The Monster Always Returns

The Monster Always Returns
Author: Christian Knöppler
Publisher: transcript Verlag
Total Pages: 263
Release: 2017-02-28
Genre: Social Science
ISBN: 3839437350

The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this study Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.

Monsters, Gender and Sexuality in Medieval English Literature

Monsters, Gender and Sexuality in Medieval English Literature
Author: Dana Oswald
Publisher: Boydell & Brewer
Total Pages: 245
Release: 2010
Genre: Literary Criticism
ISBN: 1843842327

A gendered reading of monster and the monstrous body in medieval literature. Monsters abound in Old and Middle English literature, from Grendel and his mother in Beowulf to those found in medieval romances such as Sir Gowther. Through a close examination of the way in which their bodies are sexed and gendered, and drawing from postmodern theories of gender, identity, and subjectivity, this book interrogates medieval notions of the body and the boundaries of human identity. Case studies of Wonders of the East, Beowulf, Mandeville's Travels, the Alliterative Morte Arthure, and Sir Gowther reveal a shift in attitudes toward the gendered and sexed body, and thus toward identity, between the two periods: while Old English authors and artists respond to the threat of the gendered, monstrous form by erasing it, Middle English writers allow transgressive and monstrous bodies to transform and therefore integrate into society. This metamorphosis enables redemption for some monsters, while other monstrous bodies become dangerously flexible and invisible, threatening the communities they infiltrate. These changing cultural reactions to monstrous bodies demonstrate the precarious relationship between body and identity in medieval literature. DANA M. OSWALD is Assistant Professor of English, University of Wisconsin-Parkside.

Super English Course – Speak like a native

Super English Course – Speak like a native
Author: Alexander Chumakov
Publisher: Litres
Total Pages: 301
Release: 2021-07-28
Genre: Language Arts & Disciplines
ISBN: 5043594926

They say that English is difficult; that you’ll never speak English like a native; that it’ll take you a lot of time and a lot of money to start speaking English easily and confidently. I disagree. I believe that English is easy. I myself learned English as a second language. My name’s Alexander Chumakov. I’m the author of this Super English Course – speak like a native. Join me at my Super English Course and I promise you will start speaking English the way you never did before.

Monster theory [electronic resource]

Monster theory [electronic resource]
Author: Jeffrey Jerome Cohen
Publisher: U of Minnesota Press
Total Pages: 331
Release: 1996-11-15
Genre: Literary Criticism
ISBN: 1452900558

The contributors to Monster Theory consider beasts, demons, freaks and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition.

The Monster Theory Reader

The Monster Theory Reader
Author: Jeffrey Andrew Weinstock
Publisher: U of Minnesota Press
Total Pages: 852
Release: 2020-01-15
Genre: Social Science
ISBN: 1452960402

A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche. Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises. Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

Constitutive Criminology at Work

Constitutive Criminology at Work
Author: Stuart Henry
Publisher: State University of New York Press
Total Pages: 336
Release: 1999-08-12
Genre: Social Science
ISBN: 1438406517

Constitutive Criminology at Work reveals the value of applying postmodernist-informed constitutive criminology to issues of crime and justice. A holistic, integrated criminological theory, constitutive criminology takes serious account of the interrelated contributions of human agency and social forces and argues that crime is an integral part of the total material and cultural production of society. Consequently, analysis and control of crime cannot be separated from the wider structural and cultural contexts in which it is produced. This book argues that constitutive criminology can ultimately help society out of its obsession with the crime and punishment cycle. Based on applications and empirical research within the theoretical framework first presented in the editors' earlier volume, Constitutive Criminology: Beyond Postmodernism, this new book brings together scholars and practitioners who have applied constitutive theory to specific areas of crime and justice practice. It extends development of the constitutive project by drawing together studies that found constitutive theory helpful in understanding distinct problems in the applied world of crime and justice. [Contributors include Bruce Arrigo, Gregg Barak, Mary Bosworth, John Brigham, Dion Dennis, Victor E. Kappeler, Peter Kraska, Lisa Sanchez, Robert Schehr, Jim Thomas, James Williams, and T. R. Young.]

The Silent Echo

The Silent Echo
Author: Helen Paloge
Publisher: Lexington Books
Total Pages: 208
Release: 2007
Genre: Literary Criticism
ISBN: 9780739121726

The Silent Echo examines the texts and subtexts of a number of English and American contemporary women's novels dealing with middle age. These novels of midlife chart the brief development of a female protagonist in early or late middle age as she achieves some measure of emotional and physical contentment or wisdom. Author Helen Paloge clearly shows that, in fact, these novels, which claim to confront in narrative terms the gender-bound implications of aging, generally reveal an unconscious denial of the truth of aging's significance for women, a consistent dishonesty on this score, and an ultimate refusal to confront the issues they claim to examine. The Silent Echo explores fiction by such authors as Margaret Atwood, Joan Barfoot, Fay Weldon, and Joyce Carol Oates, in search of the middle-aged woman's body and its decline unto death. If the quest for happiness or meaning in most of these novels proves successful, it is despite, rather than because of, the middle-aged body. The aging female body might present no hindrance to happiness, but it must be acknowledged and engaged.

The Morals of Monster Stories

The Morals of Monster Stories
Author: Leslie Ormandy
Publisher: McFarland
Total Pages: 255
Release: 2017-08-14
Genre: Literary Criticism
ISBN: 1476664846

The simplicity of children's picture books--stories told with illustrations and a few well chosen words or none at all--makes them powerful tools for teaching morals and personal integrity. Children follow the story and see the characters' behaviors on the page and interpret them in the context of their own lives. But unlike many picture books, most children's lives don't feature monsters. This collection of new essays explores the societally sanctioned behaviors imparted to children through the use of monsters and supernatural characters. Topics include monsters as instructors, the normalization of strangers or the "other," fostering gender norms, and therapeutic monsters, among others.

Literary Appropriations

Literary Appropriations
Author: Paul Maurice Clogan
Publisher: Rowman & Littlefield
Total Pages: 169
Release: 2011
Genre: Education
ISBN: 1442214279

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.

Monsters and Monstrosity in Media: Reflections on Vulnerability

Monsters and Monstrosity in Media: Reflections on Vulnerability
Author: Yeojin Kim
Publisher: Vernon Press
Total Pages: 217
Release: 2024-04-16
Genre: Social Science
ISBN: 1648898629

As monstrous bodies on-screen signal a wide range of subversive destabilization of the notions of identity and community, this anthology asks what meanings monsters and monstrosity convey in relation to our recent circumstances shaped by neoliberalism and the pandemic that have led to the intensified tightening of border controls by nation-states, the intensive categorization of (un)identifiable bodies, and subsequent forms of isolations and detachments imposed by social distancing and the rapid transition of sociality from reality to virtual reality. Presenting various thinkings along the lines of the body and its representations as cultural text, together with popular or recent media productions showing various bodies deemed to be monstrous as they either cross conventionally held borders or stay in liminal spaces such as between human-animal, human-machine, virtual bodies-corporeal flesh, living-death, and other permeable borders, this volume looks into the on-screen constructions of the monster and monstrosity not only as they represent notions of difference, perceived (non)belongings, and disruptions of traditional identity markers, but also as they either conceal various vulnerabilities or implicitly endorse violence towards the labeled Other.