The Myth Of The Masters Revived
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| Author | : Alexandre Andreyev |
| Publisher | : BRILL |
| Total Pages | : 532 |
| Release | : 2014-05-08 |
| Genre | : History |
| ISBN | : 9004270434 |
This book examines the lives of the famous Russian painter, thinker, and mystic Nikolai Roerich and his wife, Elena Roerich, the “mother” of Agni Yoga esoteric teaching. Extensively researched, it focuses on the couple’s spiritual quest, resulting in their gradual transformation under the influence of theosophy, spiritualism and Elena’s psychic “fiery experience” into mystics and gurus who fashioned their new version of the “myth of the Masters,” the invisible guides of humanity. Special attention is given to N. Roerich’s travels in Central Asia and Far East, his cultural and public activities and particularly his Buddho-Communist utopia. The myth of the Masters revived will appeal to those interested in New Age esotericism, mysticism, and Russian thought in the first half of the 20th century.
| Author | : Elena Aronova |
| Publisher | : University of Chicago Press |
| Total Pages | : 254 |
| Release | : 2021-04-02 |
| Genre | : History |
| ISBN | : 022676138X |
Introduction -- The quest for scientific history -- Scientific history and the Russian locale -- Nikolai Vavilov, genogeography, and history's past future -- Julian Huxley's cold wars -- The UNESCO "History of Mankind: Cultural and Scientific Development" Project -- Information socialism, historical informatics, and the markets -- Epilogue.
| Author | : Louise Hardiman |
| Publisher | : Open Book Publishers |
| Total Pages | : 243 |
| Release | : 2017-11-13 |
| Genre | : Art |
| ISBN | : 1783743417 |
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
| Author | : Vincent Goossaert |
| Publisher | : The Chinese University of Hong Kong Press |
| Total Pages | : 433 |
| Release | : 2021-12-15 |
| Genre | : Religion |
| ISBN | : 9882372023 |
The book is on the shortlist of ICAS Book Prize 2023 Humanities The origins of modern Daoism can be traced to the Church of the Heavenly Master (Tianshidao), reputedly established by the formidable Zhang Daoling. In 142 CE, according to Daoist tradition, Zhang was visited by the Lord on High, who named him his vicar on Earth with the title Heavenly Master. The dispensation articulated an eschatological vision of saving initiates—the pure, those destined to become immortals— by enforcing a strict moral code. Under evolving forms, Tianshidao has remained central to Chinese society, and Daoist priests have upheld their spiritual allegiance to Zhang, their now divinized founder. This book tells the story of the longue durée evolution of the Heavenly Master leadership and institution. Later hagiography credits Zhang Daoling’s great-grandson, putatively the fourth Heavenly Master, with settling the family at Longhushan (Dragon and Tiger Mountain); in time his descendants—down to the present contested sixty-fifth Heavenly Master living in Taiwan— made the extraordinary claim of being able to transmit hereditarily the function of the Heavenly Master and the power to grant salvation. Over the next twelve centuries, the Zhangs turned Longhushan into a major holy site and a household name in the Chinese world, and constructed a large administrative center for the bureaucratic management of Chinese society. They gradually built the Heavenly Master institution, which included a sacred site; a patriarchal line of successive Heavenly Masters wielding vast monopolistic powers to ordain humans and gods; a Zhang lineage that nurtured talent and accumulated wealth; and a bureaucratic apparatus comprised of temples, training centers, and a clerical hierarchy. So well-designed was this institution that it remained stable for more than a millennium, far outlasting the longest dynasties, and had ramifications for every city and village in imperial China. In this ambitious work, Vincent Goossaert traces the Heavenly Master bureaucracy from medieval times to the modern Chinese nation-state as well as its expansion. His in-depth portraits of influential Heavenly Masters are skillfully embedded in a large-scale analysis of the institution and its rules, ideology, and vision of society.
| Author | : Donald S. Lopez, Jr. |
| Publisher | : Shambhala Publications |
| Total Pages | : 293 |
| Release | : 2018-05-29 |
| Genre | : Religion |
| ISBN | : 0834841347 |
The most comprehensive work available on the life and writings of Tibet's most famous modern cultural hero. Visionary, artist, poet, iconoclast, philosopher, adventurer, master of the arts of love, tantric yogin, Buddhist saint. These are some of the terms that describe Tibet’s modern culture hero Gendun Chopel (1903–1951). The life and writings of this sage of the Himalayas mark a key turning point in Tibetan history, when twentieth-century modernity came crashing into Tibet from British India to the south and from Communist China to the east. For the first time, the astonishing breadth of his remarkable accomplishments is captured in a single, definitive volume. Here is an exploration of Gendun Chopel’s life as a recognized tulku, or incarnation of a previous master, becoming a monk and soon surpassing the knowledge of his teachers, to his travels and discoveries throughout Tibet, India, and Sri Lanka. His exposure to the wider world brought together his philosophical training, artistic virtuosity, and meditative experience, inspiring an incredible corpus of poetry, prose, and painting. While Gendun Chopel was known by the Tibetan establishment for his vast learning and progressive ideas—which eventually landed him in a Lhasa prison—he was little appreciated in his lifetime. However, since his death in 1951 his legacy, fame, and relevance across the Tibetan cultural landscape and beyond have continued to grow. No American scholar knows Gendun Chopel better than Donald Lopez, who has written six books about him, culminating in this volume. Lopez intimately and eloquently carries the reader through the life of Gendun Chopel and sets the stage for his selected writings, which present the range and depth of Gendun Chopel’s thought. The most comprehensive and wide-ranging work available on this extraordinary figure, this inaugural book of the Lives of the Masters series is an instant classic.
| Author | : W. Michael Ashcraft |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 286 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9781572332003 |
In considering a group that identified with Victorian American culture and its anxieties while adhering to an occult worldview that most of their contemporaries found strange, if not dangerous, the book explains why these middle-class Americans found Theosophy so persuasive and why they left family and friends behind to take up residence at this California settlement."--BOOK JACKET.
| Author | : Julia A. Walker |
| Publisher | : Cambridge University Press |
| Total Pages | : 315 |
| Release | : 2022-01-06 |
| Genre | : Drama |
| ISBN | : 1108967914 |
How do ideas take shape? How do concepts emerge into form? This book argues that they take shape quite literally in the human body, often appearing on stage in new styles of performance. Focusing on the historical period of modernity, Performance and Modernity: Enacting Change on the Globalizing Stage demonstrates how the unforeseen impact of economic, industrial, political, social, and psychological change was registered in bodily metaphors that took shape on stage. In new styles of performance-acting, dance, music, pageantry, avant-garde provocations, film, video and networked media-this book finds fresh evidence for how modernity has been understood and lived, both by stage actors, who, in modelling new habits, gave emerging experiences an epistemological shape, and by their audiences, who, in borrowing the strategies performers enacted, learned to adapt to a modernizing world.
| Author | : Kaius Tuori |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 305 |
| Release | : 2018-12-27 |
| Genre | : History |
| ISBN | : 1350058742 |
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. It is funded by the European Research Council. Roman law is widely considered to be the foundation of European legal culture and an inherent source of unity within European law. Roman Law and the Idea of Europe explores the emergence of this idea of Roman law as an idealized shared heritage, tracing its origins among exiled German scholars in Britain during the Nazi regime. The book follows the spread and influence of these ideas in Europe after the war as part of the larger enthusiasm for European unity. It argues that the rise of the importance of Roman law was a reaction against the crisis of jurisprudence in the face of Nazi ideas of racial and ultranationalistic law, leading to the establishment of the idea of Europe founded on shared legal principles. With contributions from leading academics in the field as well as established younger scholars, this volume will be of immense interests to anyone studying intellectual history, legal history, political history and Roman law in the context of Europe.
| Author | : Charlotte Ashby |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 283 |
| Release | : 2021-10-21 |
| Genre | : Design |
| ISBN | : 1350061166 |
Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.
| Author | : John McCannon |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 872 |
| Release | : 2022-11-15 |
| Genre | : Art |
| ISBN | : 0822989131 |
Russian painter, explorer, and mystic Nicholas Roerich (1874–1947) ranks as one of the twentieth century’s great enigmas. Despite mystery and scandal, he left a deep, if understudied, cultural imprint on Russia, Europe, India, and America. As a painter and set designer Roerich was a key figure in Russian art. He became a major player in Diaghilev’s Ballets Russes, and with Igor Stravinsky he cocreated The Rite of Spring, a landmark work in the emergence of artistic modernity. His art, his adventures, and his peace activism earned the friendship and admiration of such diverse luminaries as Albert Einstein, Eleanor Roosevelt, H. G. Wells, Jawaharlal Nehru, Raisa Gorbacheva, and H. P. Lovecraft. But the artist also had a darker side. Stravinsky once said of Roerich that “he ought to have been a mystic or a spy.” He was certainly the former and close enough to the latter to blur any distinction. His travels to Asia, supposedly motivated by artistic interests and archaeological research, were in fact covert attempts to create a pan-Buddhist state encompassing Siberia, Mongolia, and Tibet. His activities in America touched Franklin Delano Roosevelt’s cabinet with scandal and, behind the scenes, affected the course of three US presidential elections. In his lifetime, Roerich baffled foreign affairs ministries and intelligence services in half a dozen countries. He persuaded thousands that he was a humanitarian and divinely inspired thinker—but convinced just as many that he was a fraud or a madman. His story reads like an epic work of fiction and is all the more remarkable for being true. John McCannon’s engaging and scrupulously researched narrative moves beyond traditional perceptions of Roerich as a saint or a villain to show that he was, in many ways, both in equal measure.
