The Nelson George Mixtape
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Author | : Nelson George |
Publisher | : |
Total Pages | : |
Release | : 2019-12-06 |
Genre | : |
ISBN | : 9781733295727 |
The Nelson George Mixtape gathers together articles by George from 1978-1993. Early articles for publications such as Record World and the Village Voice chronicle the birth of hip hop in New York City, leading to features on some of the biggest names in music, including Marvin Gaye, Michael Jackson, and Quincy Jones. The publication presents many reproductions of out of print articles, unpublished interviews with Bob Marley and James Jamerson, and early pieces on Whitney Houston and Prince.
Author | : Nelson George |
Publisher | : |
Total Pages | : |
Release | : 2018 |
Genre | : African Americans |
ISBN | : 9781644407714 |
Author | : Michael Elliott |
Publisher | : Chicago Review Press |
Total Pages | : 308 |
Release | : 2021-09-14 |
Genre | : Music |
ISBN | : 1641604239 |
"Have a Little Faith is not merely a fan's notes; this is a riveting book that tells the stories of one of our greatest roots musicians and the tenacity that's grown out of his enduring passion for music." — No Depression A journey through an artist's quest for success, deep dive into substance abuse, family tragedy, and ultimate triumph By the mid-1980s, singer-songwriter John Hiatt had been dropped from three record labels, burned through two marriages, and had fallen deep into substance abuse. It took a stint in rehab and a new marriage to inspire him, then a producer and an A&R man to have a little faith. By February 1987, he was back in the studio on a shoestring budget with a hand-picked supergroup consisting of Ry Cooder on guitar, Nick Lowe on bass, and Jim Keltner on drums, recording what would become his masterpiece, Bring the Family. Based on author Michael Elliott's multiple extensive and deeply personal interviews with Hiatt as well as his collaborators and contemporaries, including Rosanne Cash, Bonnie Raitt, Ry Cooder, and many others, Have a Little Faithis the journey through the musical landscape of the 1960s through today that places Hiatt's long career in context with the glossy pop, college-alternative, mainstream country, and heartland rock of the last half-century. Hiatt's life both pre- and post-Family will be revealed, as well as the music loved by critics, fellow musicians, and fans alike.
Author | : Paul Gorman |
Publisher | : Thames & Hudson |
Total Pages | : 498 |
Release | : 2022-10-27 |
Genre | : Art |
ISBN | : 0500777438 |
Totally Wired is the definitive story of the music press on both sides of the Atlantic, tracing the rise and fall of the creatively fertile media sector which grew from humble beginnings nearly 100 years ago to become a multi-billion business which tested the limits of journalistic endeavour. Covering the music presss evolution from the 1950s to the 2000s, through rock & roll, Mod, the Summer of Love, Glam, Punk, Pop, Reggae, R&B and Hip Hop, Paul Gorman chronicles the development of individual magazines from Tin Pan Alley beginnings and the countercultural foundation of Rolling Stone, the underground press and the 70s heyday of NME, Melody Maker and Sounds. Illuminated by the authors first hand interviews, Gorman paints a complete picture of the scene exploring the role played by such writers as Lester Bangs, Charles Shaar Murray and Nick Kent in the development of the careers of the likes of David Bowie, The Clash and Led Zeppelin, and tackling head on the entrenched sexism and racism faced by women and people from marginalized backgrounds by shining a spotlight on those publications and individuals whose contributions have often been unfairly overlooked. Evoking the music presss kaleidoscopic visual identities, Totally Wired is illustrated with rare and legendary magazine artwork throughout. What emerges is a compelling narrative containing conflicting stories of unbound talent, blind ambition and sometimes bitter rivalries which make Totally Wired a rollercoaster and riveting read.
Author | : Eric Weisbard |
Publisher | : Duke University Press |
Total Pages | : 447 |
Release | : 2021-04-23 |
Genre | : Music |
ISBN | : 147802139X |
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
Author | : Murray Forman |
Publisher | : Psychology Press |
Total Pages | : 652 |
Release | : 2004 |
Genre | : Hip-hop |
ISBN | : 9780415969192 |
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
Author | : Amy Coddington |
Publisher | : Univ of California Press |
Total Pages | : 226 |
Release | : 2024-07-26 |
Genre | : History |
ISBN | : 0520417356 |
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream. The author gratefully acknowledges the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.
Author | : michael rababy |
Publisher | : |
Total Pages | : |
Release | : 2020-11-24 |
Genre | : |
ISBN | : 9780578763859 |
Author | : Eilon Paz |
Publisher | : Ten Speed Press |
Total Pages | : 577 |
Release | : 2015-09-15 |
Genre | : Music |
ISBN | : 1607748703 |
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Author | : Mike Hajimichael |
Publisher | : Rowman & Littlefield |
Total Pages | : 143 |
Release | : 2023-02-06 |
Genre | : Social Science |
ISBN | : 1538165465 |
Bob Marley and Media: Representation and Audiences presents an analysis of how media, radio, television and print represented Bob Marley, including his popularity after his death. Mike Hajimichael examines unexplored connections between Bob Marley and media representation and the specifics of audiences, including coverage in tabloids, music magazines, and fanzines, as well as radio and television interviews. Hajimichael builds an extensive catalogue of Bob Marley’s media engagements and connects Marley to media through forms of political discourse and ideologies relevant to social change in different contexts globally, such as civil rights, anti-racism, Rastafari, and liberation movements. Given that varieties of representation exist, the book unpacks these media discourses with regard to public perceptions and key themes articulated, including mainstream versus fan-based coverage, issues of Rastafari, Black Consciousness, economic crisis, legacies of colonialism, slavery, racism, links to other music idioms, concepts of identity, and Marley’s personal relationships.