The Nature Of Trauma In American Novels
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| Author | : Michelle Balaev |
| Publisher | : Northwestern University Press |
| Total Pages | : 165 |
| Release | : 2012-06-11 |
| Genre | : Literary Criticism |
| ISBN | : 0810128195 |
"This book examines literary trauma theory from its foundations to its implementations and new possibilities. ... [A]n analysis that reconsiders the meaning and value of traumatic experience by demonstrating the diversity of its forms in contemporary Amerian novels in an effort to deepen the discussion of trauma beyond that of the disease-driven paradigm in literary criticism today. ... [The author's] model views trauma and the process of remembering within a framework that emphasizes the multiplicity of responses to an extreme experience and the importance of contextual factors in detemining the significance of the event. In order to demonstrate this new approach, [she focuses her] discussion on late-modern canonical and emergent American novels that deal with trauma. In analyzing the narrative methods authors employ to portray suffering, [she] found two major patterns: the use of landscape imagery to convey the effects of trauma and remembering, and the use of place as a site that shapes the protagonist's experience and perception of the world."--Introduction.
| Author | : Anne Whitehead |
| Publisher | : Edinburgh University Press |
| Total Pages | : 192 |
| Release | : 2004-05-27 |
| Genre | : Literary Criticism |
| ISBN | : 074866601X |
The literary potential of trauma is examined in this book, bringing trauma theory and literary texts together for the first time. Trauma Fiction focuses on the ways in which contemporary novelists explore the theme of trauma and incorporate its structures into their writing. It provides innovative readings of texts by Pat Barker, Jackie Kay, Anne Michaels, Toni Morrison, Caryl Phillips, W. G. Sebald and Binjamin Wilkomirski. It also considers the ways in which trauma has affected fictional form, exploring how novelists have responded to the challenge of writing traumatic narratives, and identifying the key stylistic features associated with the genre. In addition, the book introduces the reader to key critics in the field of trauma theory such as Cathy Caruth, Shoshana Felman and Geoffrey Hartman. The linking of trauma theory and literary texts not only sheds light on works of contemporary fiction, it also points to the inherent connections between trauma theory and the literary which have often been overlooked. The distinction between literary theme and style in the book opens up major questions regarding the nature of trauma itself. Trauma, like the novels discussed, is shown to take an uncertain but productive place between content and form.Key Features*Idenitifes and explores a new and evolving genre in contemporary fiction*Thinks through the relation between trauma and literature*Produces innovative readings of key works of contemporary fiction *Provides an introduction to key ideas in trauma theory
| Author | : J. Roger Kurtz |
| Publisher | : Cambridge University Press |
| Total Pages | : 416 |
| Release | : 2018-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 1316821277 |
As a concept, 'trauma' has attracted a great deal of interest in literary studies. A key term in psychoanalytic approaches to literary study, trauma theory represents a critical approach that enables new modes of reading and of listening. It is a leading concept of our time, applicable to individuals, cultures, and nations. This book traces how trauma theory has come to constitute a discrete but influential approach within literary criticism in recent decades. It offers an overview of the genesis and growth of literary trauma theory, recording the evolution of the concept of trauma in relation to literary studies. In twenty-one essays, covering the origins, development, and applications of trauma in literary studies, Trauma and Literature addresses the relevance and impact this concept has in the field.
| Author | : Marinella Rodi-Risberg |
| Publisher | : Springer Nature |
| Total Pages | : 230 |
| Release | : 2022-03-24 |
| Genre | : Literary Criticism |
| ISBN | : 3030966194 |
This book explores the intersections of sexualized, gendered, and racialized traumas in five US novels about father-daughter incest from the 1990s. It examines how incest can be connected to wider past and present structural oppression and institutional abuse, and what fiction looks like that testifies against and references a historical background of slavery, poverty, settler colonialism, annexation, and immigration. Investigating the means of resistance used against attempts at silencing and denial in these texts, the book also shows how contemporary women’s novels can propose social change. Overall, this study uniquely argues that the individual trauma of incest in these texts must be understood in relation to histories of and present collective wounding against marginalized communities. By sitting at the intersections between trauma theory and US third world feminism, it allows for theory to meet literary activism.
| Author | : Christine Grogan |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 205 |
| Release | : 2016-10-03 |
| Genre | : Literary Criticism |
| ISBN | : 1611479681 |
The first major study to challenge the narrow definition of post traumatic stress disorder (PTSD) by rereading six American literary texts, this book argues for the importance of literature in representing not just circumscribed, singular traumatic events, as Cathy Caruth argued in the late nineties, but for giving voice to chronic and cumulative, or complex, traumatic experiences. This interdisciplinary study traces the development of father–daughter incest narratives published in the last hundred years, from male-authored fiction to female-authored memoir, bringing new readings to Fitzgerald’s Tender Is the Night, Ellison’s Invisible Man, and the Dylan Farrow-Woody Allen case. This study builds on the work of those ushering in a second-wave of trauma theory, which has argued that the difficulty of speaking about a traumatic experience is not necessarily caused by neurobiological changes that prevent victims from recalling details. Rather, it’s from social and political repercussions. In other words, they argue that many who experience trauma aren’t unable to deliver accounts; they fear the results. There is a significant gender component to trauma, whose implications, along with those of race and class, have largely gone unexamined in the first-wave of trauma theory. Exploring two additional questions about articulating trauma, this book asks what happens when the voice of trauma is crying out from what Toni Morrison has called the “most delicate,” “most vulnerable” member of society: a female child; and, second, what happens when the trauma is not just a time-limit event but chronic and cumulative experiences. Some traumatic experiences, namely father–daughter incest, are culturally reduced to the untellable, and yet accounts of paternal incest are readily available in American literature. This book is written in part as a response to the psychological community which failed to include complex PTSD in the latest edition of the DSM (DSM-5), denying victims, many of whom are father–daughter incest survivors, the validation and recognition they deserve and leaving many misdiagnosed and thereby mistreated.
| Author | : Debora Cordeiro Rosa |
| Publisher | : Lexington Books |
| Total Pages | : 204 |
| Release | : 2012-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 0739172980 |
The Jewish presence in Latin America has produced a remarkable body of literature that gives voice to the fascinating experience of Jews in Latin American lands. This book explores how trauma and memory influence the formation of Jewish identity for the fictional Jewish characters of five novels written by Jewish authors born in the Southern Cone.
| Author | : Laura Lazzari |
| Publisher | : Springer Nature |
| Total Pages | : 246 |
| Release | : 2021-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 3030774074 |
Trauma and Motherhood in Contemporary Literature and Culture repositions motherhood studies through the lens of trauma theory by exploring new challenges surrounding conception, pregnancy, and postpartum experiences. Chapters investigate nine case studies of motherhood trauma and recovery in literature and culture from the last twenty years by exploring their emotional consequences through the lens of trauma, resilience, and “working through” theories. Contributions engage with a transnational corpus drawn from the five continents and span topics as rarely discussed as pregnancy denial, surrogacy, voluntary or involuntary childlessness, racism and motherhood, carceral mothering practices, surrogacy, IVF, artificial wombs, and mothering through war, genocide, and migration. Accompanied by an online creative supplement, this volume deals with silenced aspects of embodied motherhood while enhancing a better understanding of the cathartic effects of storytelling.
| Author | : Eugene L. Arva |
| Publisher | : |
| Total Pages | : 330 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 9781604977776 |
This work examines novels from Caribbean, North American, and European literatures of the second half of the twentieth century, both Anglophone and in translation, with focus on the chronotopes of slavery, colonialism, the Holocaust, and war. Historical traumata have found their reconstruction in literary works written by either traumatized or vicariously traumatized authors, such as Jean Rhys, Alejo Carpentier, Maryse Conde??, Salman Rushdie, Gabriel Garci??a Ma??rquez, Bernard Malamud, Joseph Skibell, Gu??nter Grass, and Tim O'Brien. The traumatic imagination accounts for the relative prevalence of magical realist writing in postmodernist fiction. As a singular phenomenon of postmodern aporia, magical realist texts write the silence imposed by trauma, and convert it into history.--publisher.
| Author | : Caralie Cooke |
| Publisher | : BRILL |
| Total Pages | : 178 |
| Release | : 2022-09-19 |
| Genre | : Religion |
| ISBN | : 900452360X |
This book reads the Joseph novella alongside contemporary trauma novels to reveal a story written by people trying to reconstruct their assumptive world after the shattering of their old one. It also highlights the religious dimension in trauma theory.
| Author | : Laura Virginia Castor |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 225 |
| Release | : 2019-10-08 |
| Genre | : Social Science |
| ISBN | : 1527541223 |
Trauma has always been part of the American collective experience, but only since September 11, 2001 has it been acknowledged on a widespread scale. Most people will experience some form of trauma during their lifetime, but in contemporary American culture, it is often understood as a problem to be blamed on someone, fought, or repressed entirely. Despite burgeoning trauma studies, popular responses to trauma – from the media to politics – produce ever more aggression and fear. This book responds to this growing awareness through literary analyses of texts by Louise Erdrich, Siri Hustvedt, Melanie Thernstrom, Nicole Krauss, Joy Harjo, Linda Hogan, Jhumpa Lahiri, and Toni Morrison. Considered separately, each chapter provides a lens into a historically-situated trauma and the process of renegotiating it. Read together, they function as voices in an ongoing conversation that affirms the power of narrative. A good story can become a space for curiosity in the face of trauma and uncertainty. A story opens imaginative possibilities for asking, “in what ways can readers bring more awareness to the benefits of seeing our planetary interdependence in the midst of global polarization?” The readings of novels, autobiographical texts, and poems here suggest how this question is among the most valuable we can ask in the early 21st century.
