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| Author | : A. Guttman |
| Publisher | : Springer |
| Total Pages | : 232 |
| Release | : 2007-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 0230606938 |
This book investigates representations of the nation of India as characterized by unity and diversity in the works of six contemporary novelists, linking their work to important political, historical and theoretical writings.
| Author | : Preetha Mani |
| Publisher | : Northwestern University Press |
| Total Pages | : 413 |
| Release | : 2022-08-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810145014 |
Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature, written in as well as against English. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. In The Idea of Indian Literature, she explores the paradox that a single canon can be written in multiple languages, each with their own evolving relationships to one another and to English. Hindi, representing national aspirations, and Tamil, epitomizing the secessionist propensities of the region, are conventionally viewed as poles of the multilingual continuum within Indian literature. Mani shows, however, that during the twentieth century, these literatures were coconstitutive of one another and of the idea of Indian literature itself. The writers discussed here—from short-story forefathers Premchand and Pudumaippittan to women trailblazers Mannu Bhandari and R. Chudamani—imagined a pan-Indian literature based on literary, rather than linguistic, norms, even as their aims were profoundly shaped by discussions of belonging unique to regional identity. Tracing representations of gender and the uses of genre in the shifting thematic and aesthetic practices of short vernacular prose writing, the book offers a view of the Indian literary landscape as itself a field for comparative literature.
| Author | : Ruchir Joshi |
| Publisher | : HarperPerennial |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Families |
| ISBN | : 9780006551874 |
This is a debut novel from India of an utterly original kind. Joshi has found a style and a form in which to say new things about the Indian experience in a new manner. Like Roy, Joshi is doing something entirely fresh. The novel takes three generations of a Gujarati family and uses them to track the course of Indian history back to 1930 and forward into the first decades of the next century. The grandparents are disciples of Gandhi, smart, sarcastic and principled; they meet on a non-violent demonstration against British rule in Calcutta in the 1930s, fall in love while falling under the army's baton. Their only son, Paresh, our principal narrator, grows up to drift through life, torn in different directions all at once. In turn, he produces a daughter, Para, who is tomboyish, aggressive, martial, and, in her sequences in the book, a squadron leader in the Indian Air Force when, in the near future, India is at war with a Muslim Pakistani-Iranian alliance. She therefore kills people for a living and is the antithesis of her grandparents' principles of Gandhiesque non-violence, civil disobedience and passive resistance. This trajectory of Indian history from non-violence to belliger
| Author | : Hans Harder |
| Publisher | : Routledge |
| Total Pages | : 545 |
| Release | : 2017-08-03 |
| Genre | : History |
| ISBN | : 135138435X |
Writing histories of literature means making selections, passing value judgments, and incorporating or rejecting foregoing traditions. The book argues that in many parts of India, literary histories play an important role in creating a cultural ethos. They are closely linked with nationalism in general and various regional ‘sub-nationalisms’ in particular. The contributors to this volume look at a great variety of aspects of the historiography of modern regional languages of India. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
| Author | : Ronojoy Sen |
| Publisher | : Columbia University Press |
| Total Pages | : 397 |
| Release | : 2015-10-27 |
| Genre | : History |
| ISBN | : 0231539932 |
Reaching as far back as ancient times, Ronojoy Sen pairs a novel history of India's engagement with sport and a probing analysis of its cultural and political development under monarchy and colonialism, and as an independent nation. Some sports that originated in India have fallen out of favor, while others, such as cricket, have been adopted and made wholly India's own. Sen's innovative project casts sport less as a natural expression of human competition than as an instructive practice reflecting a unique play with power, morality, aesthetics, identity, and money. Sen follows the transformation of sport from an elite, kingly pastime to a national obsession tied to colonialism, nationalism, and free market liberalization. He pays special attention to two modern phenomena: the dominance of cricket in the Indian consciousness and the chronic failure of a billion-strong nation to compete successfully in international sporting competitions, such as the Olympics. Innovatively incorporating examples from popular media and other unconventional sources, Sen not only captures the political nature of sport in India but also reveals the patterns of patronage, clientage, and institutionalization that have bound this diverse nation together for centuries.
| Author | : A. Guttman |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 230 |
| Release | : 2007-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 9781403983909 |
This book investigates representations of the nation of India as characterized by unity and diversity in the works of six contemporary novelists, linking their work to important political, historical and theoretical writings.
| Author | : Ainslie T. Embree |
| Publisher | : UNC Press Books |
| Total Pages | : 223 |
| Release | : 2022-07-01 |
| Genre | : History |
| ISBN | : 1469672294 |
Defining a Nation is set at Simla, in the foothills of the Himalayas, where the British viceroy has invited leaders of various religious and political constituencies to work out the future of Britain's largest colony. Will the British transfer power to the Indian National Congress, which claims to speak for all Indians? Or will a separate Muslim state—Pakistan—be carved out of India to be ruled by Muslims, as the Muslim League proposes? And what will happen to the vulnerable minorities—such as the Sikhs and untouchables—or the hundreds of princely states? As British authority wanes, tensions among Hindus, Muslims, and Sikhs smolder and increasingly flare into violent riots that threaten to ignite all India. Towering above it all is the frail but formidable figure of Gandhi, whom some revere as an apostle of nonviolence and others regard as a conniving Hindu politician. Students struggle to reconcile religious identity with nation building—perhaps the most intractable and important issue of the modern world. Texts include the literature of Hindu revival (Chatterjee, Tagore, and Tilak); the Koran and the literature of Islamic nationalism (Iqbal); and the writings of Ambedkar, Nehru, Jinnah, and Gandhi.
| Author | : Ulka Anjaria |
| Publisher | : Cambridge University Press |
| Total Pages | : 449 |
| Release | : 2015-07-08 |
| Genre | : Literary Criticism |
| ISBN | : 1107079969 |
A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was "made Indian" by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history.
| Author | : Aijaz Ahmad |
| Publisher | : Verso Books |
| Total Pages | : 477 |
| Release | : 2020-05-05 |
| Genre | : Literary Criticism |
| ISBN | : 1789603633 |
After the Second World War, nationalism emerged as the principle expression of resistance to Western imperialism in a variety of regions from the Indian subcontinent to Africa, to parts of Latin America and the Pacific Rim. With the Bandung Conference and the formation of the Non-Aligned Movement, many of Europe's former colonies banded together to form a common bloc, aligned with neither the advanced capitalist "First World" nor with the socialist "Second World." In this historical context, the category of "Third World literature" emerged, a category that has itself spawned a whole industry of scholarly and critical studies, particularly in the metropolitan West, but increasingly in the homelands of the Third World itself. Setting himself against the growing tendency to homogenize "Third World" literature and cultures, Aijaz Ahmad has produced a spirited critique of the major theoretical statements on "colonial discourse" and "post-colonialism," dismantling many of the commonplaces and conceits that dominate contemporary cultural criticism. With lengthy considerations of, among others, Fredric Jameson, Edward Said, and the Subaltern Studies group, In Theory also contains brilliant analyses of the concept of Indian literature, of the genealogy of the term "Third World," and of the conditions under which so-called "colonial discourse theory" emerged in metropolitan intellectual circles. Erudite and lucid, Ahmad's remapping of the terrain of cultural theory is certain to provoke passionate response.
| Author | : Sumathi Ramaswamy |
| Publisher | : Duke University Press |
| Total Pages | : 402 |
| Release | : 2010-04-09 |
| Genre | : History |
| ISBN | : 0822391538 |
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
