The Media In France
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Author | : Raymond Kuhn |
Publisher | : Routledge |
Total Pages | : 273 |
Release | : 2006-04-07 |
Genre | : Social Science |
ISBN | : 1134980531 |
Tackles key issues eg audiovisual expansion, covers press, radio, TV and `new media'. Author specialist in field.
Author | : Kuhn, Raymond |
Publisher | : McGraw-Hill Education (UK) |
Total Pages | : 208 |
Release | : 2011-03-01 |
Genre | : Social Science |
ISBN | : 0335236227 |
This is an up-to-date account of the news media of press, radio, television and the internet in one of the major media states of the European Union.
Author | : David A. Pettersen |
Publisher | : University of Wales Press |
Total Pages | : 337 |
Release | : 2016-05-20 |
Genre | : History |
ISBN | : 178316851X |
First book to focus on Americanism and its consideration of French film and literature The book is organized around individual figures, texts, and films, making it easy to adopt for individual units in courses. The book is written in clear, accessible, and jargon-free language. The book brings a new and innovative transatlantic perspective to 1930s French culture. The books offers new perspectives on important figures that we thought we knew well. The book mixes cultural history with the analysis of individual films and novels in a way that is engaging to read.
Author | : Alison Harcourt |
Publisher | : Manchester University Press |
Total Pages | : 276 |
Release | : 2005 |
Genre | : Business & Economics |
ISBN | : 9780719066443 |
National broadcasting and press regulation is undergoing a process of convergence in Europe. This book, newly available in paperback, explains how this process has been shaped by the actions of the European Union (EU) institutions.Alison Harcourt observes that whilst communications is one of the EU's most successful policy areas, European decision-making is eroding the national capacity to regulate for the public interest. European-level efforts to protect public interest goals have been constrained by the European Treaties. The author argues that increased European coordination in public interest regulation could be more conducive to growth and competitiveness than the dismantling of existing national laws. This, however, would require changes to the political composition of the European Union.This book assesses the potential EU media regulation provides for market growth and the protection of media pluralism, the citizen and ultimately democracy itself. These opportunities are presented in the coming decade with the developing European Constitution, EU enlargement, and the implementation and revision of European regulation.
Author | : Valerie Holman |
Publisher | : Berghahn Books |
Total Pages | : 190 |
Release | : 2000 |
Genre | : History |
ISBN | : 9781571817013 |
France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.
Author | : |
Publisher | : Odile Jacob |
Total Pages | : 337 |
Release | : |
Genre | : |
ISBN | : 2738190448 |
Author | : Iris Moon |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 403 |
Release | : 2021-07-01 |
Genre | : Art |
ISBN | : 150134840X |
The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the eclectic objects and forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and printmakers, as they worked out what it meant to be “post-revolutionary.”
Author | : Meli George |
Publisher | : |
Total Pages | : 302 |
Release | : 2015 |
Genre | : Camp sites, facilities, etc |
ISBN | : 9781910664018 |
Author | : Julia Cagé |
Publisher | : Harvard University Press |
Total Pages | : 85 |
Release | : 2016-04-04 |
Genre | : Social Science |
ISBN | : 0674968719 |
The media are in crisis. Confronted by growing competition and sagging advertising revenue, news operations in print, on radio and TV, and even online are struggling to reinvent themselves. Many have gone under. For too many others, the answer has been to lay off reporters, join conglomerates, and lean more heavily on generic content. The result: in a world awash with information, news organizations provide citizens with less and less in-depth reporting and a narrowing range of viewpoints. If democracy requires an informed citizenry, this trend spells trouble. Julia Cagé explains the economics and history of the media crisis in Europe and America, and she presents a bold solution. The answer, she says, is a new business model: a nonprofit media organization, midway between a foundation and a joint stock company. Cagé shows how this model would enable the media to operate independent of outside shareholders, advertisers, and government, relying instead on readers, employees, and innovative methods of financing, including crowdfunding. Cagé’s prototype is designed to offer new ways to share and transmit power. It meets the challenges of the digital revolution and the realities of the twenty-first century, inspired by a central idea: that news, like education, is a public good. Saving the Media will be a key document in a debate whose stakes are nothing less crucial than the vitality of democracy.
Author | : Andrew W.M. Smith |
Publisher | : UCL Press |
Total Pages | : 257 |
Release | : 2017-03-01 |
Genre | : History |
ISBN | : 1911307746 |
Looking at decolonization in the conditional tense, this volume teases out the complex and uncertain ends of British and French empire in Africa during the period of ‘late colonial shift’ after 1945. Rather than view decolonization as an inevitable process, the contributors together explore the crucial historical moments in which change was negotiated, compromises were made, and debates were staged. Three core themes guide the analysis: development, contingency and entanglement. The chapters consider the ways in which decolonization was governed and moderated by concerns about development and profit. A complementary focus on contingency allows deeper consideration of how colonial powers planned for ‘colonial futures’, and how divergent voices greeted the end of empire. Thinking about entanglements likewise stresses both the connections that existed between the British and French empires in Africa, and those that endured beyond the formal transfer of power.