The National Gallery
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Author | : Philip Kopper |
Publisher | : ABRAMS |
Total Pages | : 354 |
Release | : 1991 |
Genre | : Art museums |
ISBN | : |
This handsome tribute to the National Gallery of Art in Washington, D.C. traces the history of the museum from conception to construction on the occasion of its fiftieth anniversary. Opened with great fanfare, the National Gallery was "the richest single gift from any individual to any nation ever." That individual was financier Andrew Mellon. Kopper's succinct biography covers Mellon's personal and political life as well as his passion for collecting the paintings of old masters. Mellon's bequest stipulated the museum's name, location, and details of governance, ensuring continued high standards and a vital future. Kopper includes profiles of the architect and various museum directors, including Mellon's son Paul, as well as illustrations that document some of the collection's highlights. ISBN 0-8109-3658-5: $60.00 (For use only in the library)
Author | : Esi Edugyan |
Publisher | : House of Anansi |
Total Pages | : 213 |
Release | : 2021-09-28 |
Genre | : Social Science |
ISBN | : 1487009887 |
An insightful exploration and moving meditation on identity, art, and belonging from one of the most celebrated writers of the last decade. What happens when we begin to consider stories at the margins, when we grant them centrality? How does that complicate our certainties about who we are, as individuals, as nations, as human beings? Through the lens of visual art, literature, film, and the author’s lived experience, Out of the Sun examines Black histories in art, offering new perspectives to challenge us. In this groundbreaking, reflective, and erudite book, two-time Scotiabank Giller Prize winner and internationally bestselling author Esi Edugyan illuminates myriad varieties of Black experience in global culture and history. Edugyan combines storytelling with analyses of contemporary events and her own personal story in this dazzling first major work of non-fiction.
Author | : |
Publisher | : |
Total Pages | : 324 |
Release | : 1995 |
Genre | : |
ISBN | : |
Author | : Margaret Truman |
Publisher | : Fawcett |
Total Pages | : 370 |
Release | : 1997-05-28 |
Genre | : Fiction |
ISBN | : 0449219380 |
“Powerful . . . Fascinating . . . Truman absolutely amazes.”—Atlanta Journal & Constitution When the senior curator at Washington's famed National Gallery finds a missing painting by the Renaissance master Caravaggio, he mounts a world-class exhibition—and plots a brilliant forgery scheme that will stun the art world. “A thrilling chase.”—Publishers Weekly But an artful deception suddenly becomes a portrait of blackmail and murder—as gallery owner and part-time sleuth Annabel Reed-Smith and her husband go searching for clues in the heady arena of international art and uncover a rare collection of unscrupulous characters that leads all the way to Italy. “Highly recommended . . . One of [Margaret] Truman's best.”—Booklist
Author | : Rena M. Hoisington |
Publisher | : Princeton University Press |
Total Pages | : 289 |
Release | : 2021-10-26 |
Genre | : Art |
ISBN | : 0691229791 |
How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment Europe Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium—aquatint—which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco de Goya, Katharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art’s collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC October 24, 2021–February 21, 2022
Author | : Neil Harris |
Publisher | : University of Chicago Press |
Total Pages | : 649 |
Release | : 2013-09-30 |
Genre | : History |
ISBN | : 022606784X |
American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown’s achievement and the growth of museum culture during this crucial period. Harris combines his in-depth knowledge of American history and culture with extensive archival research, and he has interviewed dozens of key players to reveal how Brown’s showmanship transformed the National Gallery. At the time of the Cold War, Washington itself was growing into a global destination, with Brown as its devoted booster. Harris describes Brown’s major role in the birth of blockbuster exhibitions, such as the King Tut show of the late 1970s and the National Gallery’s immensely successful Treasure Houses of Britain, which helped inspire similarly popular exhibitions around the country. He recounts Brown’s role in creating the award-winning East Building by architect I. M. Pei and the subsequent renovation of the West building. Harris also explores the politics of exhibition planning, describing Brown's courtship of corporate leaders, politicians, and international dignitaries. In this monumental book Harris brings to life this dynamic era and exposes the creation of Brown's impressive but costly legacy, one that changed the face of American museums forever.
Author | : Jill Dunkerton |
Publisher | : Yale University Press |
Total Pages | : 414 |
Release | : 1991-01-01 |
Genre | : Art |
ISBN | : 0300050828 |
"This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.
Author | : National Gallery of Art (U.S.) |
Publisher | : Oxford University Press, USA |
Total Pages | : 0 |
Release | : 1995 |
Genre | : Painting |
ISBN | : 9780894682117 |
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Author | : Uta Hasekamp |
Publisher | : Koenemann |
Total Pages | : 0 |
Release | : 2019-07 |
Genre | : Painting |
ISBN | : 9783741921278 |
The National Gallery in London has been showing paintings owned by the British nation since 1824. Among the focal points of the collection are paintings from the late Middle Ages, the Italian Renaissance, and the Dutch Baroque, which, like British painting from the eighteenth and nineteenth centuries, are represented with top works in one of the world's most important galleries.
Author | : National Gallery of Art (U.S.) |
Publisher | : |
Total Pages | : 216 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
This is a survey of the history of American art as well as the history of the collection of American Masterpieces in the National Gallery of Art. This enlarged edition reflects the changes in the collection since 1980. The Newly acquired works include Rembrandt Peale's Rubens Peale with Geranium, Hick's Peaceable Kingdom, Cassatt's Little Girl in a Blue Armchair and Hopper's Cape Cod Evening and others by Homer, Eakins, Whistler, Prendergast, O'Keefe and Marin.