The Modern Singing Master

The Modern Singing Master
Author: Ariel Bybee
Publisher: Scarecrow Press
Total Pages: 348
Release: 2002
Genre: Biography & Autobiography
ISBN: 9780810851733

A compilation of essays written by renowned singing teachers as their testament to their great singing instructor, whose research and interpretations have given birth to a new era of vocal pedagogy known as 'Functional Voice Training.' The essays explain the four basic principles with which he works: the two-register theory, the necessity for pure vowels, the use of rhythm to encourage the muscles to react spontaneously, and the choice of dynamic.

Modern Singing Methods: Their Use and Abuse (1885)

Modern Singing Methods: Their Use and Abuse (1885)
Author: John Franklin Botume
Publisher: Gregory Blankenbehler
Total Pages: 41
Release: 2010-01-04
Genre: Art
ISBN: 0557173140

(Extended Edition) J.F. Botume was perhaps the first published vocal pedagogue to bridge the substantial gap between the old Italian and modern schools of voice training. Examining the strengths and weaknesses of the various modern methods of singing, Botume shows how scientifically-backed understanding and techniques can be integrated with the traditional bel canto method to prepare professional singers for today's unique vocal challenges. In this groundbreaking work, Botume also reveals the core principles upon which the old Italian school method rested and how their reintroduction today could revitalize modern singing. Probably the best summary of the old Italian method offered by any modern teacher is contained in a little booklet by J. Frank Botume, entitled Modern Singing Methods. ] This sums up beautifully the external aspects of the old Italian method, and of modern methods as well. (David Taylor, Psychology of Singing)

Venanzio Rauzzini and the Birth of a New Style in English Singing

Venanzio Rauzzini and the Birth of a New Style in English Singing
Author: Brianna E. Robertson-Kirkland
Publisher: Routledge
Total Pages: 271
Release: 2022-01-31
Genre: History
ISBN: 100053684X

Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.

A Dictionary for the Modern Singer

A Dictionary for the Modern Singer
Author: Matthew Hoch
Publisher: Scarecrow Press
Total Pages: 319
Release: 2014-04-28
Genre: Music
ISBN: 0810886561

Titles in the Dictionaries for the Modern Musician series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Each dictionary covers topics from instrument parts to technique, major works to key figures—a must-have for any musician’s personal library! A Dictionary for the Modern Singer is an indispensable guide for students of singing, voice pedagogues, and lovers of the art of singing. In addition to classical singing, genres, and styles, musical theatre and popular and global styles are addressed. With an emphasis on contemporary practice, this work includes terms and figures that influenced modern singing styles. Topics include voice pedagogy, voice science, vocal health, styles, genres, performers, diction, and other relevant topics. The dictionary will help students to more fully understand the concepts articulated by their teachers. Matthew Hoch’s book fills a gap in the singer’s library as the only one-volume general reference geared toward today’s student of singing. An extensive bibliography is invaluable for students seeking to explore a particular subject in greater depth. Illustrations and charts further illuminate particular concepts, while appendixes address stage fright, tips on practicing, repertoire selection, audio technology, and contemporary commercial music styles. A Dictionary for the Modern Singer will appeal to students of singing at all levels. For professionals, it will serve as a quick and handy reference guide, useful in the high school or college library and the home teaching studio alike; students and amateurs will find it accessible and full of fascinating information about the world of the singing.