Meaning of China's Most Ancient Art
Author | : Bulling |
Publisher | : BRILL |
Total Pages | : 178 |
Release | : 1952-12 |
Genre | : History |
ISBN | : 9004620656 |
Download The Meaning Of Chinas Most Ancient Art full books in PDF, epub, and Kindle. Read online free The Meaning Of Chinas Most Ancient Art ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Bulling |
Publisher | : BRILL |
Total Pages | : 178 |
Release | : 1952-12 |
Genre | : History |
ISBN | : 9004620656 |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 97 |
Release | : 1987 |
Genre | : Art |
ISBN | : 0870994832 |
Author | : Jane Shuter |
Publisher | : Capstone Classroom |
Total Pages | : 36 |
Release | : 2006-06-23 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781403487728 |
Explains the origins, materials, and meaning of traditional art in China, and describes the development of painting, sculpture, calligraphy, architecture, and other media.
Author | : Wen Fong |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 571 |
Release | : 1992 |
Genre | : Calligraphy, Chinese |
ISBN | : 0300057016 |
Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.
Author | : Anneliese Bulling |
Publisher | : Brill Archive |
Total Pages | : 190 |
Release | : 1952 |
Genre | : Pottery, Chinese |
ISBN | : |
Author | : Charles Alfred Speed Williams |
Publisher | : Courier Corporation |
Total Pages | : 520 |
Release | : 1976-01-01 |
Genre | : Social Science |
ISBN | : 9780486233727 |
Describes historical, legendary, and supernatural persons, animals, and objects that recur as symbols in Oriental art and literature
Author | : Ann Elizabeth Barrott Wicks |
Publisher | : University of Hawaii Press |
Total Pages | : 254 |
Release | : 2002-01-01 |
Genre | : Art |
ISBN | : 9780824823597 |
Annotation Experts in the fields of Chinese art, religion, literature, and history introduce and illuminate many of the issues surrounding child imagery in China, including the frequent use of pictures of children to reinforce social values. Topics include a historical overview; images of children in song, painting, poetry, at play, as icons of good fortune, and in stories; the childhood of gods and sages; folk deities; and family pictures. The text is accompanied by 100-plus color and b&w illustrations. A glossary of Chinese characters is included. Edited by Wicks (art history, Miami U). Annotation c. Book News, Inc., Portland, OR (booknews.com).
Author | : Maxwell K. Hearn |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 185 |
Release | : 2008 |
Genre | : Art |
ISBN | : 1588392813 |
"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Author | : Patricia Bjaaland Welch |
Publisher | : Tuttle Publishing |
Total Pages | : 300 |
Release | : 2013-02-19 |
Genre | : Art |
ISBN | : 1462906893 |
With over 630 striking color photos and illustrations, this Chinese art guide focuses on the rich tapestry of symbolism which makes up the basis of traditional Chinese art. Chinese Art: A Guide to Motifs and Visual Imagery includes detailed commentary and historical background information for the images that continuously reappear in the arts of China, including specific plants and animals, religious beings, mortals and inanimate objects. The book thoroughly illuminates the origins, common usages and diverse applications of popular Chinese symbols in a tone that is both engaging and authoritative. Chinese Art: A Guide to Motifs and Visual Imagery is an essential reference for collectors, museum-goers, guides, students and anyone else with a serious interest in the culture and history of China.
Author | : Xing Lu |
Publisher | : Univ of South Carolina Press |
Total Pages | : 376 |
Release | : 2022-03-10 |
Genre | : Language Arts & Disciplines |
ISBN | : 1643362909 |
Xing Lu examines language, art, persuasion, and argumentation in ancient China and offers a detailed and authentic account of ancient Chinese rhetorical theories and practices within the society's philosophical, political, cultural, and linguistic contexts. She focuses on the works of five schools of thought and ten well-known Chinese thinkers from Confucius to Han Feizi to the the Later Mohists. Lu identifies seven key Chinese terms pertaining to speech, language, persuasion, and argumentation as they appeared in these original texts, selecting ming bian as the linchpin for the Chinese conceptual term of rhetorical studies. Lu compares Chinese rhetorical perspectives with those of the ancient Greeks, illustrating that the Greeks and the Chinese shared a view of rhetoric as an ethical enterprise and of speech as a rational and psychological activity. The two traditions differed, however, in their rhetorical education, sense of rationality, perceptions of the role of language, approach to the treatment and study of rhetoric, and expression of emotions. Lu also links ancient Chinese rhetorical perspectives with contemporary Chinese interpersonal and political communication behavior and offers suggestions for a multicultural rhetoric that recognizes both culturally specific and transcultural elements of human communication.