The Neo Impressionist Portrait 18861904
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Author | : Jane Block |
Publisher | : Yale University Press |
Total Pages | : 257 |
Release | : 2014-03-25 |
Genre | : Art |
ISBN | : 0300190840 |
"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."
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Total Pages | : 0 |
Release | : 2014 |
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Author | : Cornelia Homburg |
Publisher | : Yale University Press |
Total Pages | : 209 |
Release | : 2014-01-01 |
Genre | : Art |
ISBN | : 0300190832 |
A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.
Author | : Eugene Subbotsky |
Publisher | : Springer Nature |
Total Pages | : 203 |
Release | : |
Genre | : |
ISBN | : 303154708X |
Author | : John Elderfield |
Publisher | : Princeton University Press |
Total Pages | : 257 |
Release | : 2017-11-28 |
Genre | : Art |
ISBN | : 0691177864 |
Published in 2017 in Great Britain by National Portrait Gallery Publications, London.
Author | : Russell T. Clement |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 414 |
Release | : 1999-09-30 |
Genre | : Art |
ISBN | : 0313032181 |
This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.
Author | : Russell T. Clement |
Publisher | : Greenwood |
Total Pages | : 424 |
Release | : 1999 |
Genre | : Art |
ISBN | : |
For each artist there is a biography, chronology and bibliography.
Author | : Richard Lloyd (Art historian) |
Publisher | : Nouvelles éditions Scala |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Art |
ISBN | : 9781857598933 |
Explores the many achievements of Britain's greatest living practitioner of the graphic arts. Featuring over 150 works it accompanies an exhibition at Dulwich Picture Gallery. ,
Author | : Annette Carruthers |
Publisher | : Paul Mellon Centre |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Architecture |
ISBN | : 9780300195767 |
This authoritative book is the most detailed account to date of the Arts and Crafts movement in Scotland. Arts and Crafts ideas appeared there from the 1860s, but not until after 1890 did they emerge from artistic circles and rise to popularity among the wider public. The heyday of the movement occurred between 1890 and 1914, a time when Scotland's art schools energetically promoted new design and the Scottish Home Industries Association campaigned to revive rural crafts. Across the country the movement influenced the look of domestic and church buildings, as well as the stained glass, metalwork, textiles, and other furnishings that adorned them. Art schools, workshops, and associations helped shape the Arts and Crafts style, as did individuals such as Ann Macbeth, W. R. Lethaby, Robert Lorimer, M. H. Baillie Scott, Douglas Strachan, Phoebe Traquair, and James Cromar Watt, among other well-known and previously overlooked figures. These architects, artists, and designers together contributed to the expansion and evolution of the movement both within and beyond Scotland's borders. Published for the Paul Mellon Centre for Studies in British Art
Author | : Tom Nichols |
Publisher | : Reaktion Books |
Total Pages | : 257 |
Release | : 2013-11-15 |
Genre | : Art |
ISBN | : 1780232276 |
Titian is best known for paintings that embodied the tradition of the Venetian Renaissance—but how Venetian was the artist himself? In this study, Tom Nichols probes the tensions between the individualism of Titian’s work and the conservative mores of the city, showing how his art undermined the traditional self-suppressing approach to painting in Venice and reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe. Ranging widely across Titian’s long career and varied works, Titian and the End of the Venetian Renaissance outlines his radical innovations to the traditional Venetian altarpiece; his transformation of portraits into artistic creations; and his meteoric breakout from the confines of artistic culture in Venice. Nichols explores how Titian challenged the city’s communal values with his competitive professional identity, contending that his intensely personalized way of painting resulted in a departure that effectively brought an end to the Renaissance tradition of painting. Packed with 170 illustrations, this groundbreaking book will change the way people look at Titian and Venetian art history.