The Nelson Rockefeller Collection
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Total Pages | : 50 |
Release | : 197? |
Genre | : Art |
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A catalog of reproductions from the collection of Nelson Rockefeller offered for sale by Neiman-Marcus of Dallas, TX.
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Author | : |
Publisher | : |
Total Pages | : 50 |
Release | : 197? |
Genre | : Art |
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A catalog of reproductions from the collection of Nelson Rockefeller offered for sale by Neiman-Marcus of Dallas, TX.
Author | : Marion Oettinger, Jr. |
Publisher | : Arte Publico Press |
Total Pages | : 233 |
Release | : 2010-01-01 |
Genre | : ART |
ISBN | : 161192149X |
In his foreword, former New York governor and vice president of the United States Nelson A. Rockefeller remembers his first trip to Mexico in 1933 and his subsequent, life-long fascination with the Mexican people and their popular art. Rockefeller's collection of more than 3,000 pieces of Mexican folk art is widely considered to be the most exceptional in the U.S., and Folk Treasures of Mexico celebrates these icons, created from the eighteenth to the twentieth centuries, with more than 150 photos of the pieces, many of which are quite rare. This updated edition of the long out-of-print book focusing on this stunning collection of Mexican folk art contains a new foreword by Rockefeller's daughter, Ann Rockefeller Roberts, and a new prologue by Marion Oettinger, Jr., the director of the San Antonio Museum of Art, who wrote the principal text about the collection. Oettinger describes the objects according to function: utilitarian, ceremonial, decorative, or for play. Among the many noteworthy objects are a wooden-carved centurion helmet mask from the eighteenth century depicting a Roman guard, which is one of the few remaining masks of this type in existence, and a nineteenth century ceramic pitcher from Oaxaca that combines many stylistic techniques. Other objects include a variety of children's toys, clothing, and items for eating and drinking. First published in 1990, the book also contains the original preface by Rockefeller's daughter, who was instrumental in finding permanent homes for her father's collection, which can now be found in the San Antonio Museum of Art and the Mexican Museum in San Francisco. Including a glossary, bibliography, and chronology, Folk Treasures of Mexico is a must-read for anyone interested in Latin American art, culture, and history.
Author | : Mexican Museum |
Publisher | : Chronicle Books (CA) |
Total Pages | : 108 |
Release | : 1986 |
Genre | : Art |
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Author | : Nelson A. Rockefeller Collection (Metropolitan Museum of Art). |
Publisher | : |
Total Pages | : 263 |
Release | : 1980-01-01 |
Genre | : Art, Primitive |
ISBN | : 9780500233023 |
Author | : Gerard Colby |
Publisher | : Open Road Media |
Total Pages | : 781 |
Release | : 2017-11-21 |
Genre | : History |
ISBN | : 1504048393 |
A “blistering exposé” of the USA’s secret history of financial, political, and cultural exploitation of Latin America in the 20th century, with a new introduction (Publishers Weekly). What happened when a wealthy industrialist and a visionary evangelist unleashed forces that joined to subjugate an entire continent? Historians Gerard Colby and Charlotte Dennett tell the story of the forty-year campaign led by Standard Oil scion Nelson Rockefeller and Wycliffe Bible Translators founder William Cameron Townsend to establish a US imperial beachhead in Central and South America. Beginning in the 1940s, future Vice President Rockefeller worked with the CIA and allies in the banking industry to prop up repressive governments, devastate the Amazon rain forest, and destabilize local economies—all in the name of anti-Communism. Meanwhile, Townsend and his army of missionaries sought to undermine the belief systems of the region’s indigenous peoples and convert them to Christianity. Their combined efforts would have tragic and long-lasting repercussions, argue the authors of this “well-documented” (Los Angeles Times) book—the product of eighteen years of research—which legendary progressive historian Howard Zinn called “an extraordinary piece of investigative history. Its message is powerful, its data overwhelming and impressive.”
Author | : Joseph H. Boyd Jr. |
Publisher | : SUNY Press |
Total Pages | : 194 |
Release | : 2012-06-27 |
Genre | : History |
ISBN | : 1438441835 |
A behind-the-scenes look at one of New York's most colorful and influential governors.
Author | : Alisa LaGamma |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 52 |
Release | : 2014-08-01 |
Genre | : Art |
ISBN | : |
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.
Author | : Cary Reich |
Publisher | : Doubleday Books |
Total Pages | : 920 |
Release | : 1996 |
Genre | : Biography & Autobiography |
ISBN | : |
"Of all the great American dynastic families, few could match the combined wealth, power, and influence of the Rockefellers. And of all the Rockefellers, none was more determined to use these advantages than Nelson A. Rockefeller." "Nelson was never content to live off the fame and fortune due him as a Rockefeller. His imperious grandfather, John D. Rockefeller, and intimidating father, John Jr., set standards and boundaries that Nelson blithely ignored. He pushed for position within the family, and then broke a family taboo by taking his ambition to the forbidden world of politics." "Handsome, ferociously energetic, charming, and ruthless, Rockefeller had a rapacious appetite for life - and for power - that showed itself in the stunning breadth of his activities and in the daring of his ideas. Nelson's sunny, optimistic demeanor masked a Machiavellian mind. At a young age he wrested control of the Rockefeller Center project from his father's minions, turned the Museum of Modern Art into a world-class institution, used a midlevel bureaucratic position during World War II to run the affairs of an entire continent; through pure ego and drive he bent the United Nations conference to his will and redirected the path of history. Nelson A. Rockefeller's fierce drive to achieve would have a profound effect on a city, a state, a nation, and the world." "Reich enjoyed unprecedented access to the Rockefeller family archives, scrutinized FBI and FOIA files, and interviewed over three hundred individuals for the book, including many who had never spoken about Rockefeller for the record."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Bernice Kert |
Publisher | : Plunkett Lake Press |
Total Pages | : 407 |
Release | : 2019-08-08 |
Genre | : Biography & Autobiography |
ISBN | : |
In 1894, Abby Aldrich, the outgoing, impulsive daughter of Rhode Island’s Senator Nelson Aldrich, met Brown University student John D. Rockefeller, Jr., the shy and reserved heir to the Standard Oil fortune. This unlikely pair fell in love, but only seven years later did John feel confident enough to propose. Once married, Abby used her empathy, willingness to experiment, and defiant optimism to broaden John’s way of thinking and to expand his vision of what the Rockefeller fortune could do, shaping the family into a progressive force in philanthropy, the arts, and politics. Abby cherished and protected her six children — Babs, John III, Nelson, Laurance, Winthrop, and David — and inspired in them a desire to serve society. She helped open the nation’s eyes to modern art and in 1928, initiated the foundation of New York’s Museum of Modern Art. From behind the scenes Abby helped direct the restoration of Colonial Williamsburg and the building of Rockefeller Center. “Abby Aldrich Rockefeller was a legendary figure, a woman of great wealth and power who used them for great good — in often cunning ways. Astonishingly, no one has written her story before. Now Bernice Kert has done so in a sweeping, meticulous, original biography that illuminates a rare life, an historic family, and modern America.” — Catharine R. Stimpson, University Professor, Rutgers University “Bernice Kert can raise biography to a level of insight and surprise that matches the best fiction. Witness this study of a woman we think we know all about.” — Elizabeth Janeway, author of Man’s World, Woman’s Place “Bernice Kert’s thoroughly researched biography of Abby Aldrich Rockefeller is a welcome and wonderful read. Everyone interested in art and social history will want to read about this most progressive and interesting Rockefeller.” — Blanche Wiesen Cook, author of Eleanor Roosevelt: Volume I, 1884-1933 “[Reading] this biography, the life of Abby Aldrich Rockefeller, is like reading an exciting mystery story. One can hardly wait to turn the page to find out what this extraordinary and fascinating woman did, not only for herself but for everything and everyone she touched, from her husband, to nature, to the opening of a new view into the art world. The vitality of Abby Rockefeller, as depicted here by Bernice Kert, is a lesson to all women.” — Brooke Astor “What might have been a kind of family mausoleum turns out to be a fascinating read, brimming with fresh material from unpublished archives and interviews with eyewitnesses. Bernice Kert’s thorough and engaging portrait brings to life an enormously influential American woman who had an historic impact on both her extraordinary family and the arts — as a pioneering collector and patron, and as the innovating founder of two major museums.” — J. Carter Brown, Director Emeritus, National Gallery of Art “Kert, despite all her exhaustive research, happily lets her subject retain all of her formidable vitality and independence... Kert deals not only with the couple’s marriage — which was, in spite of some strains, a lifelong love affair — and the six Rockefeller children, but also with Abby’s generous contributions to art, education, and politics, as well with as her role in creating Rockefeller Center and Colonial Williamsburg. A splendidly intelligent, very readable portrait of a woman who was as wise in the rearing of her family as in the spending of her great wealth.” — Kirkus Reviews “In this elegantly written, carefully researched and psychologically astute biography, Abby Rockefeller emerges as a loveable and intelligent woman who wielded her great privilege to a variety of socially beneficial ends.” — Publishers Weekly “Bernice Kert [has] an eye for offbeat biography... Kert’s penetrating close-up captures not only [Abby’s] remarkable personality but the suffocating nuances of post-Victorian matrimony; women readers in particular will relish Abby’s refusal to be pigeonholed.” — Ted Berkman, Los Angeles Times “A picture of a complex and engaging woman, one who was at once very much a part of her time and extraordinarily ahead of it... Although the Modern museum was at the heart of Abby Aldrich Rockefeller’s work... her interests were far ranging. They included the advancement of civil rights, historic preservation and education. The portrait of her in this book is that of a model aristocrat, a wealthy, well-bred woman who understood power and the creative, contemporary uses of the concept of noblesse oblige. Kert shows Abby Rockefeller to have been, in her way, very much a feminist.” — Robert Duffy, St. Louis Post-Dispatch