The Modern American Novel Of The Left
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| Author | : Raina Lipsitz |
| Publisher | : Verso Books |
| Total Pages | : 273 |
| Release | : 2022-09-27 |
| Genre | : Political Science |
| ISBN | : 1839764260 |
HOW THE FIRST MAJOR LEFTWING GENERATION SINCE THE SIXTIES HAS SHAPED ELECTORAL POLITICS The mushrooming rolls of the Democratic Socialists of America, Marxist explainers in Teen Vogue, and the outsized impact of the youngest woman ever elected to Congress, Alexandria Ocasio-Cortez, all herald a new, youth-inflected radical politics. The Rise of a New Left gets behind the headlines about AOC and her cohort of elected officials to tell the stories of the young organizers who created the Squad and the new social movements that have roiled US politics, from the DSA to the Sunrise Movement to Justice Democrats. Ranging across the country to describe grassroots organizing in places like rural Pennsylvania, upstate New York, Kentucky, Florida, and California, this book examines the panoply of strategies and struggles of activists working in—and trying to transform—electoral politics and the climate justice, racial justice, and labor movements. Alongside Ocasio-Cortez, we hear from the even younger Alexandra Rojas, one of the strategists who guided her political insurgency. Propelled by scores of immersive and absorbing conversations on political strategy with young activists determined to reshape the country, this book—by a writer who is herself a member of this generational movement—is a riveting account of a resurgent left.
| Author | : Franck Gaudichaud |
| Publisher | : Duke University Press |
| Total Pages | : 128 |
| Release | : 2022-04-04 |
| Genre | : History |
| ISBN | : 1478022825 |
In The Impasse of the Latin American Left, Franck Gaudichaud, Massimo Modonesi, and Jeffery R. Webber explore the region’s Pink Tide as a political, economic, and cultural phenomenon. At the turn of the twenty-first century, Latin American politics experienced an upsurge in progressive movements, as popular uprisings for land and autonomy led to the election of left and center-left governments across Latin America. These progressive parties institutionalized social movements and established forms of state capitalism that sought to redistribute resources and challenge neoliberalism. Yet, as the authors demonstrate, these governments failed to transform the underlying class structures of their societies or challenge the imperial strategies of the United States and China. Now, as the Pink Tide has largely receded, the authors offer a portrait of this watershed period in Latin American history in order to evaluate the successes and failures of the left and to offer a clear-eyed account of the conditions that allowed for a right-wing resurgence.
| Author | : Joseph Blotner |
| Publisher | : University of Texas Press |
| Total Pages | : 378 |
| Release | : 2014-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 0292763670 |
Politics, the workings of government and of people in government, has long been a fertile field for exploration by the novelist. The political arena offers many examples of conflict—between individuals, groups, or the individual and the group, or within the individual. It is natural then that a sizable body of fiction has grown up using politics as a main source of action. In this study Joseph Blotner attempts "to discover the image of American poIitics as presented in American novels over a sixty-year span." His major discussion is limited to 138 novels dealing directly with candidates, officeholders, party officials, or "individuals performing political acts as they are conventionally understood." He also refers to nineteenth-century predecessors, European analogues, or other twentieth-century American novels as they bear on his discussions. Blotner gives a thorough examination of certain archetypal figures (the young hero, the political boss, and the Southern demagogue), which appear in central or subordinate positions in the action of many political novels. He finds that the novels reflect certain major movements or upheavals in the political history of the United States or the world (in particular, fascism and McCarthyism), and that they also give the political aspects of universal attitudes or problems (corruption, disillusionment, reaction, and the role of women and of the intellectual). The author presents a detailed analysis of each of these subjects, prefacing each analysis by a survey of the historical background out of which the fiction grew, and including a brief and often pungent assessment of the literary merits of each novel discussed. He also surveys a large body of political fiction which cuts across all of these categories: the novel of the future—both utopian and apocalyptic. The Modern American Political Novel will be of great interest to the student of twentieth-century literature; the political scientist, the sociologist, and even the practicing politician will also find its analyses useful and illuminating.
| Author | : Rosecrans Baldwin |
| Publisher | : MCD |
| Total Pages | : 401 |
| Release | : 2017-06-06 |
| Genre | : Fiction |
| ISBN | : 0374713014 |
When a scandalous small-town crime goes viral, a teen girl takes center stage in Rosecrans Baldwin's story of a 21st century Puritan witch-hunt The Last Kid Left begins when a car smashes into a sculpture of a giant cowgirl. The police find two bodies in the trunk. 19-year-old Nick Toussaint Jr. is arrested for murder, and after details of the crime rip across the internet, his 16-year-old girlfriend, Emily Portis—a sheltered teen who’s been off the grid until now, her first romance coinciding with her first cellphone—is nearly consumed by a public hungry for every lurid detail, accurate or not. Emily and Nick are not the only ones whose lives come unmoored. A retired police officer latches onto the case. Nick’s alcoholic mother is thrust into an unfamiliar role. A young journalist who left her hometown behind is pulled into the fray. And Emily’s father, the town Sheriff, is finally forced to confront a monstrous secret. The Last Kid Left is a bold, searching novel about how our relationships operate in a hyper-connected world, an expertly-portrayed account of tragedy turned mercilessly into entertainment. And it’s the suspenseful unwinding of a crime that’s more complex than it initially seems. But mostly it’s the story of two teenagers, dismantled by circumstances and rotten luck, who are desperate to believe that love is enough to save them.
| Author | : Janet Galligani Casey |
| Publisher | : University of Iowa Press |
| Total Pages | : 237 |
| Release | : 2004-06 |
| Genre | : Business & Economics |
| ISBN | : 1587294753 |
The first collection of critical essays to focus specifically on the fiction produced by American novelists of the Depression era, The Novel and the American Left contributes substantially to the newly emerging emphasis on twentieth-century American literary radicalism. Recent studies have recovered this body of work and redefined in historical and theoretical terms its vibrant contribution to American letters. Casey consolidates and expands this field of study by providing a more specific consideration of individual novels and novelists, many of which are reaching new contemporary audiences through reprints. The Novel and the American Left focuses exclusively on left-leaning fiction of the Depression era, lending visibility and increased critical validity to these works and showing the various ways in which they contributed not only to theorizations of the Left but also to debates about the content and form of American fiction. In theoretical terms, the collection as a whole contributes to the larger reconceptualization of American modernity currently under way. More pragmatically, individual essays suggest specific authors, texts, and approaches to teachers and scholars seeking to broaden and/or complicate more traditional “American modernism” syllabi and research agendas. The selected essays take up, among others, such “hard-core"” leftist writers as Mike Gold and Myra Page, who were associated with the Communist Party; the popular novels of James M. Cain and Kenneth Fearing, whose works were made into successful films; and critically acclaimed but nonetheless “lost” novelists such as Josephine Johnson, whose Now in November (Pulitzer Prize, 1936) anticipates and complicates the more popular agrarian mythos of Steinbeck’s The Grapes of Wrath. This volume will be of interest not only to literary specialists but also to historians, social scientists, and those interested in American cultural studies.
| Author | : John T. Matthews |
| Publisher | : John Wiley & Sons |
| Total Pages | : 790 |
| Release | : 2013-03-25 |
| Genre | : Literary Criticism |
| ISBN | : 111866163X |
This cutting-edge Companion is a comprehensive resource for the study of the modern American novel. Published at a time when literary modernism is being thoroughly reassessed, it reflects current investigations into the origins and character of the movement as a whole. Brings together 28 original essays from leading scholars Allows readers to orient individual works and authors in their principal cultural and social contexts Contributes to efforts to recover minority voices, such as those of African American novelists, and popular subgenres, such as detective fiction Directs students to major relevant scholarship for further inquiry Suggests the many ways that “modern”, “American” and “fiction” carry new meanings in the twenty-first century
| Author | : Graham Greene |
| Publisher | : Open Road Media |
| Total Pages | : 200 |
| Release | : 2018-03-13 |
| Genre | : Fiction |
| ISBN | : 1504052544 |
A “masterful . . . brilliantly constructed novel” of love and chaos in 1950s Vietnam (Zadie Smith, The Guardian). It’s 1955 and British journalist Thomas Fowler has been in Vietnam for two years covering the insurgency against French colonial rule. But it’s not just a political tangle that’s kept him tethered to the country. There’s also his lover, Phuong, a young Vietnamese woman who clings to Fowler for protection. Then comes Alden Pyle, an idealistic American working in service of the CIA. Devotedly, disastrously patriotic, he believes neither communism nor colonialism is what’s best for Southeast Asia, but rather a “Third Force”: American democracy by any means necessary. His ideas of conquest include Phuong, to whom he promises a sweet life in the states. But as Pyle’s blind moral conviction wreaks havoc upon innocent lives, it’s ultimately his romantic compulsions that will play a role in his own undoing. Although criticized upon publication as anti-American, Graham Greene’s “complex but compelling story of intrigue and counter-intrigue” would, in a few short years, prove prescient in its own condemnation of American interventionism (The New York Times).
| Author | : Rahna R. Rizzuto |
| Publisher | : HarperCollins Publishers |
| Total Pages | : 0 |
| Release | : 1999 |
| Genre | : Domestic fiction |
| ISBN | : 9780060193706 |
A haunting novel of uncommon emotional power, Why She Left Us weaves in and out of the personal tragedies and political persecution of three generations of a Japanese American family and exposes the complex, often destructive bonds of love and honor that tie a family together.
| Author | : Micheline Aharonian Marcom |
| Publisher | : Simon and Schuster |
| Total Pages | : 288 |
| Release | : 2020-08-18 |
| Genre | : Fiction |
| ISBN | : 1982120746 |
This “harrowing, heartbreaking story” (Kirkus Reviews) depicts the epic journey of a young Guatemalan American college student, a “dreamer,” who gets deported and decides to make his way back home to California. One day, Emilio learns the shocking secret: he is undocumented. His parents, who emigrated from Guatemala to California, had never told him. Emilio slowly adjusts to his new normal. All is going well, he’s in his second year at UC Berkeley...then he gets into a car accident, and—without a driver’s license or any ID—the policeman on the scene reports him to Immigration and Customs Enforcement (ICE). Once deported to Guatemala, Emilio is determined to get back to California, the only home he has ever known. It is an epic journey that takes him across thousands of miles and eventually the Sonoran Desert of the United States-Mexico border, meeting thieves and corrupt law enforcement but also kind strangers and new friends. Inspired in part by interviews with Central American refugees, and told in lyrical prose, Micheline Aharonian Marcom weaves a “powerful, heartbreaking” (Publishers Weekly) tale of adventure. In The New American, Marcom “depicts inhumanity with visceral force, but her bracing empathy (and hope) shines above all” (Entertainment Weekly). This is a compassionate story of one young man who risks so much to return home.
| Author | : T. V. Reed |
| Publisher | : University of Washington Press |
| Total Pages | : 254 |
| Release | : 2014-06-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0295805048 |
Robert Cantwell and the Literary Left is the first full critical study of novelist and critic Robert Cantwell, a Northwest-born writer with a strong sense of social justice who found himself at the center of the radical literary and cultural politics of 1930s New York. Regarded by F. Scott Fitzgerald and Ernest Hemingway as one of the finest young fiction writers to emerge from this era, Cantwell is best known for his superb novel, The Land of Plenty, set in western Washington. His literary legacy, however, was largely lost during the Red Scare of the McCarthy era, when he retreated to conservatism. Through meticulous research, an engaging writing style, and a deep commitment to the history of American social movements, T. V. Reed uncovers the story of a writer who brought his Pacific Northwest brand of justice to bear on the project of “reworking” American literature to include ordinary working people in its narratives. In tracing the flourishing of the American literary Left as it unfolded in New York, Reed reveals a rich progressive culture that can inform our own time.
