The Monthly Review Or Literary Journal 1767 Vol 36 Classic Reprint
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Author | : Ralph Griffiths |
Publisher | : Forgotten Books |
Total Pages | : 586 |
Release | : 2017-06-29 |
Genre | : Literary Collections |
ISBN | : 9780259194880 |
Excerpt from The Monthly Review, or Literary Journal, 1767, Vol. 36 Euraa'rammo Medley, 400 fn'ncx's Hifi. Of London, 15 g e 8a1firr1'0rigiu it: Lngua, 329 Essay on Friendlhip, 408 on Original Genius, 435 on the Bate ofa mad Dog. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Natalya Baldyga |
Publisher | : Routledge |
Total Pages | : 526 |
Release | : 2018-10-26 |
Genre | : Language Arts & Disciplines |
ISBN | : 1135099278 |
While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations – the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767–69). This collection of 104 short essays represents one of the eighteenth century’s most important critical engagements with the theater and its potential to promote humanistic discourse. Lessing’s essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection. This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessing’s observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessing’s work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism. The newly translated Hamburg Dramaturgy will speak to dramaturgs, directors, and humanities scholars who see theater not only for entertainment, but also for philosophical and political debate.
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Total Pages | : 422 |
Release | : 1840 |
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Author | : Michael Perelman |
Publisher | : Duke University Press |
Total Pages | : 422 |
Release | : 2000-05-03 |
Genre | : Political Science |
ISBN | : 0822380692 |
The originators of classical political economy—Adam Smith, David Ricardo, James Steuart, and others—created a discourse that explained the logic, the origin, and, in many respects, the essential rightness of capitalism. But, in the great texts of that discourse, these writers downplayed a crucial requirement for capitalism’s creation: For it to succeed, peasants would have to abandon their self-sufficient lifestyle and go to work for wages in a factory. Why would they willingly do this? Clearly, they did not go willingly. As Michael Perelman shows, they were forced into the factories with the active support of the same economists who were making theoretical claims for capitalism as a self-correcting mechanism that thrived without needing government intervention. Directly contradicting the laissez-faire principles they claimed to espouse, these men advocated government policies that deprived the peasantry of the means for self-provision in order to coerce these small farmers into wage labor. To show how Adam Smith and the other classical economists appear to have deliberately obscured the nature of the control of labor and how policies attacking the economic independence of the rural peasantry were essentially conceived to foster primitive accumulation, Perelman examines diaries, letters, and the more practical writings of the classical economists. He argues that these private and practical writings reveal the real intentions and goals of classical political economy—to separate a rural peasantry from their access to land. This rereading of the history of classical political economy sheds important light on the rise of capitalism to its present state of world dominance. Historians of political economy and Marxist thought will find that this book broadens their understanding of how capitalism took hold in the industrial age.
Author | : Michael Perelman |
Publisher | : Bloomsbury Publishing |
Total Pages | : 285 |
Release | : 2013-11-07 |
Genre | : Business & Economics |
ISBN | : 1472508467 |
Classical Political Economy addresses the question of what determines the social division of labour, the division of society into independent firms and industries and develops the theoretical implications of primitive accumulation. It also offers a significantly different interpretation of classical political economy, demonstrating that this school of thought supported the process of primitive accumulation. Classical political economy presents an imposing facade. For more than two centuries, the accepted doctrine dictates that a market generates forces that provide the most efficient method for organising production. This laissez faire approach is an ideology that gives capital absolute freedom of action, and yet called for intervention to coerce people to do things that they would not otherwise do. Classical political economy therefore encouraged policies that would hinder people's ability to produce for their own needs. Michael Perelman, however, in this innovative take on the subject, seeks to challenge the ideologies that would allow things to continue in this line unchecked.
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Total Pages | : 814 |
Release | : 1851 |
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Author | : University Microfilms International |
Publisher | : |
Total Pages | : 116 |
Release | : 1981 |
Genre | : Reference |
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Total Pages | : 92 |
Release | : 1840 |
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Total Pages | : 200 |
Release | : 1840 |
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Author | : Patricia Meyer Spacks |
Publisher | : University of Chicago Press |
Total Pages | : 310 |
Release | : 1995 |
Genre | : Education |
ISBN | : 9780226768540 |
What such a move meant, in society as well as literature, becomes clear in the astonishing range of fiction, poetry, conduct books, letters, and historical and sociological documents Spacks surveys. Here we see how the idea of boredom - as a point of reference or focus of opposition, as a means of characterization, repudiation, or definition, as social indictment or personal grievance - condenses a wide range of crucial meanings and attitudes. From the gendering of boredom (how women's lives came to embody both the threat of boredom and its overthrow) to canon issues (how "boring" becomes "interesting" with a sympathetic reader), the implications of the subject steadily enlarge.