The Medieval German Lohengrin

The Medieval German Lohengrin
Author: Alastair Matthews
Publisher: Boydell & Brewer
Total Pages: 252
Release: 2016
Genre: Literary Criticism
ISBN: 1571139710

The first monograph in English on the German Lohengrin, offering a new response to the challenges posed by the text.

Medievalism and Nationalism in German Opera

Medievalism and Nationalism in German Opera
Author: Michael S. Richardson
Publisher: Routledge
Total Pages: 198
Release: 2020-11-29
Genre: Music
ISBN: 135180636X

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

Medievalism and Nationalism in German Opera

Medievalism and Nationalism in German Opera
Author: Michael S. Richardson
Publisher: Routledge
Total Pages: 186
Release: 2020-11-29
Genre: Music
ISBN: 1351806378

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

Medieval Germany

Medieval Germany
Author: John M. Jeep
Publisher: Psychology Press
Total Pages: 958
Release: 2001
Genre: Civilization, Medieval
ISBN: 0824076443

An encyclopedia covering the political, social, intellectual, religious and cultural history of the German- and Dutch-speaking medieval world, between 500 and 1500. Entries cover individuals and their deeds as well as broader historical topics.

Routledge Revivals: Medieval Germany (2001)

Routledge Revivals: Medieval Germany (2001)
Author: John M. Jeep
Publisher: Taylor & Francis
Total Pages: 969
Release: 2017-07-05
Genre: History
ISBN: 1351665405

First published in 2001, Medieval Germany: An Encyclopedia provides a comprehensive guide to the German and Dutch-speaking world in the Middle Ages, from approximately C.E. 500 to 1500. It offers detailed accounts of a wide variety of aspects of medieval Germany, including language, literature, architecture, politics, warfare, medicine, philosophy and religion. In addition, this reference work includes bibliographies and citations to aid further study. This A-Z encyclopedia, featuring over 500 entries written by expert contributors, will be of key interest to students and scholars, as well as general readers.

Introducing the Medieval Swan

Introducing the Medieval Swan
Author: Natalie Jayne Goodison
Publisher: University of Wales Press
Total Pages: 167
Release: 2022-07-15
Genre: History
ISBN: 1786838419

Birds have always been a popular and accessible subject, but most books about medieval birds are an overview of their symbolism generally: owl for ill-omen, the pelican as a Eucharistic image and the like. The unique selling point of this book is to focus on one bird and explore it in detail from medieval reality to artistic concept. This book also traces how and why the medieval perception of the swan shifted from hypocritical to courtly within the medieval period. With special attention to ‘The Knight of the Swan’, the book traces the rise and popularity of the medieval swan through literature, history, courtly practices, and art. The book uses thoroughly readable language to appeal to a wide audience and explains some of the reasons why the swan holds such resonance today by covering views of the swan from classic to early modern times.

Wagner's Opera Lohengrin

Wagner's Opera Lohengrin
Author: Richard Wagner
Publisher: Forgotten Books
Total Pages: 42
Release: 2018-02-13
Genre: Poetry
ISBN: 9780656491537

Excerpt from Wagner's Opera Lohengrin: Containing the German Text, With an English Translation, and the Music of All the Principal Airs The intruders are expelled by the King and people, and the marriage takes place; but, when the bride and bridegroom are left in-the nuptia' chamber, Elsa, roused by the evil suggestions of Ortrud, begins, in Spite of her promise, to question the knight, who in vain endeavors to allay her suspicions. Frederick, who enters the room with the intention of assailing his former antagonist, is slain by him at once, and, on the following mom ing, the explanation unwisely solicited by Elsa, is given by the stranger in the presence of the King. He is the son of King Percival, keeper of the mys terious cup known as the Holy Grail, to whose service he is attached, and whose name is lohen grin. It is to the Grail that he is indebted for his invisible power, but now his name is revealed he must no longer remain in Brabant. The swan returns with the boat to hear him away, but he re moves a gold chain from its neck, and in its stead appears the youth Godfrey, who has been changed to a swan by the sorceress Ortrud, and who is now declared rightful Duke of Brabant, while Lohen grin departs, to the intense grief of his bride and the king and people, who have lost so valuable an ally. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Wagner's Opera Lohengrin, Containing the German Text, with an English Translation, and the Music of All the Principal Airs - Primary Source Edition

Wagner's Opera Lohengrin, Containing the German Text, with an English Translation, and the Music of All the Principal Airs - Primary Source Edition
Author: Richard Wagner
Publisher: Nabu Press
Total Pages: 36
Release: 2014-03
Genre:
ISBN: 9781294814146

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Medieval Badges

Medieval Badges
Author: Ann Marie Rasmussen
Publisher: University of Pennsylvania Press
Total Pages: 325
Release: 2021-09-10
Genre: History
ISBN: 081229968X

Mass-produced of tin-lead alloys and cheap to make and purchase, medieval badges were brooch-like objects displaying familiar images. Circulating widely throughout Europe in the High and late Middle Ages, badges were usually small, around four-by-four centimeters, though examples as tiny as two centimeters and a few as large as ten centimeters have been found. About 75 percent of surviving badges are closely associated with specific charismatic or holy sites, and when sewn or pinned onto clothing or a hat, they would have marked their wearers as having successfully completed a pilgrimage. Many others, however, were artifacts of secular life; some were political devices—a swan, a stag, a rose—that would have denoted membership in a civic organization or an elite family, and others—a garland, a pair of clasped hands, a crowned heart—that would have been tokens of love or friendship. A good number are enigmatic and even obscene. The popularity of badges seems to have grown steadily from the last decades of the twelfth century before waning at the very end of the fifteenth century. Some 20,000 badges survive today, though historians estimate that as many as two million were produced in the fourteenth and fifteenth centuries alone. Archaeologists and hobbyists alike continue to make new finds, often along muddy riverbanks in northern Europe. Interdisciplinary in approach, and sumptuously illustrated with more than 115 color and black-and-white images, Medieval Badges introduces badges in all their variety and uses. Ann Marie Rasmussen considers all medieval badges, whether they originated in religious or secular contexts, and highlights the different ways badges could confer meaning and identity on their wearers. Drawing on evidence from England, France, the Low Countries, Germany, and Scandinavia, this book provides information about the manufacture, preservation, and scholarly study of these artifacts. From chapters exploring badges and pilgrimage, to the complexities of the political use of badges, to the ways the visual meaning-making strategies of badges were especially well-suited to the unique features of medieval cities, this book offers an expansive introduction of these medieval objects for a wide readership.