The Myth Of Jose Marti
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| Author | : Lillian Guerra |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 325 |
| Release | : 2006-03-13 |
| Genre | : History |
| ISBN | : 0807876380 |
Focusing on a period of history rocked by four armed movements, Lillian Guerra traces the origins of Cubans' struggles to determine the meaning of their identity and the character of the state, from Cuba's last war of independence in 1895 to the consolidation of U.S. neocolonial hegemony in 1921. Guerra argues that political violence and competing interpretations of the "social unity" proposed by Cuba's revolutionary patriot, Jose Marti, reveal conflicting visions of the nation--visions that differ in their ideological radicalism and in how they cast Cuba's relationship with the United States. As Guerra explains, some nationalists supported incorporating foreign investment and values, while others sought social change through the application of an authoritarian model of electoral politics; still others sought a democratic government with social and economic justice. But for all factions, the image of Marti became the principal means by which Cubans attacked, policed, and discredited one another to preserve their own vision over others'. Guerra's examination demonstrates how competing historical memories and battles for control of a weak state explain why polarity, rather than consensus on the idea of the "nation" and the character of the Cuban state, came to define Cuban politics throughout the twentieth century.
| Author | : John M. Dunn |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 115 |
| Release | : 2015-02-01 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1561648094 |
All Cubans agree on one thing: José Martí is the "Father of Cuba." He was and remains Cubas national hero. Cubans from all walks life simply call him "The Apostle." Poet, political philosopher, statesman, novelist, journalist, translator, and firebrand revolutionary, Martí was the driving force behind the final Cuban insurrection against Spanish rule in the late nineteenth century. This young adult biography begins with Martí's origins in the mid-nineteenth century Cuba, which was then among the last of Spain's New World possessions. Next, the narrative traces his one-track mission into adulthood as a firebrand, intellectual radical who dies a martyr's death while fighting in Cuba. Martí's remarkable talents emerged in his boyhood. A revulsion against slavery in Cuba and Spains oppressive rule evoked powerful moral response in him. Havana's revolutionary circles drew him in and turned him into a radical in his early teens. Unjustly convicted, imprisoned, and exiled for treason against Spain at 17, he dedicated his life to the ousting Spanish from in Cuba. As an adult, he lived as an expatriate in four nations, honing his skills as journalist, poet, political thinker, and organizer of revolution. More than any other Cuban he motivated the Cuban émigré population, especially in Florida, to take up arms against Spain. He conducted much of the war planning, fund raising, and troop-recruiting in Florida, including cities such as Key West, Tampa, Jacksonville, and Ocala. The book relates Martí's personal story—both his strengths and weaknesses—culminating in a depiction of how at 42 he was killed in action and became a martyr. His legacy remains powerful. Today, both Castro's regime and his opponents in exile claim Martí as their own. For the past 120 years, his standard for leadership has endured. No other Cuban reaches his stature. No one probably ever will.
| Author | : Lillian Guerra |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 489 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 0807835633 |
In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Gue
| Author | : E. Bejel |
| Publisher | : Springer |
| Total Pages | : 174 |
| Release | : 2016-07-14 |
| Genre | : Political Science |
| ISBN | : 113712265X |
This book is a critical study of visual representations of José Martí The National Hero of Cuba , and the discourses of power that make it possible for Martí's images to be perceived as icons today. It argues that an observer of Martí's icons who is immersed in the Cuban national narrative experiences a retrospective reconstruction of those images by means of ideologically formed national discourses of power. Also, the obsessive reproduction of Martí's icons signals a melancholia for the loss of the martyr-hero. But instead of attempting to "forget Martí," the book concludes that the utopian impulse of his memory should serve to resist melancholia and to visualize new forms of creative re-significations of Martí and, by extension, the nation.
| Author | : Mauricio A. Font |
| Publisher | : Lexington Books |
| Total Pages | : 278 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780739112250 |
Jose Marti contributed greatly to Cuba's struggle for independence from Spain with words as well as revolutionary action. Although he died before the formation of an independent republic, he has since been hailed as a heroic martyr inspiring Cuban republican traditions.
| Author | : Robert L. Ivie |
| Publisher | : University of Alabama Press |
| Total Pages | : 208 |
| Release | : 2015-07-15 |
| Genre | : History |
| ISBN | : 0817318690 |
Hunt the Devil explains the origins and processes of the repetitive American reflex to demonize and then wage war against perceived opponents as well as ways to break the cycle.
| Author | : Ada Ferrer |
| Publisher | : Simon and Schuster |
| Total Pages | : 436 |
| Release | : 2021-09-07 |
| Genre | : History |
| ISBN | : 1501154575 |
WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY “Full of…lively insights and lucid prose” (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States—from before the arrival of Columbus to the present day—written by one of the world’s leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an “important” (The Guardian) and moving chronicle that demands a new reckoning with both the island’s past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; “readers will close [this] fascinating book with a sense of hope” (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States—as well as the author’s own extensive travel to the island over the same period—this is a stunning and monumental account like no other.
| Author | : Ryan Anthony Spangler |
| Publisher | : Bucknell University Press |
| Total Pages | : 299 |
| Release | : 2017-12-18 |
| Genre | : Literary Criticism |
| ISBN | : 1611488524 |
The essays in this collection reflect two of Martí’s key observations during his time in the United States: first, how did he, an exile living in New York, view and read his North American neighbors from a sociocultural, political and literary perspective? Second, how did his perception of the modern nation impact his own concepts of race, capital punishment, poetics, and nation building for Cuba? The overarching endeavor of this project is to view and read Martí with the same critical or modern eye with which he viewed and read Spain, Cuba, Latin America and the United States. This volume, combining many of the most relevant experts in the field of Martí studies, attempts to answer those questions. It hopes to broaden the understanding and extend the influence of one of Americas’ (speaking of the collective Americas) most prolific and important writers, particularly within the very nation where his chronicles, poetry, and journalism were written. In spite of the political differences still separating Cuba and the United States, understanding Martí's relevancy is crucial to bridging the gap between these nations.
| Author | : Francisco Goldman |
| Publisher | : |
| Total Pages | : 468 |
| Release | : 2005-08 |
| Genre | : Fiction |
| ISBN | : 9780802142214 |
María de la Nieves Moran, daughter of an Irish-American father and Central American mother, encounters an unforgettable cast of characters in late-nineteenth-century Central America and New York--including Cuban hero José Martí, Yankee-Indio entrepreneur Mack Chinchilla, a stuffy British diplomat, and Mathilde, the daughter who changes her life. Reader's Guide included. Reprint.
| Author | : Laura Lomas |
| Publisher | : Duke University Press |
| Total Pages | : 400 |
| Release | : 2009-01-02 |
| Genre | : Literary Criticism |
| ISBN | : 082238941X |
In Translating Empire, Laura Lomas uncovers how late nineteenth-century Latino migrant writers developed a prescient critique of U.S. imperialism, one that prefigures many of the concerns about empire, race, and postcolonial subjectivity animating American studies today. During the 1880s and early 1890s, the Cuban journalist, poet, and revolutionary José Martí and other Latino migrants living in New York City translated North American literary and cultural texts into Spanish. Lomas reads the canonical literature and popular culture of the United States in the Gilded Age through the eyes of Martí and his fellow editors, activists, orators, and poets. In doing so, she reveals how, in the process of translating Anglo-American culture into a Latino-American idiom, the Latino migrant writers invented a modernist aesthetics to criticize U.S. expansionism and expose Anglo stereotypes of Latin Americans. Lomas challenges longstanding conceptions about Martí through readings of neglected texts and reinterpretations of his major essays. Against the customary view that emphasizes his strong identification with Ralph Waldo Emerson and Walt Whitman, the author demonstrates that over several years, Martí actually distanced himself from Emerson’s ideas and conveyed alarm at Whitman’s expansionist politics. She questions the association of Martí with pan-Americanism, pointing out that in the 1880s, the Cuban journalist warned against foreign geopolitical influence imposed through ostensibly friendly meetings and the promotion of hemispheric peace and “free” trade. Lomas finds Martí undermining racialized and sexualized representations of America in his interpretations of Buffalo Bill and other rituals of westward expansion, in his self-published translation of Helen Hunt Jackson’s popular romance novel Ramona, and in his comments on writing that stereotyped Latino/a Americans as inherently unfit for self-government. With Translating Empire, Lomas recasts the contemporary practice of American studies in light of Martí’s late-nineteenth-century radical decolonizing project.
