The Muse of the Revolution

The Muse of the Revolution
Author: Nancy Rubin Stuart
Publisher: Beacon Press
Total Pages: 332
Release: 2009-07-01
Genre: Biography & Autobiography
ISBN: 9780807055175

Praised by her mentor John Adams, Mercy Otis Warren was America's first woman playwright and female historian of the American Revolution. In this unprecedented biography, Nancy Rubin Stuart reveals how Warren's provocative writing made her an exception among the largely voiceless women of the eighteenth century.

The Muse of the Revolution

The Muse of the Revolution
Author: Nancy Rubin Stuart
Publisher: Beacon Press
Total Pages: 332
Release: 2009-07-01
Genre: Biography & Autobiography
ISBN: 9780807055175

Praised by her mentor John Adams, Mercy Otis Warren was America's first woman playwright and female historian of the American Revolution. In this unprecedented biography, Nancy Rubin Stuart reveals how Warren's provocative writing made her an exception among the largely voiceless women of the eighteenth century.

The Revolution Will Not Be Theorized

The Revolution Will Not Be Theorized
Author: Errol A. Henderson
Publisher: State University of New York Press
Total Pages: 516
Release: 2019-07-01
Genre: Political Science
ISBN: 1438475446

The study of the impact of Black Power Movement (BPM) activists and organizations in the 1960s through ʼ70s has largely been confined to their role as proponents of social change; but they were also theorists of the change they sought. In The Revolution Will Not Be Theorized Errol A. Henderson explains this theoretical contribution and places it within a broader social theory of black revolution in the United States dating back to nineteenth-century black intellectuals. These include black nationalists, feminists, and anti-imperialists; activists and artists of the Harlem Renaissance; and early Cold War–era black revolutionists. The book first elaborates W. E. B. Du Bois's thesis of the "General Strike" during the Civil War, Alain Locke's thesis relating black culture to political and economic change, Harold Cruse's work on black cultural revolution, and Malcolm X's advocacy of black cultural and political revolution in the United States. Henderson then critically examines BPM revolutionists' theorizing regarding cultural and political revolution and the relationship between them in order to realize their revolutionary objectives. Focused more on importing theory from third world contexts that were dramatically different from the United States, BPM revolutionists largely ignored the theoretical template for black revolution most salient to their case, which undermined their ability to theorize a successful black revolution in the United States. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of The Pennsylvania State University. Learn more at the TOME website, available at: openmonographs.org, and access the book online at http://muse.jhu.edu/book/67098. It is also available through the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/1704.

Balanchine and the Lost Muse

Balanchine and the Lost Muse
Author: Elizabeth Kendall
Publisher: OUP USA
Total Pages: 305
Release: 2013-08-29
Genre: Performing Arts
ISBN: 019995934X

Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia Ivanova.

The Muse Unchained

The Muse Unchained
Author: Eustace Mandeville Wetenhall Tillyard
Publisher:
Total Pages: 152
Release: 1958
Genre: English literature
ISBN:

History of the Rise, Progress, and Termination of the American Revolution

History of the Rise, Progress, and Termination of the American Revolution
Author: Mercy Otis Warren
Publisher: Palala Press
Total Pages: 426
Release: 2016-04-27
Genre:
ISBN: 9781354838389

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Howe Brothers and the American Revolution

The Howe Brothers and the American Revolution
Author: Ira D. Gruber
Publisher: UNC Press Books
Total Pages: 415
Release: 2014-01-01
Genre: Biography & Autobiography
ISBN: 0807838888

By focusing on the Howe brothers, their political connections, their relationships with the British ministry, their attitude toward the Revolution, and their military activities in America, Gruber answers the frequently asked question of why the British failed to end the American Revolution in its early years. This book supersedes earlier studies because of its broader research and because it elucidates the complex personal interplay between Whitehall and its commanders. Originally published in 1974. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

No Useless Mouth

No Useless Mouth
Author: Rachel B. Herrmann
Publisher: Cornell University Press
Total Pages: 194
Release: 2019-11-15
Genre: History
ISBN: 1501716123

"Rachel B. Herrmann's No Useless Mouth is truly a breath of fresh air in the way it aligns food and hunger as the focal point of a new lens to reexamine the American Revolution. Her careful scrutiny, inclusive approach, and broad synthesis―all based on extensive archival research―produced a monograph simultaneously rich, audacious, insightful, lively, and provocative."―The Journal of American History In the era of the American Revolution, the rituals of diplomacy between the British, Patriots, and Native Americans featured gifts of food, ceremonial feasts, and a shared experience of hunger. When diplomacy failed, Native Americans could destroy food stores and cut off supply chains in order to assert authority. Black colonists also stole and destroyed food to ward off hunger and carve out tenuous spaces of freedom. Hunger was a means of power and a weapon of war. In No Useless Mouth, Rachel B. Herrmann argues that Native Americans and formerly enslaved black colonists ultimately lost the battle against hunger and the larger struggle for power because white British and United States officials curtailed the abilities of men and women to fight hunger on their own terms. By describing three interrelated behaviors—food diplomacy, victual imperialism, and victual warfare—the book shows that, during this tumultuous period, hunger prevention efforts offered strategies to claim power, maintain communities, and keep rival societies at bay. Herrmann shows how Native Americans, free blacks, and enslaved peoples were "useful mouths"—not mere supplicants for food, without rights or power—who used hunger for cooperation and violence, and took steps to circumvent starvation. Her wide-ranging research on black Loyalists, Iroquois, Cherokee, Creek, and Western Confederacy Indians demonstrates that hunger creation and prevention were tools of diplomacy and warfare available to all people involved in the American Revolution. Placing hunger at the center of these struggles foregrounds the contingency and plurality of power in the British Atlantic during the Revolutionary Era. Thanks to generous funding from Cardiff University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

Poor Richard's Women

Poor Richard's Women
Author: Nancy Rubin Stuart
Publisher: Beacon Press
Total Pages: 226
Release: 2022-03-15
Genre: History
ISBN: 0807011401

“An engrossing look at the human side of Benjamin Franklin . . . Using a post-feminist lens that’s critical of gender essentialism, Stuart rescues these women from obscurity . . . This is a terrific read: poignant, provocative, and probing.” —Library Journal, Starred Review A vivid portrait of the women who loved, nurtured, and defended America’s famous scientist and founding father. Everyone knows Benjamin Franklin—the thrifty inventor-statesman of the Revolutionary era—but not about his love life. Poor Richard’s Women reveals the long-neglected voices of the women Ben loved and lost during his lifelong struggle between passion and prudence. The most prominent among them was Deborah Read Franklin, his common-law wife and partner for 44 years. Long dismissed by historians, she was an independent, politically savvy woman and devoted wife who raised their children, managed his finances, and fought off angry mobs at gunpoint while he traipsed about England. Weaving detailed historical research with emotional intensity and personal testimony, Nancy Rubin Stuart traces Deborah’s life and those of Ben’s other romantic attachments through their personal correspondence. We are introduced to Margaret Stevenson, the widowed landlady who managed Ben’s life in London; Catherine Ray, the 23-year-old New Englander with whom he traveled overnight and later exchanged passionate letters; Madame Brillon, the beautiful French musician who flirted shamelessly with him, and the witty Madame Helvetius, who befriended the philosophes of pre-Revolutionary France and brought Ben to his knees. What emerges from Stuart’s pen is a colorful and poignant portrait of women in the age of revolution. Set two centuries before the rise of feminism, Poor Richard’s Women depicts the feisty, often-forgotten women dear to Ben’s heart who, despite obstacles, achieved an independence rarely enjoyed by their peers in that era.

Revolutionary Acts

Revolutionary Acts
Author: Lynn Mally
Publisher: Cornell University Press
Total Pages: 280
Release: 2000
Genre: Art
ISBN: 9780801437694

During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.