The Monochrome Of Darkness
Download The Monochrome Of Darkness full books in PDF, epub, and Kindle. Read online free The Monochrome Of Darkness ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Channing McClaren |
Publisher | : Lulu.com |
Total Pages | : 127 |
Release | : 2020-03-24 |
Genre | : Literary Collections |
ISBN | : 1678041386 |
This volume is a journey of verses through the uncut dark parts of the author's mind, its spellbound deathlike hemisphere, its aura, its end.
Author | : Barry Thornton |
Publisher | : |
Total Pages | : 188 |
Release | : 2001 |
Genre | : Photography |
ISBN | : |
Illustrated with his own stunning landscape pictures, each chapter is filled with technical details and personal insights, making this highly readable volume much more than a technical guide.
Author | : Stanton Marlan |
Publisher | : Texas A&M University Press |
Total Pages | : 305 |
Release | : 2008-05-08 |
Genre | : Psychology |
ISBN | : 160344078X |
Also available in an open-access, full-text edition at http://oaktrust.library.tamu.edu/handle/1969.1/86080 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture. In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences—and on a wide range of literature and art, including Goethe’s Faust, Dante’s Inferno, the black art of Rothko and Reinhardt—to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics. An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan’s original reflections help us to explore the unknown darkness conventionally called the Self. The image of Kali appearing in the color insert following page 44 is © Maitreya Bowen, reproduced with her permission,[email protected].
Author | : Noam M. Elcott |
Publisher | : University of Chicago Press |
Total Pages | : 319 |
Release | : 2016-05-30 |
Genre | : Art |
ISBN | : 022632897X |
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.
Author | : Tommie Shelby |
Publisher | : Harvard University Press |
Total Pages | : 337 |
Release | : 2009-06-30 |
Genre | : Social Science |
ISBN | : 0674043529 |
We Who Are Dark provides the first extended philosophical defense of black political solidarity. Tommie Shelby argues that we can reject a biological idea of race and agree with many criticisms of identity politics yet still view black political solidarity as a needed emancipatory tool. In developing his defense of black solidarity, he draws on the history of black political thought, focusing on the canonical figures of Martin R. Delany and W. E. B. Du Bois.
Author | : Paul Kingsnorth |
Publisher | : |
Total Pages | : 33 |
Release | : 2019 |
Genre | : Civilization |
ISBN | : 9780995540262 |
Author | : Neil R. McMillen |
Publisher | : University of Illinois Press |
Total Pages | : 468 |
Release | : 1990 |
Genre | : Fiction |
ISBN | : 9780252061561 |
"Remarkable for its relentless truth-telling, and the depth and thoroughness of its investigation, for the freshness of its sources, and for the shock power of its findings. Even a reader who is not unfamiliar with the sources and literature of the subject can be jolted by its impact."--C. Vann Woodward, New York Review of Books "Dark Journey is a superb piece of scholarship, a book that all students of southern and African-American history will find valuable and informative."--David J. Garrow, Georgia Historical Quarterly
Author | : Joe Farace |
Publisher | : Sterling Publishing Company |
Total Pages | : 180 |
Release | : 2009 |
Genre | : Photography |
ISBN | : 1600592643 |
Joe Farace is an award-winning photographer with more than 30 books and 1,600 articles to his credit. So there’s no one better to take monochrome into the digital age. Whether you’re shooting digital black and white from your camera or converting color photographs to monochrome on the computer, you’ll discover an array of unique, innovative, and inspirational techniques suitable for shutterbugs of every level. Farace explains what kinds of software programs are best, and how to use them to manipulate your photos in diverse ways. He also discusses various in-camera effects including toning and soft focus. The detailed information and instruction cover everything from creating traditional looking black-and-white or sepia images, to adding color selectively for a one-of-a-kind, fine-art approach.
Author | : Mario Gooden |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : African Americans |
ISBN | : 9781941332139 |
This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and clichés to communicate significance, demonstrating "Africanisms" through form and symbolism--but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.
Author | : Craig Staff |
Publisher | : Bloomsbury Publishing |
Total Pages | : 209 |
Release | : 2015-09-17 |
Genre | : Art |
ISBN | : 0857739719 |
The monochrome - a single colour of paint applied over the entirety of a canvas - remains one of the more contentious modernist artistic inventions. But whilst the manufacture of these 'pictures of nothing' was ostensibly straightforward, their subsequent theorisation has been anything but. More than a history, Monochrome: Darkness and Light in Contemporary Art is the first account of the monochrome's lively role in contemporary art. Liberated from the burden of representation, the monochrome first stood for emancipation: an ideological and artistic impulse that characterised the avant-garde of the early twentieth century. Historically, the monochrome embodied the most extreme form of abstraction and pure materiality. Yet more recently, adaptations of the art form have focused on a broader range of cultural and interpretive contexts. Provocative, innovative and timely, this book argues that the latest artistic strategies go beyond stylistic concerns and instead seek to re-engage with ideas around authorship, process and the conditions of the visible as they are given and understood through both light and darkness. Discussing works by artists such as Katie Paterson, Hiroshi Sugimoto, Tom Friedman, Bruno Jakob, Sherrie Levine and Ceal Floyer, the book shows that the debates around an artwork's form and its possibility for meaning that the monochrome first engendered remain very much alive in contemporary visual culture.