The Nature Of Art
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Author | : Antony L. Cothey |
Publisher | : Psychology Press |
Total Pages | : 215 |
Release | : 1990 |
Genre | : Aesthetics |
ISBN | : 0415033578 |
Cothey gives a concise and systematic account of the leading philosophical ideas about art and aesthetics from ancient times to the present day.
Author | : Scott L. Christensen |
Publisher | : |
Total Pages | : 156 |
Release | : 2005 |
Genre | : Artists |
ISBN | : 9780974412023 |
Author | : Anna Anguissola |
Publisher | : |
Total Pages | : 372 |
Release | : 2021-06-30 |
Genre | : |
ISBN | : 9782503591179 |
In his Natural History, Pliny the Elder organises his discussion of crafts according to the raw materials they utilize. However, scholarly literature has paid little attention to the aspect of materiality, preferring to focus on the biographies and achievements of ancient Greek artists. This collection instead addresses the presentation of artistic processes and their materials in the Natural History. This approach corresponds with current developments in the study of Greco-Roman art, wherein scientific analysis of artistic materials including stones, pigments, and metal alloys, as well as a deeper understanding of workshop practices, has imposed profound changes on the methods used in the study of ancient artefacts.
Author | : R. Dale Guthrie |
Publisher | : University of Chicago Press |
Total Pages | : 544 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9780226311265 |
Author | : Christopher Alexander |
Publisher | : |
Total Pages | : 0 |
Release | : 2001 |
Genre | : Architecture |
ISBN | : 9780195106398 |
Christopher Alexander's series of groundbreaking books--including The Timeless Way of Building and A Pattern Language--have illuminated the fundamental truths of traditional ways of building, revealing what gives life and beauty and true functionality to buildings and towns. Now, in The Nature of Order, Alexander delves into the essential properties of life itself, highlighting a common set of well-defined structures that he believes are present in all order--and in all life--from micro-organisms and mountain ranges to the creation of good houses and vibrant communities. In The Phenomenon of Life, the first volume in this masterwork, Alexander ponders the nature of order as an intellectual basis for a new architecture, proposing a well-defined scientific view of the world in which all space-matter has perceptible degrees of life. With this view as foundation, we can ask precise questions about what must be done to create life in the world--"whether in a single room...a doorknob...a neighborhood...even in a vast region." He presents the basic tenets of the concept, expanding on his theories of centers and of wholeness as a structure, and describes the fifteen properties from which he feels wholeness may be built. He also argues that living structure is at once both personal and structural, related not only to the geometry of space and how things work, but to human beings whose lives are ultimately based on feeling. Thus order, as the foundation of all things and as the foundation of all architecture, is both rooted in substance and rooted in feeling. Here then is the culmination of decades of intense thinking by one of the most innovative architects alive.
Author | : Eliot Deutsch |
Publisher | : SUNY Press |
Total Pages | : 140 |
Release | : 1996-01-01 |
Genre | : Art |
ISBN | : 9780791431115 |
Presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. Argues that art, especially today, enjoys a special kind of autonomy but that it has, nevertheless, important social and political responsibilities.
Author | : Jaroslav Havelka |
Publisher | : Springer Science & Business Media |
Total Pages | : 241 |
Release | : 2012-12-06 |
Genre | : Psychology |
ISBN | : 9401195129 |
No single factor determined the growth of this book. It may have been that as a novice researcher in Behavioral Psychology I experienced growing discontent with the direction of intellectual activity in which the accent was on methodology and measurement, with a distinct atmosphere of dogmatism, insecurity and defensiveness. The anathema of tender-mindedness was attached to any study of mental manifes tations that avoided laboratory confirmation and statistical significance. Man in his uniqueness and unpredictable potentialities remained un explored. Yet outside the systematic vivisection of variables and their measurement men of originality and genius were studying the mind in its complex yet natural interaction of aspirations, values and creative capacities. It was almost too easy for me to turn to them for the re orientation of my psychological interest, and it was not difficult to find in Freud the most daring and penetrating representant of humanistic psychology. Furthermore, it could have been the fact that Freud's thoughts on creative processes appeared to me at once starkly original and yet incomplete and fragmentary, that led me to reconsider and expand on them. Freud's fascination with culture and creativity, although frank and serious, led him to a peculiar indecisiveness and overcautiousness which was radically different from the dramatic boldness of his thera peutic methods and the depth of his personality theories.
Author | : Christopher Alexander |
Publisher | : Nature of Order |
Total Pages | : 492 |
Release | : 2002 |
Genre | : Architecture |
ISBN | : 0972652914 |
In Book Oneof this four-volume work, Alexander describes a scientific view of the world in which all space-matter has perceptible degrees of life, and establishes this understanding of living structures as an intellectual basis for a new architecture. He identifies fifteen geometric properties which tend to accompany the presence of life in nature, and also in the buildings and cities we make. These properties are seen over and over in nature and in the cities and streets of the past, but they have almost disappeared in the impersonal developments and buildings of the last hundred years. This book shows that living structures depend on features which make a close connection with the human self, and that only living structure has the capacity to support human well-being.
Author | : Edited by: Kisak |
Publisher | : CreateSpace |
Total Pages | : 120 |
Release | : 2015-11-12 |
Genre | : |
ISBN | : 9781519287595 |
Aesthetics is a branch of philosophy dealing with the nature of art, beauty, and taste, with the creation and appreciation of beauty. It is more scientifically defined as the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste. More broadly, scholars in the field define aesthetics as "critical reflection on art, culture and nature." In modern English, the term aesthetic can also refer to a set of principles underlying the works of a particular art movement or theory for example; the Cubist aesthetic. For some, aesthetics is considered a synonym for the philosophy of art since Hegel, while others insist that there is a significant distinction between these closely related fields. In practice, aesthetic judgement refers to the sensory contemplation or appreciation of an object (not necessarily an art object), while artistic judgement refers to the recognition, appreciation or criticism of art or an art work. Philosophical aesthetics has not only to speak about art and to produce judgments about art works, but has also to give a definition of what art is. Art is an autonomous entity for philosophy, because art deals with the senses (i. e. the etymology of aesthetics) and art is as such free of any moral or political purpose. Hence, there are two different conceptions of art in aesthetics: art as knowledge or art as action, but aesthetics is neither epistemology nor ethics. This book concentrates on the branch of philosophy called aesthetics.
Author | : Miguel Tamen |
Publisher | : Harvard University Press |
Total Pages | : 128 |
Release | : 2012-10-30 |
Genre | : Philosophy |
ISBN | : 0674067959 |
This comic, serious inquiry into the nature of art takes its technical vocabulary from Alice’s Adventures in Wonderland and Through the Looking-Glass. It is ridiculous to think of poems, paintings, or films as distinct from other things in the world, including people. Talking about art should be contiguous with talking about other relevant matters.