Given the remarkable circumstances of finding a narrowboat to set up home in, and then discovering they had skills that made living and working anywhere on the water possible, it wasn’t surprising that Giles Byford and Jill Parkinson felt blessed by life afloat. It was a life that suited them and, after several very happy years wandering England’s inland waterways, they decided to commit to a brand new barge both suited to continental Europe and able to get there under its own steam. And so they set about building Hawthorn, which they hoped to spend the rest of their lives on. Initially all was well and it seemed their good fortune was constant and their dreams were coming together perfectly. And then, quite suddenly, it all unravelled... Reedbound is largely about what followed: how the terrifying voyage across the Irish Sea became an act of faith that contrasted with a gentle westward wander along an empty canal to the River Shannon and the heart of Ireland’s waterways. And how, despite feeling vulnerable and nervous, they were determined the best way to recover their confidence in life afloat was to avoid doing any research and simply trust that all would be well. This unusual approach delivered constant surprises, adventures, unexpected spaces and the company of other misfits. Giles began to write – initially a widely read blog, and then articles for waterways magazines – and Jill finally had time to explore her interest in art; the success of which can be seen in the numerous illustrations that are a feature of Reedbound. Reedbound compares and contrasts two inland waterway systems – England and Ireland – and two boating cultures. It’s about Giles and Jill’s approach to travel and life, which is as rare as taking a barge across the Irish Sea. It’s also about the delight of experiencing the Irish landscape and culture through naïve but willing eyes.