The Motion Picture Story Magazine
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Inside the Hollywood Fan Magazine
Author | : Anthony Slide |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 292 |
Release | : 2010-02-26 |
Genre | : Social Science |
ISBN | : 1604734140 |
The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture. Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style. This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.
Star Trek
Author | : Gene Roddenberry |
Publisher | : Simon and Schuster |
Total Pages | : 223 |
Release | : 2000-05-23 |
Genre | : Fiction |
ISBN | : 0743412087 |
Celebrate the 40th anniversary of Star Trek: The Motion Picture with this classic movie novelization written by legendary Star Trek creator Gene Roddenberry! The original five-year mission of the Starship Enterprise to explore strange new worlds and to seek out new life and new civilizations has ended. Now James T. Kirk, Spock, Dr. McCoy, and the rest of the crew of the Enterprise have separated to follow their own career paths and different lives. But now, an overwhelming alien threat—one that is ignoring all attempts at communication and annihilating all opposition in its path—is on a collision course with Earth, the very heart of the United Federation of Planets. And the only vessel that Starfleet can send in time to intercept this menace is a refitted Enterprise, with her old crew heeding the call to once again boldly go where no one has gone before….
Vitagraph
Author | : Andrew A. Erish |
Publisher | : University Press of Kentucky |
Total Pages | : 305 |
Release | : 2021-06-08 |
Genre | : Performing Arts |
ISBN | : 0813181216 |
Winner of the 2022 Peter C. Rollins Book Award and the 2022 Browne Best Edited Reference/Primary Source Work in Popular and American Culture Award In Vitagraph: America's First Great Motion Picture Studio, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists and developed fundamental aspects of American movies, from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. For most of its existence America's most influential studio was headquartered in Brooklyn, New York, before relocating to Hollywood. A historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era, Erish draws on valuable primary material long overlooked by other historians to introduce readers to the fascinating, forgotten pioneers of Vitagraph.
The Man Who Invented Motion Pictures
Author | : Paul Fischer |
Publisher | : Simon and Schuster |
Total Pages | : 416 |
Release | : 2022-04-19 |
Genre | : History |
ISBN | : 1982114851 |
One of the New York Times Best True Crime of 2022 A “spellbinding, thriller-like” (Shelf Awareness) history about the invention of the motion picture and the mysterious, forgotten man behind it—detailing his life, work, disappearance, and legacy. The year is 1888, and Louis Le Prince is finally testing his “taker” or “receiver” device for his family on the front lawn. The device is meant to capture ten to twelve images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world. No human experience—from the most mundane to the most momentous—would need to be lost to history. In 1890, Le Prince was granted patents in four countries ahead of other inventors who were rushing to accomplish the same task. But just weeks before unveiling his invention to the world, he mysteriously disappeared and was never seen or heard from again. Three and half years later, Thomas Edison, Le Prince’s rival, made the device public, claiming to have invented it himself. And the man who had dedicated his life to preserving memories was himself lost to history—until now. The Man Who Invented Motion Pictures pulls back the curtain and presents a “passionate, detailed defense of Louis Le Prince…unfurled with all the cliffhangers and red herrings of a scripted melodrama” (The New York Times Book Review). This “fascinating, informative, skillfully articulated narrative” (Kirkus Reviews, starred review) presents the never-before-told history of the motion picture and sheds light on the unsolved mystery of Le Prince’s disappearance.
Return to Tomorrow
Author | : Preston Neal Jones |
Publisher | : |
Total Pages | : 672 |
Release | : 2014-11-30 |
Genre | : Motion picture actors and actresses |
ISBN | : 9780983917540 |
Star Trek: The Motion Picture (1979) is one of the most beguiling and important science fiction films ever made. Its spectacular realization of Gene Roddenberry¿s inspirational future and humanistic storytelling are a cinematic achievement unlikely ever to be matched. At the same time, the film was a deeply troubled production that rolled without a completed script and saw a wholesale change in visual effects companies¿barely making its release date.In 1979, Preston Neal Jones was given unparalleled access to the cast and creators of Star Trek: The Motion Picture for what was intended to be a cover story for Cinefantastique magazine. Owing to the late completion of the film and ambitious scope of the manuscript, it was never published¿until now.This book is a priceless time capsule, an oral history in the words of 60 of the film¿s cast and creators, interviewed as the film was being prepared for release¿and nobody had any idea if it would succeed or even be finished on time.From the stars (William Shatner, Leonard Nimoy and the entire cast) to the filmmakers (Gene Roddenberry, Robert Wise) to the brilliant visual effect artists, illustrators, model builders and technicians who realized the 23rd century on screen (costumes, sets, props, models, music, sound FX and more), no aspect of the film¿s creation is overlooked.Go behind the scenes of this pivotal sci-fi masterwork and hear the unvarnished, uncensored truth of how it was created.
Silent Film and the Formations of U.S. Literary Culture
Author | : Sarah Gleeson-White |
Publisher | : Oxford University Press |
Total Pages | : 289 |
Release | : 2024-04-30 |
Genre | : Literary Criticism |
ISBN | : 0197558089 |
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion argues that the emergence of motion pictures constituted a defining moment in U.S. literary history. Author Sarah Gleeson-White discovers what happened to literary culture-both popular and higher-brow—when inserted into the spectacular world of motion pictures during the early decades of the twentieth century. How did literary culture respond to, and how was it altered by, the development of motion pictures, literature's exemplar and rival in narrative realism and enthrallment? Gleeson-White draws on extensive archival film and literary materials, and unearths a range of collaborative, cross-media expressive and industrial practices to reveal the manifold ways in which early-twentieth-century literary culture sought both to harness and temper the reach of motion pictures.
Film's First Family
Author | : Terry Chester Shulman |
Publisher | : University Press of Kentucky |
Total Pages | : 279 |
Release | : 2019-11-12 |
Genre | : Biography & Autobiography |
ISBN | : 081317810X |
“A fascinating [and] beautifully written portrait of a tempestuous family that played a pivotal role in the development of American film” (Vanda Krefft, author of The Man Who Made the Movies). Adultery, secret marriages, divorce, custody battles, suicide attempts, alcoholism—the trials and tribulations of the Costellos were as riveting as any Hollywood feature film. Written with unprecedented access to the family’s personal documents and artifacts, and interviews with several family members, this riveting study explores the dramatic history of the Costellos and their significance to the stage and screen. This eccentric, tragic, yet talented clan was one of the twentieth century’s most accomplished families of actors—second only to the Barrymores, with whom they intermarried and begat a film dynasty riddled with jealousy, resentment, and heartbreak. Inevitably, the Costellos’ brilliant achievements would be eclipsed by their own immutable penchant for self-destruction. Patriarch Maurice “Dimples” Costello was considered the first screen idol until his career, marked by accusations of spousal abuse, drunkenness, and physical assault, abruptly ended. His daughter Dolores married John Barrymore, arguably the most famous man in Hollywood at the time, and their son would carry on the Barrymore name to successive generations of actors. Costello’s other daughter, Helene, was the first actress to star in an all-talking picture, The Lights of New York. However, her career was wracked by scandal in 1932 during her very public divorce from actor-director Lowell Sherman, who testified that his wife was a drunk and an avid reader of pornography. The original members of this pioneering family may be gone, but the name and legacy of the Costellos will live on through their accomplishments, films, and descendants—most notably, actress Drew Barrymore—and through this sweeping biography with “enough juicy material to have filled several volumes” (Leonard Maltin).