The Monuments End
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| Author | : Robert Slifkin |
| Publisher | : Princeton University Press |
| Total Pages | : 249 |
| Release | : 2019-11-05 |
| Genre | : Architecture |
| ISBN | : 0691192529 |
How leading American artists reflected on the fate of humanity in the nuclear era through monumental sculpture In the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation. Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Smith, the austere structures of Donald Judd, and the desolate yet picturesque earthworks of Robert Smithson. Transforming how we understand this crucial moment in American art, he traces the intersections of postwar sculptural practice with cybernetic theory, science-fiction cinema and literature, and the political debates surrounding nuclear warfare. Slifkin identifies previously unrecognized affinities of the sculpture of the 1940s and 1950s with the minimalism and land art of the 1960s and 1970s, and acknowledges the important contributions of postwar artists who have been marginalized until now, such as Raoul Hague, Peter Grippe, and Robert Mallary. Strikingly illustrated throughout, The New Monuments and the End of Man spans the decades from Hiroshima to the Fall of Saigon, when the atomic bomb cast its shadow over American art.
| Author | : Kirk Savage |
| Publisher | : Univ of California Press |
| Total Pages | : 408 |
| Release | : 2011-07-11 |
| Genre | : Architecture |
| ISBN | : 0520271335 |
Traces the history of the National Mall in Washington, D.C., discussing its plan and structures, and considering how the concept of memorials and memorial space has changed since the nineteenth century.
| Author | : Kirk Savage |
| Publisher | : Princeton University Press |
| Total Pages | : 291 |
| Release | : 2018-07-31 |
| Genre | : History |
| ISBN | : 0691184526 |
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.
| Author | : James Frederick McCurdy |
| Publisher | : |
| Total Pages | : 504 |
| Release | : 1901 |
| Genre | : Bible |
| ISBN | : |
| Author | : Ernest B. Furgurson |
| Publisher | : Vintage |
| Total Pages | : 498 |
| Release | : 2007-12-18 |
| Genre | : History |
| ISBN | : 0307425959 |
In this luminous portrait of wartime Washington, Ernest B. Furgurson–author of the widely acclaimed Chancellorsville 1863, Ashes of Glory, and Not War but Murder--brings to vivid life the personalities and events that animated the Capital during its most tumultuous time. Here among the sharpsters and prostitutes, slaves and statesmen are detective Allan Pinkerton, tracking down Southern sympathizers; poet Walt Whitman, nursing the wounded; and accused Confederate spy Antonia Ford, romancing her captor, Union Major Joseph Willard. Here are generals George McClellan and Ulysses S. Grant, railroad crew boss Andrew Carnegie, and architect Thomas Walter, striving to finish the Capitol dome. And here is Abraham Lincoln, wrangling with officers, pardoning deserters, and inspiring the nation. Freedom Rising is a gripping account of the era that transformed Washington into the world’s most influential city.
| Author | : Erin L. Thompson |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 288 |
| Release | : 2022-02-08 |
| Genre | : History |
| ISBN | : 0393867684 |
A leading expert on the past, present, and future of public monuments in America. An urgent and fractious national debate over public monuments has erupted in America. Some people risk imprisonment to tear down long-ignored hunks of marble; others form armed patrols to defend them. Why do we care so much about statues? Which ones should stay up and which should come down? Who should make these decisions, and how? Erin L. Thompson, the country’s leading expert in the tangled aesthetic, legal, political, and social issues involved in such battles, brings much-needed clarity in Smashing Statues. She lays bare the turbulent history of American monuments and its abundant ironies, from the enslaved man who helped make the statue of Freedom that tops the United States Capitol, to the fervent Klansman fired from sculpting the world’s largest Confederate monument—who went on to carve Mount Rushmore. And she explores the surprising motivations behind contemporary flashpoints, including the toppling of a statue of Columbus at the Minnesota State Capitol, the question of who should be represented on the Women’s Rights Pioneers Monument in Central Park, and the decision by a museum of African American culture to display a Confederate monument removed from a public park. Written with great verve and informed by a keen sense of American history, Smashing Statues gives readers the context they need to consider the fundamental questions for rebuilding not only our public landscape but our nation as a whole: Whose voices must be heard, and whose pain must remain private?
| Author | : Nicholas Jones |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 267 |
| Release | : 2011-01-01 |
| Genre | : Social Science |
| ISBN | : 1934536377 |
This study treats the entire corpus of stone and wood monuments from the Maya site of Tikal and lesser periphery locations. Each description includes details of provenience and condition. Every carved surface is illustrated by a standardized scale drawing, supplemented in almost every case by photographs.
| Author | : Robert Slifkin |
| Publisher | : Princeton University Press |
| Total Pages | : 249 |
| Release | : 2019-11-05 |
| Genre | : Art |
| ISBN | : 0691194262 |
How leading American artists reflected on the fate of humanity in the nuclear era through monumental sculpture In the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation. Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Smith, the austere structures of Donald Judd, and the desolate yet picturesque earthworks of Robert Smithson. Transforming how we understand this crucial moment in American art, he traces the intersections of postwar sculptural practice with cybernetic theory, science-fiction cinema and literature, and the political debates surrounding nuclear warfare. Slifkin identifies previously unrecognized affinities of the sculpture of the 1940s and 1950s with the minimalism and land art of the 1960s and 1970s, and acknowledges the important contributions of postwar artists who have been marginalized until now, such as Raoul Hague, Peter Grippe, and Robert Mallary. Strikingly illustrated throughout, The New Monuments and the End of Man spans the decades from Hiroshima to the Fall of Saigon, when the atomic bomb cast its shadow over American art.
| Author | : Mitch Landrieu |
| Publisher | : Penguin |
| Total Pages | : 240 |
| Release | : 2018-03-20 |
| Genre | : History |
| ISBN | : 0525559450 |
"An extraordinarily powerful journey that is both political and personal...An important book for everyone in America to read." --Walter Isaacson,#1 New York Times bestselling author of Leonardo Da Vinci and Steve Jobs The New Orleans mayor who removed the Confederate statues confronts the racism that shapes us and argues for white America to reckon with its past. A passionate, personal, urgent book from the man who sparked a national debate. "There is a difference between remembrance of history and reverence for it." When Mitch Landrieu addressed the people of New Orleans in May 2017 about his decision to take down four Confederate monuments, including the statue of Robert E. Lee, he struck a nerve nationally, and his speech has now been heard or seen by millions across the country. In his first book, Mayor Landrieu discusses his personal journey on race as well as the path he took to making the decision to remove the monuments, tackles the broader history of slavery, race and institutional inequities that still bedevil America, and traces his personal relationship to this history. His father, as state legislator and mayor, was a huge force in the integration of New Orleans in the 1960s and 19070s. Landrieu grew up with a progressive education in one of the nation's most racially divided cities, but even he had to relearn Southern history as it really happened. Equal parts unblinking memoir, history, and prescription for finally confronting America's most painful legacy, In the Shadow of Statues will contribute strongly to the national conversation about race in the age of Donald Trump, at a time when racism is resurgent with seemingly tacit approval from the highest levels of government and when too many Americans have a misplaced nostalgia for a time and place that never existed.
| Author | : James Gill |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 248 |
| Release | : 2021-06-15 |
| Genre | : History |
| ISBN | : 1496833546 |
In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans’s complicated relationship with the history of the Confederacy pre– and post–Civil War. The authors open and close their manuscript with the dramatic removal of the city’s Confederate statues. On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture. While it’s fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed. While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.
