reports.
| Author | : Francis Cody |
| Publisher | : University of Chicago Press |
| Total Pages | : 267 |
| Release | : 2023-04-05 |
| Genre | : Social Science |
| ISBN | : 0226824748 |
In the hypermediated world of Tamil Nadu, Francis Cody studies how “news events” are made. Not merely the act of representing events with words or images, a “news event” is the reciprocal relationship between the events being reported in the news and the event of the news coverage itself. In The News Event, Francis Cody focuses on how imaginaries of popular sovereignty have been remade through the production and experience of such events. Political sovereignty is thoroughly mediated by the production of news, and subjects invested in the idea of democracy are remarkably reflexive about the role of publicly circulating images and texts in the very constitution of their subjectivity. The law comes to stand as both a limit and positive condition in this process of event making, where acts of legal and extralegal repression of publication can also become the stuff of news about news makers. When the subjects of news inhabit multiple participant roles in the unfolding of public events, when the very technologies of recording and circulating events themselves become news, the act of representing a political event becomes difficult to disentangle from that of participating in it. This, Cody argues, is the crisis of contemporary news making: the news can no longer claim exteriority to the world on which it reports.
| Author | : Charles W. Mills |
| Publisher | : Cornell University Press |
| Total Pages | : 214 |
| Release | : 2022-04-15 |
| Genre | : Social Science |
| ISBN | : 1501764306 |
The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state. As this 25th anniversary edition—featuring a foreword by Tommy Shelbie and a new preface by the author—makes clear, the still-urgent The Racial Contract continues to inspire, provoke, and influence thinking about the intersection of the racist underpinnings of political philosophy.
| Author | : Charles L. Ponce de Leon |
| Publisher | : University of Chicago Press |
| Total Pages | : 331 |
| Release | : 2016-09-09 |
| Genre | : History |
| ISBN | : 022642152X |
Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."
| Author | : Marisa Acocella Marchetto |
| Publisher | : Knopf |
| Total Pages | : 226 |
| Release | : 2014-10-15 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1101870559 |
The groundbreaking graphic memoir that inspires breast cancer patients to fight back—and do so with style. • “Powerful … A vibrant, neon chronicle with plenty of attitude … A triumph of imagination and spirit.” —Los Angeles Times “What happens when a shoe-crazy, lipstick-obsessed, wine-swilling, pasta-slurping, fashion-fanatic, about-to-get-married big-city girl cartoonist with a fabulous life finds ... a lump in her breast?” That’s the question that sets this powerful, funny, and poignant graphic memoir in motion. In vivid color and with a taboo-breaking sense of humor, Marisa Acocella Marchetto tells the story of her eleven-month, ultimately triumphant bout with breast cancer—from diagnosis to cure, and every challenging step in between.
| Author | : William S. Maulsby |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 1925 |
| Genre | : Journalism |
| ISBN | : |
| Author | : Marilyn Allman Maye |
| Publisher | : Mango Media Inc. |
| Total Pages | : 346 |
| Release | : 2019-12-12 |
| Genre | : History |
| ISBN | : 1642501611 |
#1 New Release in 1960s History of the U.S. — A Story of Student Activists and Civil Rights Meet the inspirational students: This narrative tells the story of seven women and one man at the heart of a sit-in protesting decreased enrollment and hiring of African Americans at Swarthmore College and demanding a Black Studies curriculum. The book, written by the former students themselves, also includes autobiographical chapters, providing a unique cross-sectional view into the lives of young people during the Civil Rights era. Correcting media representation: For years the media and some in the school community portrayed the peaceful protest in a negative light—this collective narrative provides a very necessary and overdue retelling of the revolution that took place at Swarthmore College in 1969. The group of eight student protestors have only recently begun to receive credit for the school’s greater inclusiveness, as well as the influence their actions had on universities around the country. Stories that inspire change: This book chronicles the historical eight-day sit-in at Swarthmore College, and the authors also include untold stories about their family backgrounds and their experiences as student activists. They share how friendships, out-of-the-box alliances, and a commitment to moral integrity strengthened them to push through and remain resilient in the face of adversity. The incredible true story featured in Seven Sisters and a Brother will teach you: • No matter how old or established, institutions can change and will continue to change • How to identify fears and work to overcome them • That truth will prevail when we unite with others and refuse to accept surrender If you’ve read titles such as Warriors Don’t Cry, Between the World and Me, and Pulse of Perseverance, then you’ll love Seven Sisters and a Brother.
| Author | : Hugh Morrison |
| Publisher | : |
| Total Pages | : 62 |
| Release | : 2021-03-26 |
| Genre | : |
| ISBN | : |
This fascinating illustrated booklet gives a brief day-by-day summary of the top news stories of 1962, showing an important event for every day of the year. Read about key events in pop and politics, technology and travel, arts and entertainment, and famous births, deaths and marriages. This pocket volume will make a great little present for a birthday, anniversary or reunion, or for anyone who just wants a stroll down memory lane.
| Author | : Stefan Leins |
| Publisher | : University of Chicago Press |
| Total Pages | : 205 |
| Release | : 2018-01-29 |
| Genre | : Social Science |
| ISBN | : 022652356X |
The financial crisis and the recession that followed caught many people off guard, including experts in the financial sector whose jobs involve predicting market fluctuations. Financial analysis offices in most international banks are supposed to forecast the rise or fall of stock prices, the success or failure of investment products, and even the growth or decline of entire national economies. And yet their predictions are heavily disputed. How do they make their forecasts—and do those forecasts have any actual value? Building on recent developments in the social studies of finance, Stories of Capitalism provides the first ethnography of financial analysis. Drawing on two years of fieldwork in a Swiss bank, Stefan Leins argues that financial analysts construct stories of possible economic futures, presenting them as coherent and grounded in expert research and analysis. In so doing, they establish a role for themselves—not necessarily by laying bare empirically verifiable trends but rather by presenting the market as something that makes sense and is worth investing in. Stories of Capitalism is a nuanced look at how banks continue to boost investment—even in unstable markets—and a rare insider’s look into the often opaque financial practices that shape the global economy.
| Author | : Michael Schudson |
| Publisher | : Harvard University Press |
| Total Pages | : 288 |
| Release | : 1995 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780674695863 |
Some say it's simply information, mirroring the world. Others believe it's propaganda, promoting a partisan view. But news, Michael Schudson tells us, is really both and neither; it is a form of culture, complete with its own literary and social conventions and powerful in ways far more subtle and complex than its many critics might suspect. A penetrating look into this culture, The Power of News offers a compelling view of the news media's emergence as a central institution of modern society, a key repository of common knowledge and cultural authority. One of our foremost writers on journalism and mass communication, Schudson shows us the news evolving in concert with American democracy and industry, subject to the social forces that shape the culture at large. He excavates the origins of contemporary journalistic practices, including the interview, the summary lead, the preoccupation with the presidency, and the ironic and detached stance of the reporter toward the political world. His book explodes certain myths perpetuated by both journalists and critics. The press, for instance, did not bring about the Spanish-American War or bring down Richard Nixon; TV did not decide the Kennedy-Nixon debates or turn the public against the Vietnam War. Then what does the news do? True to their calling, the media mediate, as Schudson demonstrates. He analyzes how the news, by making knowledge public, actually changes the character of knowledge and allows people to act on that knowledge in new and significant ways. He brings to bear a wealth of historical scholarship and a keen sense for the apt questions about the production, meaning, and reception of news today.
