The Mathematical Praeface To The Elements Of Geometrie Of Euclid Of Megara 1570
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Author | : Lesley B. Cormack |
Publisher | : Springer |
Total Pages | : 205 |
Release | : 2017-03-15 |
Genre | : Science |
ISBN | : 3319494309 |
This book argues that we can only understand transformations of nature studies in the Scientific Revolution if we take seriously the interaction between practitioners (those who know by doing) and scholars (those who know by thinking). These are not in opposition, however. Theory and practice are end points on a continuum, with some participants interested only in the practical, others only in the theoretical, and most in the murky intellectual and material world in between. It is this borderland where influence, appropriation, and collaboration have the potential to lead to new methods, new subjects of enquiry, and new social structures of natural philosophy and science. The case for connection between theory and practice can be most persuasively drawn in the area of mathematics, which is the focus of this book. Practical mathematics was a growing field in early modern Europe and these essays are organised into three parts which contribute to the debate about the role of mathematical practice in the Scientific Revolution. First, they demonstrate the variability of the identity of practical mathematicians, and of the practices involved in their activities in early modern Europe. Second, readers are invited to consider what practical mathematics looked like and that although practical mathematical knowledge was transmitted and circulated in a wide variety of ways, participants were able to recognize them all as practical mathematics. Third, the authors show how differences and nuances in practical mathematics typically depended on the different contexts in which it was practiced: social, cultural, political, and economic particularities matter. Historians of science, especially those interested in the Scientific Revolution period and the history of mathematics will find this book and its ground-breaking approach of particular interest.
Author | : Philip Davis |
Publisher | : Springer Science & Business Media |
Total Pages | : 522 |
Release | : 2011-10-28 |
Genre | : Mathematics |
ISBN | : 0817682953 |
Winner of the 1983 National Book Award! "...a perfectly marvelous book about the Queen of Sciences, from which one will get a real feeling for what mathematicians do and who they are. The exposition is clear and full of wit and humor..." - The New Yorker (1983 National Book Award edition) Mathematics has been a human activity for thousands of years. Yet only a few people from the vast population of users are professional mathematicians, who create, teach, foster, and apply it in a variety of situations. The authors of this book believe that it should be possible for these professional mathematicians to explain to non-professionals what they do, what they say they are doing, and why the world should support them at it. They also believe that mathematics should be taught to non-mathematics majors in such a way as to instill an appreciation of the power and beauty of mathematics. Many people from around the world have told the authors that they have done precisely that with the first edition and they have encouraged publication of this revised edition complete with exercises for helping students to demonstrate their understanding. This edition of the book should find a new generation of general readers and students who would like to know what mathematics is all about. It will prove invaluable as a course text for a general mathematics appreciation course, one in which the student can combine an appreciation for the esthetics with some satisfying and revealing applications. The text is ideal for 1) a GE course for Liberal Arts students 2) a Capstone course for perspective teachers 3) a writing course for mathematics teachers. A wealth of customizable online course materials for the book can be obtained from Elena Anne Marchisotto ([email protected]) upon request.
Author | : Volker R. Remmert |
Publisher | : Birkhäuser |
Total Pages | : 282 |
Release | : 2016-12-08 |
Genre | : Mathematics |
ISBN | : 3319396498 |
This book addresses the historiography of mathematics as it was practiced during the 19th and 20th centuries by paying special attention to the cultural contexts in which the history of mathematics was written. In the 19th century, the history of mathematics was recorded by a diverse range of people trained in various fields and driven by different motivations and aims. These backgrounds often shaped not only their writing on the history of mathematics, but, in some instances, were also influential in their subsequent reception. During the period from roughly 1880-1940, mathematics modernized in important ways, with regard to its content, its conditions for cultivation, and its identity; and the writing of the history of mathematics played into the last part in particular. Parallel to the modernization of mathematics, the history of mathematics gradually evolved into a field of research with its own journals, societies and academic positions. Reflecting both a new professional identity and changes in its primary audience, various shifts of perspective in the way the history of mathematics was and is written can still be observed to this day. Initially concentrating on major internal, universal developments in certain sub-disciplines of mathematics, the field gradually gravitated towards a focus on contexts of knowledge production involving individuals, local practices, problems, communities, and networks. The goal of this book is to link these disciplinary and methodological changes in the history of mathematics to the broader cultural contexts of its practitioners, namely the historians of mathematics during the period in question.
Author | : John DeSalvo |
Publisher | : Simon and Schuster |
Total Pages | : 215 |
Release | : 2008-11-25 |
Genre | : Body, Mind & Spirit |
ISBN | : 159477997X |
Prophecies of a 19th-century German mystic who spent seven years suspended between life and death • Focuses on the mysterious “language of the spirits” that the seeress spoke and wrote • Contains a biography of the Seeress of Prevorst’s life and illustrations of all known examples of her spiritual script and diagrams Known as the Seeress of Prevorst, Frederika Hauffe (1801-1829) was a German mystic and clairvoyant who was subject to convulsions and trances that caused her to remain bedridden from 1822 until her death seven years later. While in this state suspended between life and death, she received revelations from the spirit world about the triune doctrine of body, soul, and spirit, and she drew precise geometrical diagrams, often in complete darkness and with astonishing speed. The spirits of the dead were said to be in constant attendance on her and were even occasionally seen by others. Her most remarkable gift, however, was the ability to write and speak in what she called “the language of the spirits,” a unique coded alphabet that incorporated numbers and primitive ideographs. Using his scientific expertise to decode her secret language and diagrams, John DeSalvo examines the life and revelations of the Seeress of Prevorst and her importance in light of spiritual development over the nearly two centuries since her death. Preceding the rise of Spiritualism by two generations, the seeress’s prophecies and teachings threw open the door to the spirit world. With one foot in each world, her life and work offer a portal into mystical realms as fascinating today as in her own time.
Author | : Glyn Parry |
Publisher | : Yale University Press |
Total Pages | : 358 |
Release | : 2012-04-24 |
Genre | : Biography & Autobiography |
ISBN | : 0300117191 |
Outlandish alchemist and magician, political intelligencer, apocalyptic prophet, and converser with angels, John Dee (1527–1609) was one of the most colorful and controversial figures of the Tudor world. In this fascinating book—the first full-length biography of Dee based on primary historical sources—Glyn Parry explores Dee's vast array of political, magical, and scientific writings and finds that they cast significant new light on policy struggles in the Elizabethan court, conservative attacks on magic, and Europe's religious wars. John Dee was more than just a fringe magus, Parry shows: he was a major figure of the Reformation and Renaissance.
Author | : Simon Unwin |
Publisher | : Routledge |
Total Pages | : 590 |
Release | : 2013-12-17 |
Genre | : Architecture |
ISBN | : 1317810945 |
Now in its fourth edition, Analysing Architecture has become internationally established as the best introduction to architecture. Aimed primarily at those wishing to become professional architects, it also offers those in disciplines related to architecture (from archaeology to stage design, garden design to installation art), a clear and accessible insight into the workings of this rich and fascinating subject. With copious illustrations from his own notebooks, the author dissects examples from around the world and all periods of history to explain underlying strategies in architectural design and show how drawing may be used as a medium for analysis. This new edition of Analysing Architecture is revised and expanded. Notably, the chapter on ‘Basic Elements of Architecture’ has been enlarged to discuss the ‘powers’ various architectural elements offer the architect. Three new chapters have been added to the section on ‘Themes in Spatial Organisation’, covering ‘Occupying the In-between’, ‘Inhabited Wall’ and ‘Refuge and Prospect’. Two new examples – a Mud House from Kerala, India and the Mongyo-tei (a tea house) from Kyoto, Japan – have been added to the ‘Case Studies’ at the end of the book. The ‘Select Bibliography’ has been expanded and the ‘Index’ revised. Works of architecture are instruments for managing, orchestrating, modifying our relationship with the world around us. They frame just about everything we do. Architecture is complex, subtle, frustrating... but ultimately extremely rewarding. It can be a difficult discipline to get to grips with; nothing in school quite prepares anyone for the particular demands of an architecture course. But this book will help. Analysing Architecture is the foundation volume of a series of books by Simon Unwin exploring the workings of architecture. Other books in the series include Twenty Buildings Every Architect Should Understand and Exercises in Architecture.
Author | : Ted H. Miller |
Publisher | : Penn State Press |
Total Pages | : 346 |
Release | : 2015-06-13 |
Genre | : Philosophy |
ISBN | : 0271056851 |
According to the commonly accepted view, Thomas Hobbes began his intellectual career as a humanist, but his discovery, in midlife, of the wonders of geometry initiated a critical transition from humanism to the scientific study of politics. In Mortal Gods, Ted Miller radically revises this view, arguing that Hobbes never ceased to be a humanist. While previous scholars have made the case for Hobbes as humanist by looking to his use of rhetoric, Miller rejects the humanism/mathematics dichotomy altogether and shows us the humanist face of Hobbes’s affinity for mathematical learning and practice. He thus reconnects Hobbes with the humanists who admired and cultivated mathematical learning—and with the material fruits of Great Britain’s mathematical practitioners. The result is a fundamental recasting of Hobbes’s project, a recontextualization of his thought within early modern humanist pedagogy and the court culture of the Stuart regimes. Mortal Gods stands as a new challenge to contemporary political theory and its settled narratives concerning politics, rationality, and violence.
Author | : Wendy Beth Hyman |
Publisher | : Routledge |
Total Pages | : 232 |
Release | : 2016-03-23 |
Genre | : Science |
ISBN | : 1317040805 |
The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.
Author | : Brian P. Levack |
Publisher | : Taylor & Francis |
Total Pages | : 342 |
Release | : 1992 |
Genre | : History |
ISBN | : 9780815310341 |
First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : D.K. Smith |
Publisher | : Routledge |
Total Pages | : 246 |
Release | : 2016-04-01 |
Genre | : Literary Criticism |
ISBN | : 1317039335 |
Working from a cultural studies perspective, author D. K. Smith here examines a broad range of medieval and Renaissance maps and literary texts to explore the effects of geography on Tudor-Stuart cultural perceptions. He argues that the literary representation of cartographically-related material from the late fifteenth to the early seventeenth century demonstrates a new strain, not just of geographical understanding, but of cartographic manipulation, which he terms, "the cartographic imagination." Rather than considering the effects of maps themselves on early modern epistemologies, Smith considers the effects of the activity of mapping-the new techniques, the new expectations of accuracy and precision which developed in the sixteenth century-on the ways people thought and wrote. Looking at works by Spenser, Marlowe, Raleigh, and Marvell among other authors, he analyzes how the growing ability to represent physical space accurately brought with it not just a wealth of new maps, but a new array of rhetorical techniques, metaphors, and associations which allowed the manipulation of texts and ideas in ways never before possible.