The Narrators Tale
Download The Narrators Tale full books in PDF, epub, and Kindle. Read online free The Narrators Tale ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Jim Carroll |
| Publisher | : Penguin |
| Total Pages | : 304 |
| Release | : 2010-11-04 |
| Genre | : Fiction |
| ISBN | : 1101445262 |
A moving, vividly rendered novel from the late author of The Basketball Diaries. When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches for the divine spark in his own work and life. Carroll's novel moves back and forth in time to present emblematic moments from Billy's life (his Irish Catholic upbringing, his teenage escapades, his evolution as an artist and meteoric rise to fame) and sharply etched portraits of the characters who mattered most to him, including his childhood friend Denny MacAbee, now a famous rock musician; his mentor, the unforgettable art dealer Max Bernbaum; and one extraordinary black bird. Marked by Carroll's sharp wit, hallucinatory imagery, and street-smart style, The Petting Zoo is a frank, haunting examination of one artist's personal and professional struggles.
| Author | : Janet Schulman |
| Publisher | : Knopf Books for Young Readers |
| Total Pages | : 326 |
| Release | : 1998-09-14 |
| Genre | : Juvenile Fiction |
| ISBN | : 0679886478 |
Unparalleled in scope and quality and designed for reading aloud and sharing, this splendid anthology brings together some of the most memorable and beloved children's books of our time. Here are classics such as Madeline and Curious George; contemporary bestsellers such as Guess How Much I Love You and The Stinky Cheese Man; Caldecott Medal winners such as Make Way for Ducklings and Where the Wild Things Are; and family favorites such as Goodnight Moon, The Sneetches, Winnie-the-Pooh, and Alexander & The Terrible, No Good Very Bad Day, soon to be a motion picture. The selections range from concept books and wordless books to picture books and short read-aloud stories, and represent the complete array of childhood themes and reading needs: ABCs, number and color books, stories about going to bed and going to school; tales about growing up, siblings, parents, and grandparents; animal stories, fantasies; fables; magical stories; stories about everyday life--and more. This beautiful edition includes a recommended list of books published in the time since this anthology's original compilation, including Caldecott Honors Don't Let the Pigeon Drive the Bus! and Olivia, with descriptive annotations intended to guide parents to these new books and new voices of the 21st century. Also included are an introduction from editor Janet Schulman, capsule biographies of the 62 writers and artists represented in the collection, color-coded running heads indicating age levels, and indexes. As a gift, a keepsake, and a companion in a child's first steps toward a lifelong love of reading, The 20th Century Children's Book Treasury belongs in every family's bookcase.
| Author | : Alexandra Valint |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2021-01-20 |
| Genre | : |
| ISBN | : 9780814214633 |
While narrative fracturing, multiplicity, and experimentalism are commonly associated with modernist and postmodern texts, they have largely been understudied in Victorian literature. Narrative Bonds: Multiple Narrators in the Victorian Novel focuses on the centrality of these elements and address the proliferation of multiple narrators in Victorian novels. In Narrative Bonds, Alexandra Valint explores the ways in which the Victorian multi-narrator form moves toward the unity of vision across characters and provides inclusivity in an era of expanding democratic rights and a growing middle class. Integrating narrative theory, gothic theory, and disability studies with analyses of works by Charles Dickens, Robert Louis Stevenson, Wilkie Collins, Emily Brontë, and Bram Stoker, this comprehensive and illuminating study illustrates the significance and impact of the multi-narrator structure in Victorian novels.
| Author | : A. D. Morrison |
| Publisher | : Cambridge University Press |
| Total Pages | : 373 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 0521201055 |
This text examines how Callimachus, Theocritus and Apollonius deal with their poetic inheritance from earlier Greek poetry.
| Author | : Sylvie Patron |
| Publisher | : U of Nebraska Press |
| Total Pages | : 385 |
| Release | : 2023-09 |
| Genre | : Literary Criticism |
| ISBN | : 1496236971 |
The narrator (the answer to the question “who speaks in the text?”) is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be “narratorless”? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.
| Author | : David Lawton |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 186 |
| Release | : 1985 |
| Genre | : History |
| ISBN | : 0859912175 |
The book begins with a brief prefatory discussion of its relation to structuralist and post-structuralist criticism. The first chapter, `Apocryphal Voices', surveys the basis of modern critical approaches to persona and `irony' in Chaucer's poetry, and suggests that such approaches are better suited to unequivocally written contexts. A systematic hesitation between a wholly written and a wholly spoken context requires critical distinctions between types of persona, and a number of distinctions in the range between persona and voice. `Morality in its Context' examines the Pardoner and his tale and argues against a `dramatic' view of the tale itself, while the third chapter, 'Chaucer's Development of Persona', is a study of possible sources for Chaucer's handling of the narratorial '1', looking at the English `disour', the French `dits amoureux', Italian and Latin sources of influence, and the Roman de la Rose. The last two chapters apply the principles outlined so far to Troilus and The Canterbury Tales, with a particular examination of the literary history of the Squire'stale to show that modern interest in dramatic persona has obscured many other important issues and leads to drastic misreading. This is a challenging and lucid work which questions many of the received attitudes of recentChaucer criticism, and offers a reasoned and approachable alternative view.
| Author | : Marco Caracciolo |
| Publisher | : U of Nebraska Press |
| Total Pages | : 287 |
| Release | : 2016-12 |
| Genre | : Literary Criticism |
| ISBN | : 0803296754 |
A storyteller’s craft can often be judged by how convincingly the narrative captures the identity and personality of its characters. In this book, the characters who take center stage are “strange” first-person narrators: they are fascinating because of how they are at odds with what the reader would wish or expect to hear—while remaining reassuringly familiar in voice, interactions, and conversations. Combining literary analysis with research in cognitive and social psychology, Marco Caracciolo focuses on readers’ encounters with the “strange” narrators of ten contemporary novels, including Bret Easton Ellis’s American Psycho, Haruki Murakami’s Hard-Boiled Wonderland and the End of the World, and Mark Haddon’s The Curious Incident of the Dog in the Night-Time. Caracciolo explores readers’ responses to narrators who suffer from neurocognitive or developmental disorders, who are mentally disturbed due to multiple personality disorder or psychopathy, whose consciousness is split between two parallel dimensions or is disembodied, who are animals, or who lose their sanity. A foray into current work on reception, reader-response, cognitive literary study, and narratology, Strange Narrators in Contemporary Fiction illustrates why any encounter with a fictional text is a complex negotiation of interlaced feelings, thoughts, experiences, and interpretations.
| Author | : Gregory Currie |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 264 |
| Release | : 2010-02-18 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199282609 |
Gregory Currie offers a reflection on the nature and significance of narrative in human communication. He shows that narratives are devices for manifesting the intentions of their makers in stories, argues that human tendencies to imitation and to joint attention underlie the pleasure of narrative, and discusses authorship, character, and irony.
| Author | : René Nünlist |
| Publisher | : BRILL |
| Total Pages | : 608 |
| Release | : 2017-07-31 |
| Genre | : Literary Criticism |
| ISBN | : 9047405706 |
This is the first in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees, time, focalization, characterization, description, speech, and plot. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The first volume lays the foundation for all volumes to come, discussing the definition and boundaries of narrative, and the roles of its producer, the narrator, and recipient, the narratees.
| Author | : Jennifer Phegley |
| Publisher | : University of Toronto Press |
| Total Pages | : 313 |
| Release | : 2005-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0802089283 |
Literary and popular culture has often focused its attention on women readers, particularly since early Victorian times. In Reading Women, an esteemed group of new and established scholars provide a close study of the evolution of the woman reader by examining a wide range of nineteenth- and twentieth-century media, including Antebellum scientific treatises, Victorian paintings, and Oprah Winfrey's televised book club, as well as the writings of Charlotte Brontë, Harriet Beecher Stowe, and Zora Neale Hurston. Attending especially to what, how, and why women read, Reading Women brings together a rich array of subjects that sheds light on the defining role the woman reader has played in the formation, not only of literary history, but of British and American culture. The contributors break new ground by focusing on the impact representations of women readers have had on understandings of literacy and certain reading practices, the development of books and print culture, and the categorization of texts into high and low cultural forms.
