The Maxims in the Novels of Duclos
Author | : B.G. Silverblatt |
Publisher | : Springer Science & Business Media |
Total Pages | : 166 |
Release | : 2012-12-06 |
Genre | : Philosophy |
ISBN | : 9401177562 |
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Author | : B.G. Silverblatt |
Publisher | : Springer Science & Business Media |
Total Pages | : 166 |
Release | : 2012-12-06 |
Genre | : Philosophy |
ISBN | : 9401177562 |
Author | : B.G. Silverblatt |
Publisher | : Springer |
Total Pages | : 166 |
Release | : 2012-04-12 |
Genre | : Philosophy |
ISBN | : 9789401177573 |
Author | : Karen L. Taylor |
Publisher | : Infobase Publishing |
Total Pages | : 497 |
Release | : 2006 |
Genre | : Electronic books |
ISBN | : 0816074992 |
French novels such as "Madame Bovary" and "The Stranger" are staples of high school and college literature courses. This work provides coverage of the French novel since its origins in the 16th century, with an emphasis on novels most commonly studied in high school and college courses in world literature and in French culture and civilization.
Author | : Angelica Goodden |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2017-12-02 |
Genre | : Literary Criticism |
ISBN | : 1351198491 |
"Theories of memory and fictional recreations of the remembering mind have occupied a central place in French literature since Montaigne. The author investigates the shifting relation between cognitive or ""scientific"" memory and emotional or spiritual recollection in a series of major writers from the 16th to the 20th centuries. Her study focuses on the 18th century, where the interplay between memory and imagination and the link between self-knowledge and self-presentation are shown to be exceptionally fertile. The philosophical, scientific and fictional writings of Diderot and the novels and autobiographical works of Rousseau are central to this ground-breaking work, which should be of interest to all readers concerned with the specificity of the French literary tradition."
Author | : Steven Moore |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 548 |
Release | : 2013-08-29 |
Genre | : Literary Criticism |
ISBN | : 1623567408 |
Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1040 |
Release | : 1973 |
Genre | : Copyright |
ISBN | : |
Author | : Frank A. Kafker |
Publisher | : |
Total Pages | : 468 |
Release | : 1988 |
Genre | : Biography & Autobiography |
ISBN | : |
Although the Encyclop die is one of the landmarks of eighteenth-century thought and one of the most famous encyclopedias of all time, most of its collaborators are scarcely known. This is unfair and misleading: the editors, Diderot and d'Alembert, were able directors and prolific contributors, but they needed the help of many others to complete such an ambitious and trying enterprise. This biological dictionary also seeks to deepen our knowledge of the Encyclopedists. Scholars frequently generalise about the contributors' social background, politics, religious beliefs, and other matters without being able to speak knowledgeably about many more than a dozen Encyclopedists. But, as we shall see, the Encyclopedists do not lend themselves to stereotypes. They were not a sect of like-minded thinkers, even though contemporaries and later historians believed otherwise. Some of them met at such salons as the baron d'Holbach's and madame d'Epinay's or at such learned societies as the Paris Acad mie royale des sciences or the Acad mie fran aise; but others did not know each other, and they certainly did not try to co-ordinate policies. Even if they had, they would have failed. These biographical profiles indicate that the Encyclopedists were not united by a common social background, occupation, or ideology. Dissimilarities among the Encyclopedists are not surprising considering how they came to write for the enterprise. At the start, the publishers and their first editor, Jean-Paul de Gua de Malves, recruited people to help them revise and translate Ephraim Chambers' Cyclopaedia. After Diderot and d'Alembert had assumed the editorship, the work took on a polemical purpose - to reform the Old Regime. But it also remained a general encyclopedia requiring contributors with a knowledge of such non-controversial subjects as the harp, wood engraving, or bridge building. Also, on controversial subjects, the editors accepted contributions that differed from their own opinions. Scholars pursuing research in prosopography, social history, and many facets of the eighteenth century will find something of value in profiles of so many men of letters, clergymen, artisans, physicians, and scientists.
Author | : Hal Gladfelder |
Publisher | : JHU Press |
Total Pages | : 327 |
Release | : 2012-04-16 |
Genre | : Biography & Autobiography |
ISBN | : 1421404907 |
John Cleland is among the most scandalous figures in British literary history, both celebrated and attacked as a pioneer of pornographic writing in English. His first novel, Memoirs of a Woman of Pleasure, or Fanny Hill, is one of the enduring literary creations of the eighteenth century, despite over two hundred years of legal prohibition. Yet the full range of his work is still too little known. In this study, Hal Gladfelder combines groundbreaking archival research into Cleland’s tumultuous life with incisive readings of his sometimes extravagant, sometimes perverse body of work, positioning him as a central figure in the development of the novel and in the construction of modern notions of authorial and sexual identity in eighteenth-century England. Rather than a traditional biography, Fanny Hill in Bombay presents a case history of a renegade authorial persona, based on published works, letters, private notes, and newly discovered legal testimony. It retraces Cleland’s career from his years as a young colonial striver with the East India Company in Bombay through periods of imprisonment for debt and of estrangement from collaborators and family, shedding light on his paradoxical status as literary insider and social outcast. As novelist, critic, journalist, and translator, Cleland engaged with the most challenging intellectual currents of his era yet at the same time was vilified as a pornographer, atheist, and sodomite. Reconnecting Cleland’s writing to its literary and social milieu, this study offers new insights into the history of authorship and the literary marketplace and contributes to contemporary debates on pornography, censorship, the history of sexuality, and the contested role of literature in eighteenth-century culture.
Author | : L.R. Free |
Publisher | : Springer Science & Business Media |
Total Pages | : 107 |
Release | : 2013-04-17 |
Genre | : Philosophy |
ISBN | : 9401572933 |
Charles Pinot Duclos' biography dramatizes the evolution from the rigid separation of the aristocratic and plebeian classes in the seventeenth century to the gradual social democratization in the eighteenth. This son of a Brittany merchant from the little village of Dinan rose to social prominence in the aristocratic salon circles of Paris and to literary pre eminence, as attest contemporary memoirs, the success of his novels, histories and moral writings as well as his official positions - a member of two academies, Royal Historiographer, Perpetual Secretary of the French Academy -a feat nearly impossible in the stratified society of seventeenth century France. Moreover, not only was Duclos, the exceptional con versationalist, a persona grata among the Parisian social elite, but he was also aligned with the progressive philosophical forces, a friend or ally of the foremost mid-century men of letters. Indeed, as Karl Toth has so ably demonstrated, Duclos perhaps more than any other important writer 1 of his day can be considered the true representative of his Age. 1 Karl Toth, Woman and Rococo in France (London, 1931), p. 29. For amplified documentation on the character and life of Duclos consult the following sources: Louis Simon Auger, "Notice sur Duclos," Oeuvres completes de Duclos, Paris, 1806. Emile Henriot, "Un honnete homme au XVIIIe siecle -Duclos," La Nouvelle Revue (oct.-nov. 1910), XVII, pp. 553-64; (nov.-dec. 1910) XVIII, pp. 124-33. Leo Le Bourgo, Un homme de lettres au XVIII" siecle, Duclos, sa vie et ses ouvrages (Bordeaux, 1902).