The Murder Betrayal And Slaughter Of The Glorious Charles Count Of Flanders
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Author | : Galbert (de Bruges) |
Publisher | : Yale University Press |
Total Pages | : 297 |
Release | : 2013-11-26 |
Genre | : History |
ISBN | : 0300152302 |
In 1127 Charles the Good, count of Flanders, was surrounded by assassins while at prayer and killed by a sword blow to the forehead. His murder upset the fragile balance of power between England, France, and the Holy Roman Empire, giving rise to a bloody civil war while impacting the commercial life of medieval Europe. The eyewitness account by the Flemish cleric Galbert of Bruges of the assassination and the struggle for power that ensued is the only journal to have survived from twelfth century Europe. This new translation by medieval studies expert Jeff Rider greatly improves upon all previous versions, substantially advancing scholarship on the Middle Ages while granting new life and immediacy to Galbert’s well informed and courageously candid narrative.
Author | : Galbert Of Bruges Staff |
Publisher | : |
Total Pages | : 384 |
Release | : 2014-01 |
Genre | : |
ISBN | : 9780300152296 |
On March 2, 1127, while praying in the church of Saint Donatian in Bruges, Charles the Good, count of Flanders, was surrounded by assassins and killed by a sword blow to the forehead. The murder of Charles, who had no progeny, nor named successor, upset the balance of power among England, France and the Holy Roman Empire, giving rise to a prolonged struggle for the countship and bloody civil war, impacting the commercial life of the most prosperous regions of medieval Europe. The eyewitness account by the Flemish cleric Galbert of Bruges of the scandalous assassination and struggle for power that ensued is the only journal to have survived from 12thcentury Europe. This new translation by medieval studies expert Jeff Rider greatly improves upon all previous versions, substantially advancing scholarship on the Middle Ages while granting new life and immediacy to Galbert's candid narrative.
Author | : Galbert (de Bruges) |
Publisher | : |
Total Pages | : 352 |
Release | : 1955 |
Genre | : Flanders |
ISBN | : |
Author | : Galbert (de Bruges) |
Publisher | : |
Total Pages | : 352 |
Release | : 1960 |
Genre | : |
ISBN | : |
Author | : Galbert De Bruges |
Publisher | : |
Total Pages | : 368 |
Release | : 2011-10-01 |
Genre | : |
ISBN | : 9781258192518 |
Author | : James Bruce Ross |
Publisher | : |
Total Pages | : 0 |
Release | : 1960 |
Genre | : Flanders |
ISBN | : |
Author | : Galbert of Bruges |
Publisher | : |
Total Pages | : |
Release | : 1967 |
Genre | : |
ISBN | : |
Author | : Galbertus (Syndic of the City of Bruges.) |
Publisher | : |
Total Pages | : 0 |
Release | : 1960 |
Genre | : |
ISBN | : |
Author | : Robert F. Berkhofer, III |
Publisher | : Boydell & Brewer |
Total Pages | : 344 |
Release | : 2022 |
Genre | : Europe |
ISBN | : 1783276916 |
A close analysis of forgeries and historical writings at Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury, offering valuable access to why medieval people often rewrote their pasts.What modern scholars call "forgeries" (be they texts, seals, coins, or relics) flourished in the central Middle Ages. Although lying was considered wrong throughout the period, such condemnation apparently did not extend to forgeries. Rewriting documents was especially common among monks, who exploited their mastery of writing to reshape their records. Monastic scribes frequently rewrote their archives, using charters, letters, and narratives, to create new usable pasts for claiming lands and privileges in their present or future. Such imagined histories could also be deployed to "reform" their community or reshape its relationship with lay and ecclesiastical authorities. Although these creative rewritings were forgeries, they still can be valuable evidence of medieval mentalities. While forgeries cannot easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.lose analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.
Author | : Andrew Brown |
Publisher | : Cambridge University Press |
Total Pages | : 574 |
Release | : 2018-05-03 |
Genre | : History |
ISBN | : 110832181X |
Bruges was undoubtedly one of the most important cities in medieval Europe. Bringing together specialists from both archaeology and history, this 'total' history presents an integrated view of the city's history from its very beginnings, tracing its astonishing expansion through to its subsequent decline in the sixteenth century. The authors' analysis of its commercial growth, industrial production, socio-political changes, and cultural creativity is grounded in an understanding of the city's structure, its landscape and its built environment. More than just a biography of a city, this book places Bruges within a wider network of urban and rural development and its history in a comparative framework, thereby offering new insights into the nature of a metropolis.