The Medea and Some Poems
Author | : Countee Cullen |
Publisher | : |
Total Pages | : 120 |
Release | : 1935 |
Genre | : Medea (Greek mythology) |
ISBN | : |
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Author | : Countee Cullen |
Publisher | : |
Total Pages | : 120 |
Release | : 1935 |
Genre | : Medea (Greek mythology) |
ISBN | : |
Author | : Catherine Theis |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : |
ISBN | : 9780991418367 |
Drama. Poetry. California Interest. Through a mix of sound-poems, dance, and traditional scenes, Catherine Theis attempts to jostle Medea from her traditional, male-defined narrative in this modern retelling set in the mountains of Montana. A 2015 Leslie Scalapino Award for Innovative Women Performance Writers finalist, MEDEA features a Chorus of Flames, choreography for The Milky Way, and a collection of palate-cleansing satyr plays to be performed after. Grappling with both love and language, Theis' MEDEA wants to join with the world, to meld with it. Let's let her do that--see what falls away.
Author | : Countee Cullen |
Publisher | : Library of America |
Total Pages | : 318 |
Release | : 2013-03-21 |
Genre | : Poetry |
ISBN | : 1598532707 |
The American Poets Project series continues with this stunning collection from a major—and sometimes controversial—figure of the Harlem Renaissance In his early twenties, Countee Cullen emerged as a central figure in the tumultuous, defiant, intensely creative cultural movement now known as the Harlem Renaissance. Here is the most comprehensive collection of Cullen’s poetry ever assembled. It begins with his astonishing first book, Color (1925)—a debut that made him “famous, like Byron, overnight” (as H. L. Mencken put it). Cullen’s intricate, deceptively simple lyrics shocked some early readers with their frank explorations of racial, sexual, and religious themes. They have since become touchstones of the African American poetic tradition. The collection follows the evolution of Cullen’s prodigious talents through Copper Sun (1927), The Ballad of the Brown Girl (1927), The Black Christ & Other Poems (1929), and The Medea and Some Poems (1935)—reprinted for the first time with the illustrations from the original editions. Also included are playful verses from his children’s book The Lost Zoo (1940); haunting late poems he intended to add to On These I Stand (1947) before his death; and dozens of uncollected poems, some never before published, which reveal an intense engagement with the politics of civil rights. Together, they afford an unprecedented occasion to revisit a dazzling and distinctive poetic voice.
Author | : Gale, Cengage Learning |
Publisher | : Gale, Cengage Learning |
Total Pages | : 34 |
Release | : 2017 |
Genre | : Literary Criticism |
ISBN | : 1410352382 |
A Study Guide for Euripides's "Medea," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Author | : Euripides |
Publisher | : University of California Press |
Total Pages | : 112 |
Release | : 2019-11-12 |
Genre | : Poetry |
ISBN | : 0520307402 |
The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing to strike out against his new wife and family—even slaughtering the sons she has born him. At its center is Medea herself, a character who refuses definition: Is she a hero, a witch, a psychopath, a goddess? All that can be said for certain is that she is a woman who has loved, has suffered, and will stop at nothing for vengeance. In this stunning translation, poet Charles Martin captures the rhythms of Euripides’ original text through contemporary rhyme and meter that speak directly to modern readers. An introduction by classicist and poet A.E. Stallings examines the complex and multifaceted Medea in patriarchal ancient Greece. Perfect in and out of the classroom as well as for theatrical performance, this faithful translation succeeds like no other.
Author | : Charles Molesworth |
Publisher | : University of Chicago Press |
Total Pages | : 299 |
Release | : 2012-09-19 |
Genre | : Biography & Autobiography |
ISBN | : 0226533662 |
A full-length, critical biography examining the life and work of the poet and literary giant of the Harlem Renaissance. While competing with Langston Hughes for the title of “Poet Laureate of Harlem,” Countée Cullen (1903–46) crafted poems that became touchstones for American readers, both black and white. Inspired by classic themes and working within traditional forms, Cullen shaped his poetry to address universal questions like love, death, longing, and loss while also dealing with the issues of race and idealism that permeated the national conversation. Drawing on the poet’s unpublished correspondence with contemporaries and friends like Hughes, Claude McKay, Carl Van Vechten, Dorothy West, Charles S. Johnson and Alain Locke, and presenting a unique interpretation of his poetic gifts, And Bid Him Sing is the first full-length critical biography of this famous American writer. Despite his untimely death at the age of forty-two, Cullen left behind an extensive body of work. In addition to five books of poetry, he authored two much-loved children’s books and translated Euripides’ Medea, the first translation by an African American of a Greek tragedy. In these pages, Charles Molesworth explores the many ways that race, religion, and Cullen’s sexuality informed the work of one of the unquestioned stars of the Harlem Renaissance. An authoritative work of biography that brings to life one of the chief voices of his generation, And Bid Him Sing returns to us one of America’s finest lyric poets in all of his complexity and musicality. Praise for And Bid Him Sing “At last! One can only be grateful to Charles Molesworth for this concise yet comprehensive biography of Countée Cullen, the shooting star of the Harlem Renaissance. This book sets the facts straight about a man whose childhood and inner life have been obscure despite his fame. More importantly, Molesworth reveals the complex intersections of racial loyalty and aestheticism, spirituality and sexuality, representativeness and individuality in the life and work of Harlem’s black prodigy, one of America’s most admired poets of the 1920s.” —George B. Hutchinson, author of The Harlem Renaissance in Black and White “Cullen was a commanding literary figure whose accomplishments have often been diminished in studies of the Harlem Renaissance that emphasize his role as an antitype to Langston Hughes. Charles Molesworth rights this wrong in his fine biography whose subject is not only the struggles and triumphs of a singular American poet, but also the exciting social and literary world that produced him.” —Emily Bernard, author of Carl Van Vechten and the Harlem Renaissance
Author | : Countee Cullen |
Publisher | : |
Total Pages | : 38 |
Release | : 1927 |
Genre | : American poetry |
ISBN | : |
Countee Cullen uses the traditional structure of the medieval ballad to retell a legend about an English lord who must choose between a Black bride and a white one, with deadly results. In a letter, the author described the poem as "quite a gruesome affair with no less than three murders in it. It is founded on an old song which every colored Kentuckian knows."
Author | : Jeffrey Gray |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 786 |
Release | : 2015-03-10 |
Genre | : Literary Criticism |
ISBN | : 1610698320 |
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
Author | : William Edward Burghardt Du Bois |
Publisher | : |
Total Pages | : 688 |
Release | : 1936 |
Genre | : African Americans |
ISBN | : |
A record of the darker races.