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| Author | : YERB |
| Publisher | : Singapore New Reading Technology Pte Ltd |
| Total Pages | : 141 |
| Release | : |
| Genre | : Fiction |
| ISBN | : |
Claire is a typical nerd at school but a club DJ and a performer during weekends. She has been bullied since she started school with a particular girl named Samantha, their academy's Queen Bee and Head Cheerleader. But little did Claire know that her bully, whom she hates the most, feels something special for her since the first time they met.
| Author | : Mark Katz |
| Publisher | : Oxford University Press |
| Total Pages | : 351 |
| Release | : 2012-05 |
| Genre | : Music |
| ISBN | : 0195331117 |
It's all about the scratch in Groove Music, award-winning music historian Mark Katz's groundbreaking book about the figure that defined hip-hop: the DJ.Today hip-hop is a global phenomenon, and the sight and sound of DJs mixing and scratching is familiar in every corner of the world. But hip-hop was born in the streets of New York in the 1970s when a handful of teenagers started experimenting with spinning vinyl records on turntables in new ways. Although rapping has become the face of hip-hop, for nearly 40 years the DJ has proven the backbone of the culture. In Groove Music, Katz (an amateur DJ himself) delves into the fascinating world of the DJ, tracing the art of the turntable from its humble beginnings in the Bronx in the 1970s to its meteoric rise to global phenomenon today. Based on extensive interviews with practicing DJs, historical research, and his own personal experience, Katz presents a history of hip-hop from the point of view of the people who invented the genre. Here, DJs step up to discuss a wide range of topics, including the transformation of the turntable from a playback device to an instrument in its own right, the highly charged competitive DJ battles, the game-changing introduction of digital technology, and the complex politics of race and gender in the DJ scene.Exhaustively researched and written with all the verve and energy of hip-hop itself, Groove Music will delight experienced and aspiring DJs, hip-hop fans, and all students or scholars of popular music and culture.
| Author | : D.J. Palmer |
| Publisher | : St. Martin's Press |
| Total Pages | : 384 |
| Release | : 2020-04-14 |
| Genre | : Fiction |
| ISBN | : 1250107512 |
The New Husband is a riveting thriller about the lies we tell ourselves from D. J. Palmer, the author of Saving Meghan. What makes Simon Fitch so perfect? -He knows all her favorite foods, music, and movies. -Her son adores him. He was there when she needed him most. -He anticipates her every need. -He would never betray her like her first husband. The perfect husband. He checks all the boxes. The question is, why? Nina Garrity learned the hard way that her missing husband, Glen, had been leading a double life with another woman. But with Glen gone—presumably drowned while fishing on his boat—she couldn't confront him about the affair or find closure to the life he blew apart. Now, a year and a half later, Nina has found love again and hopes she can put her shattered world back together. Simon, a widower still grieving the death of his first wife, thinks he has found his dream girl in Nina, and his charm and affections help break through to a heart hardened by betrayal. Nina's teenage son, Connor, embraces Simon as the father he wishes his dad could have been, while her friends see a different side to him, and they aren't afraid to use the word obsession. Nina works hard to bridge the divide that’s come between her daughter and Simon. She wants so badly to believe her life is finally getting back on track, but she’ll soon discover that the greatest danger to herself and her children are the lies people tell themselves.
| Author | : Tom Perchard |
| Publisher | : Routledge |
| Total Pages | : 571 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351566229 |
The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences, and in writings that have often become regarded as landmarks in black musical scholarship. These works employ a wide range of methodologies, and taken together they show the themes and concerns of academic black musical study developing over three decades. While much of the writing here is focused on music and musicians in the United States, the book also documents important and emergent trends in the study of these styles as they have spread across the world. The volume maintains the original publication format and pagination of each essay, making for easy and accurate cross-reference and citation. Tom Perchard?s introduction gives a detailed overview of the book?s contents, and of the field as a whole, situating the present essays in a longer and wider tradition of African American music studies. In bringing together and contextualising works that are always valuable but sometimes difficult to access, the volume forms an excellent introductory resource for university music students and researchers.
| Author | : Yael Kohen |
| Publisher | : Macmillan + ORM |
| Total Pages | : 324 |
| Release | : 2012-10-16 |
| Genre | : Biography & Autobiography |
| ISBN | : 1466828110 |
No matter how many times female comedians buck the conventional wisdom, people continue to ask: "Are women funny?" The question has been nagging at women off and on (mostly on) for the past sixty years. It's incendiary, much discussed, and, as proven in Yael Kohen's fascinating oral history, totally wrongheaded. In We Killed, Kohen pieces together the revolution that happened to (and by) women in American comedy, gathering the country's most prominent comediennes and the writers, producers, nightclub owners, and colleagues who revolved around them. She starts in the 1950s, when comic success meant ridiculing and desexualizing yourself; when Joan Rivers and Phyllis Diller emerged as America's favorite frustrated ladies; when the joke was always on them. Kohen brings us into the sixties and seventies, when the appearance of smart, edgy comedians (Elaine May, Lily Tomlin) and the women's movement brought a new wave of radicals: the women of SNL, tough-ass stand-ups, and a more independent breed on TV (Mary Tyler Moore and her sisters). There were battles to fight and preconceptions to shake before we could arrive in a world in which women like Chelsea Handler, Sarah Silverman, and Tina Fey can be smart, attractive, sexually confident—and, most of all, flat-out funny. As the more than 150 people interviewed for this riveting oral history make clear, women have always been funny. It's just that every success has been called an exception and every failure an example of the rule. And as each generation of women has developed its own style of comedy, the coups of the previous era are washed away and a new set of challenges arises. But the result is the same: They kill. A chorus of creative voices and hilarious storytelling, We Killed is essential cultural and social history, and—as it should be!—great entertainment.
| Author | : D.J. Palmer |
| Publisher | : St. Martin's Press |
| Total Pages | : 348 |
| Release | : 2021-04-20 |
| Genre | : Fiction |
| ISBN | : 1250267935 |
A thriller that explores the truth or lies behind a teenage girl's multiple personality disorder, from D.J. Palmer, the author of The New Husband. Meet Ruby, who speaks with a British accent. Then there’s Chloe, a perfectionist who strives for straight A’s in school. And along comes Eve, who is spiteful and vicious. All of them live inside Penny... Or do they? Penny Francone, age sixteen, is a murderer. Her guilt is beyond doubt: she was found alone in the victim’s apartment, covered in blood, holding the murder weapon. The victim’s identity and her secret relationship to Penny give Penny the perfect motive, sealing the deal. All the jury needs to decide now is where Penny will serve out her sentence. Will she be found not guilty by reason of insanity, as her lawyer intends to argue? Or will she get a life sentence in a maximum-security prison? Already reeling from tragedy after the sudden passing of her beloved husband a few years before, now Grace is on her knees, grateful that Massachusetts doesn't allow the death penalty. As Penny awaits trial in a state mental hospital, she is treated by Dr. Mitchell McHugh, a psychiatrist battling demons of his own. Grace’s determination to understand the why behind her daughter’s terrible crime fuels Mitch’s resolve to help the Francone family. Together, they set out in search of the truth about Penny, but discover instead a shocking hidden history of secrets, lies, and betrayals that threatens to consume them all. The perfect daughter. Is she fooling them all?
| Author | : Andrea Barber |
| Publisher | : Citadel |
| Total Pages | : 266 |
| Release | : 2019-11-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 0806539887 |
She grew up in front of the world on the beloved sitcom Full House, but then actress Andrea Barber abruptly left Hollywood. Why did she leave and what did she do for twenty years out of the spotlight before returning to television? This is her funny and inspiring memoir of fame, heartache, resilience—and the reboot of a lifetime . . . When Kimmy Gibbler burst into the Tanners’ home on Full House in 1987, audiences immediately connected with the confident and quirky pre-teen character, played by ten-year-old actress Andrea Barber. During an eight-season run on one of the most popular series of the ‘80s and ‘90s, Andrea came of age in front of millions. But she was as far removed from her character as a girl can get. The introverted young star was plagued with self-doubt, insecurities, and debilitating anxieties that left her questioning her identity after the show’s cancelation. Andrea wouldn’t return to the public eye until 2016, for Fuller House. So what happened in those intervening decades that Andrea jokingly calls “the lost years”? For starters, Andrea never stopped working. But it was on a series of life-changing transitions: earning a college degree, then a Master’s, building a career in international education, getting married, and starting a family. She also faced some unforeseeable transitions: navigating a sudden divorce after nearly twelve years of marriage, and second-guessing her capabilities as a single mother. But it was her devastating bout with post-partum anxiety and depression that derailed Andrea’s life—and became a crucial turning point. Full Circle is a raw, refreshingly honest look into the life of a celebrity who has never been fully comfortable in the spotlight. Here Andrea shares her deeply personal struggles with mental health in a way she has never done before. She opens up about fighting her way back and finding solace—while finding herself—all before her life came full circle with her costars and lifelong friends on Fuller House. Sharing her journey from child star, to champion of mental health, and back to stardom, Andrea writes in a way that feels like catching up with an old friend. You’ll laugh, reminisce, and finally get to know the woman behind the zany next door neighbor.
| Author | : |
| Publisher | : |
| Total Pages | : 60 |
| Release | : 2002-06-03 |
| Genre | : |
| ISBN | : |
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
| Author | : |
| Publisher | : |
| Total Pages | : 60 |
| Release | : 2002-05-20 |
| Genre | : |
| ISBN | : |
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
| Author | : |
| Publisher | : |
| Total Pages | : 60 |
| Release | : 2002-07-08 |
| Genre | : |
| ISBN | : |
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
