The Music Of James Bond
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| Author | : Jon Burlingame |
| Publisher | : Oxford University Press |
| Total Pages | : 304 |
| Release | : 2012-11-01 |
| Genre | : Music |
| ISBN | : 0199986762 |
The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.
| Author | : Adrian Daub |
| Publisher | : Oxford University Press |
| Total Pages | : 257 |
| Release | : 2015-08-31 |
| Genre | : Music |
| ISBN | : 0190234547 |
Starting with 1964's Goldfinger, every James Bond film has followed the same ritual, and so has its audience: after an exciting action sequence the screen goes black and the viewer spends three long minutes absorbing abstract opening credits and a song that sounds like it wants to return to 1964. In The James Bond Songs authors Adrian Daub and Charles Kronengold use the genre to trace not only a changing cultural landscape, but also evolving conceptions of what a pop song is. They argue that the story of the Bond song is the story of the pop song more generally, and perhaps even the story of its end. Each chapter discusses a particular segment of the Bond canon and contextualizes it in its era's music and culture. But the book also asks how Bond and his music reflected and influenced our feelings about such topics as masculinity, race, money, and aging. Through these individual pieces the book presents the Bond song as the perfect anthem of late capitalism. The Bond songs want to talk about the fulfillment that comes from fast cars, shaken Martinis and mindless sex, but their unstable speakers, subjects, and addressees actually undercut the logic of the lifestyle James Bond is sworn to defend. The book is an invitation to think critically about pop music, about genre, and about the political aspects of popular culture in the twentieth century and beyond.
| Author | : Nate Sloan |
| Publisher | : |
| Total Pages | : 225 |
| Release | : 2020 |
| Genre | : Music |
| ISBN | : 0190056657 |
Based on the critically acclaimed podcast that has broken down hundreds of Top 40 songs, Switched On Pop dives in into eighteen hit songs drawn from pop of the last twenty years--ranging from Britney to Beyoncé, Kelly Clarkson to Kendrick Lamar--uncovering the musical explanations for why and how certain tracks climb to the top of the charts. In the process, authors Charlie Harding and Nate Sloan reveal the timeless techniques that animate music across time and space.
| Author | : |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 35 |
| Release | : 2001-09-01 |
| Genre | : Music |
| ISBN | : 1458452204 |
(Big Note Songbook). 10 songs from the contemporary classic Christmas soundtrack, including: Christmas Is Coming * Christmas Time Is Here * Fur Elise * Hark, the Herald Angels Sing * O Tannenbaum * Skating * What Child Is This * and more.
| Author | : Sebastian Faulks |
| Publisher | : Seal Books |
| Total Pages | : 400 |
| Release | : 2009-06-12 |
| Genre | : Fiction |
| ISBN | : 0307373320 |
Bond is back with a license to thrill. Forty-three years ago, Ian Fleming wrote his last great 007 adventure. Now, in Devil May Care, the world's most iconic spy returns in a Cold War story spanning the world's exotic locations. By invitation of the Fleming estate to mark the centenary of his birth, acclaimed novelist Sebastian Faulks picks up where Fleming left off, writing a tour de force that will electrify every James Bond fan. A fitting tribute to the Bond tradition, Devil May Care stands on its own as a triumph of witty prose and plenty of double-0 action. "In his house in Jamaica, Ian Fleming used to write a thousand words in the morning, then go snorkeling, have a cocktail, lunch on the terrace, more diving, another thousand words in the late afternoon, then more martinis and glamorous women. In my house in London, I followed this routine exactly, apart from the cocktails, the lunch, and the snorkeling." —Sebastian Faulks
| Author | : Nancy Faber |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 80 |
| Release | : 2017-02-01 |
| Genre | : Music |
| ISBN | : 1616779217 |
(Faber Piano Adventures ). The appeal of popular music spans generations and genres. In this collection of 27 hits, enjoy folk tunes like "Ashokan Farewell" and "Bridge Over Troubled Water," movie themes from James Bond and Batman , Broadway numbers from Evita and A Little Night Music , and chart-toppers performed by Michael Jackson, Adele, Billy Joel, and more. Adult Piano Adventures Popular Book 2 provides this variety, yet with accessible arrangements for the progressing pianist. Students may advance through the book alongside method studies, or jump to all their favorites. Optional chord symbols above the staff guide understanding and personal expression.
| Author | : Jeremy Black |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 227 |
| Release | : 2021-04-18 |
| Genre | : Performing Arts |
| ISBN | : 1538126370 |
The most current and insightful look at the politics and culture of the Bond world as the last Daniel Craig movie hits theaters. This book presents an insightful and thoroughly entertaining exploration of the political context of the Bond books and films. Jeremy Black offers a historian’s interpretation from the perspective of 2020 and the latest Bond film, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Fleming books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on current fears in order to reduce the implausibility of the villains and their villainy. The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War II popular culture throughout the Western world. This was particularly so after Hollywood launched the filmic Bond, thus making him not only a character designed for the American film market but also a world product and a figure of globalization. Class, place, gender, violence, sex, race—all are themes that Black scrutinizes through the ongoing shifts in characterization and plot. His well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of James Bond. This updated edition explores new developments in the Daniel Craig years, looks to the post-Craig years, and considers the cultural significance of Bond in the modern world.
| Author | : Sally Hibbin |
| Publisher | : Crown |
| Total Pages | : 144 |
| Release | : 1987 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : James B. South |
| Publisher | : Open Court |
| Total Pages | : 264 |
| Release | : 2012-03-30 |
| Genre | : Philosophy |
| ISBN | : 0812698169 |
“Bond. James Bond.” Since Sean Connery first uttered that iconic phrase in Dr. No, more than one quarter of the world’s population has seen a 007 film. Witty and urbane, Bond seduces and kills with equal ease — often, it seems, with equal enthusiasm. This enthusiasm, coupled with his freedom to do what is forbidden to everyone else, evokes fascinating philosophical questions. Here, 15 witty, thought-provoking essays discuss hidden issues in Bond’s world, from his carnal pleasures to his license to kill. Among the lively topics explored are Bond’s relation to existentialism, including his graduation “beyond good and evil”; his objectification of women; the paradox of breaking the law in order to ultimately uphold it like any “stupid policeman”; the personality of 007 in terms of Plato’s moral psychology; and the Hegelian quest for recognition evinced by Bond villains. A reference guide to all the Bond movies rounds out the book’s many pleasures.
| Author | : The Editors of LIFE Books |
| Publisher | : Liberty Street |
| Total Pages | : 0 |
| Release | : 2012-10-02 |
| Genre | : Performing Arts |
| ISBN | : 9781618930316 |
Fifty years (and five billion dollars in ticket sales) ago, the dashing Scottish actor Sean Connery declared suavely that he was "Bond, James Bond." Thus began a cinematic series unlike any other. In November 2012, Skyfall, the 23rd movie in what is seen as the authorized line of Bond films, will be released, with Daniel Craig (the sixth Bond) again in the lead role. The world will once more stream to the theaters for another dose of Bond. LIFE was on the scene in the swinging '60s when James Bond became a cultural icon (in fact, when we put the gold-painted actress Shirley Eaton on the cover in 1964, we helped him along), and now LIFE tells the whole story in this commemorative book. Ian Fleming, a high-ranking officer in British Naval Intelligence of World War II, dreamt up his MI6 spy, code number 007, in 1953, and a decade later, with Dr. No, From Russia With Love and then the smash Goldfinger, saw his creation take on a life entirely his own. All the fun of Bond is here: The movies; the reminiscences by the stars; the LIFE photo shoots; the knockoffs and spoofs ("The Man from U.N.C.L.E.;" "Get Smart;" "I Spy;" the first Casino Royale); the artifacts (a model of Bond's Aston Martin DB5 was one of the best-selling toy of 1965); the trivia and inside information on M, Q and Moneypenny-anything a Bond fan would want, packed into one book and then shaken, not stirred. James Bond was, back in the day, one of those cultural phenomena tailor-made for LIFE: It was bright and colorful and vibrant. Today, it still is. Happy birthday, and welcome back, Commander Bond.
