The Mirror 1989 Classic Reprint
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Author | : David Wills |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 195 |
Release | : 2009-03-26 |
Genre | : History |
ISBN | : 1443806609 |
During the last century, writers as diverse as William Golding, Henry Miller, Lawrence Durrell, Evelyn Waugh, Virginia Woolf, and Laurie Lee, were captivated by Greece. They were joined in their production of travel accounts by hundreds of lesser-known authors. This book exposes how the responses of travellers were conditioned by much more than their own opinions and personalities. The British education system, classical scholarship, and the heroism demonstrated by the Greeks during the Nazi invasion of their country, all contributed to shaping travel narratives. The author analyses the way in which all of the major archaeological sites were described—including the Athenian Acropolis, Delphi, Olympia, Heinrich Schliemann’s Mycenae, and Sir Arthur Evans’ Knossos in Crete. The representation of the modern Greek people, particularly in the period after the Second World War, is also explored at length. Viewed as relics of the past, the Greeks in literature were given the qualities and appearance of their ancestors. David Wills shows how in the hands of twentieth century travel writers, Greece became less a modern country, and more a mirror of antiquity. This book is essential reading for all who are interested in the history of travel and tourism, reception of the classical past, and recent Greek history.
Author | : Kurt Seligmann |
Publisher | : Simon and Schuster |
Total Pages | : 715 |
Release | : 2018-10-16 |
Genre | : Body, Mind & Spirit |
ISBN | : 1620557916 |
A collector’s edition of the classic, illustrated, and comprehensive history of magic and the occult • Written by renowned Surrealist and magic scholar Kurt Seligmann (1900-1962) • Includes all 250 illustrations from the original 1948 edition • Explores magical practices and beliefs from their origins in the ancient world through the heyday of secret societies in the 18th century In the occult classic The Mirror of Magic, renowned Surrealist Kurt Seligmann (1900-1962) draws from his encyclopedic practitioner’s knowledge and extensive antiquarian collection to offer a comprehensive, illustrated history of magic and the occult from Mesopotamia and ancient Egypt through the 18th century. He explores the gods and divinatory arts of the legendary Sumerians and the star-wise Babylonians, including the birth of astrology. He examines the afterlife beliefs of the ancient Egyptians and the dream interpretation practices and oracles of ancient Greece, including the mysteries of Eleusis and the magical philosophy of Plato, Socrates, and other Greeks. He uncovers the origins of Gnosticism and the suppression and banishment of magic by the post-pagan, Christian emperors of Rome. Seligmann reviews the principles of alchemy, sharing famous transmutations and allegorical illustrations of the alchemical process and explores the Hermetica and its remarkable adepts. Investigating the Middle Ages, the author discusses the work of European magicians of the time, including Albertus Magnus, Roger Bacon, Agrippa, Nostradamus, and Pico Della Mirandola. He studies the medieval practices of devil worship, witchcraft, and black magic, as well as the “Cabala” in both its Hebrew and Christian forms. He also examines the art of the Tarot and many lesser known divination techniques. He explores the development of secret societies, including Freemasonry and Rosicrucianism, in the 17th century and the increase in occult publications and magical science in the 18th century. First published in 1948, this history of magic and the occult seeks to “mirror” the magical worldview throughout the ages. Beautifully illustrated with images from the author’s rare library, this collector’s edition features all of the artwork--more than 250 images--from the original 1948 edition.
Author | : John Briggs |
Publisher | : HarperCollins Publishers |
Total Pages | : 264 |
Release | : 1989 |
Genre | : Science |
ISBN | : |
Explores the many faces of chaos and reveals how its laws direct most of the familiar processes of everyday life.
Author | : Anne Powling |
Publisher | : Oxford University |
Total Pages | : 166 |
Release | : 1996 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780198311911 |
New Oxford English Students' Book 2 has been designed to cover the requirements of the National Curriculum at Key Stage 3. The Students' Book provides: · A flexible resource for teaching the National curriculum, structured around the four modules · An integrated approach to language study at all stages · A rich and varied range of authors, poets, and playwrights from different centuries and cultures · Language Study Units at the end of every module providing extensive language work from source texts, which can be used alongside the featured texts or separately · IT opportunities built into the books throughout · Varied activities in each module which help to develop individual and group study skills
Author | : Nancy L. Canepa |
Publisher | : Wayne State University Press |
Total Pages | : 372 |
Release | : 1997 |
Genre | : Fairy tales |
ISBN | : 9780814326879 |
Covering over 300 years, this volume of essays articulates the literary, ideological and historical contexts in which fairy tales evolved in Italy and France. The tales analyzed were each appropriated from oral tradition by professional men and women of letters and thus reveal a cultural history
Author | : |
Publisher | : |
Total Pages | : 2576 |
Release | : 2002 |
Genre | : American literature |
ISBN | : |
Author | : Edward Evans |
Publisher | : Taylor & Francis |
Total Pages | : 172 |
Release | : 2024-09-26 |
Genre | : Literary Criticism |
ISBN | : 104012822X |
Clear mirrors and The Geneva Bible, revolutionary innovations of the Elizabethan age, inspired Shakespeare’s drive towards a new purpose for drama. Shakespeare reversed the conventional mirror metaphor for drama, implying drama cannot reflect the substance of human nature, and developed a method of characterization, through metadrama, self-awareness and soliloquy, to project St. Paul’s idea of conscience onto the Elizabethan stage. This revolutionary method of characterization, aesthetic existence beyond performance, has long been sensed but remains frustratingly uncategorized. Shakespeare’s Mirrors charts the invention of a drama that staged the unstageable: St. Paul’s metaphysical conception of human nature glimpsed through a looking glass darkly.
Author | : Richard Rorty |
Publisher | : Cambridge University Press |
Total Pages | : 222 |
Release | : 1989-02-24 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780521367813 |
In this 1989 book Rorty argues that thinkers such as Nietzsche, Freud, and Wittgenstein have enabled societies to see themselves as historical contingencies, rather than as expressions of underlying, ahistorical human nature or as realizations of suprahistorical goals. This ironic perspective on the human condition is valuable on a private level, although it cannot advance the social or political goals of liberalism. In fact Rorty believes that it is literature not philosophy that can do this, by promoting a genuine sense of human solidarity. A truly liberal culture, acutely aware of its own historical contingency, would fuse the private, individual freedom of the ironic, philosophical perspective with the public project of human solidarity as it is engendered through the insights and sensibilities of great writers. The book has a characteristically wide range of reference from philosophy through social theory to literary criticism. It confirms Rorty's status as a uniquely subtle theorist, whose writing will prove absorbing to academic and nonacademic readers alike.
Author | : Birgitte Beck Pristed |
Publisher | : Springer |
Total Pages | : 354 |
Release | : 2017-08-01 |
Genre | : Literary Criticism |
ISBN | : 3319507087 |
This book takes up the obtrusive problem of visual representation of fiction in contemporary Russian book design. By analyzing a broad variety of book covers, the study offers an absolutely unique material that illustrates a radically changing notion of literature in the transformation of Soviet print culture to a post-Soviet book market. It delivers a profound and critical exploration of Russian visual imaginary of classic, popular, and contemporary prose. Among all the carelessly bungled covers of mass-published post-Soviet series the study identifies gems from experimental designers. By taking a comparative approach to the clash of two formerly separate book cultures, the Western and the Soviet, that results both in a mixture of highbrow and lowbrow forms and in ideological re-interpretations of the literary works, this book contributes to opening an East-West dialogue between the fields of Russian studies, contemporary book and media history, art, design, and visual studies.
Author | : |
Publisher | : |
Total Pages | : 1256 |
Release | : 1992 |
Genre | : Paperbacks |
ISBN | : |